Generally favorable reviews - based on 33 Critics

Critic score distribution:
  1. Positive: 29 out of 33
  2. Negative: 0 out of 33

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Critic Reviews

  1. 100
    A family film of limitless imagination and surprising joy.
  2. This sincere, delicate, and intrinsically religious comedy may also become that most unexpected of blessings - Danny Boyle's first family classic.
  3. Wall Street Journal
    Reviewed by: Joe Morgenstern
    The near-miracle worked by Mr. Boyle, whose exuberant style brings several saints to scruffy life, is a movie that's joyously funny and hugely inventive -- occasionally to the point of preciousness -- yet true to the spirit of the saintly little kid at its center.
  4. It's vibrant and verdant and heartbreakingly inviting, begging you to escape into a lovely tale in which children, through a simple act of faith, find their own heaven on earth.
  5. One of the more delightful and satisfying family movies.
  6. Leaves you feeling rich - and richly satisfied.
  7. The film is thriller, comedy and rite-of-passage story, but Boyle never loses sight of what's at its core.
  8. 80
    Millions is an intelligent children’s film that may prove to be a guilty pleasure for adults.
  9. A heartfelt, emotionally delicate children's movie about life and death and all the parts in between.
  10. Despite being a pure fantasy that relishes not making literal sense, Millions retains a conviction about what it's doing that makes us believe and enjoy.
  11. Witty, sweet and charming but never sappy, the movie joins the heady company of such extraordinary child-centered movies as "The 400 Blows," "My Life as a Dog" and "Au Revoir Les Enfants."
  12. The most gleeful movie about a single-minded kid since "A Christmas Story."
  13. The movie, though quite funny in parts, turns organically dark, and it refuses to paint a picture of a cotton-candy world. It prefers the real one.
  14. 80
    Millions is that rarest of creatures: a family film - one of surprising warmth – that won't have adults reaching for an airsick bag.
  15. Reviewed by: Adam Smith
    Millions, like all kid-powered movies, stands or falls in the first place on the performances of its child actors, and Alex Etel and Lewis McGibbon both delight.
  16. 78
    It's childhood done just right: part cotton candy angels, part gurning adult frighteners, and all wide-eyed kidhood bravado.
  17. 75
    It's an uplifting motion picture that will bring smiles to faces, and Boyle's trademark irreverence keeps the feel-good experience from becoming too saccharine.
  18. You never know what to expect from Boyle, and that goes triple in this offbeat comedy drama. It's a movie about family that family viewers will find good, quirky fun.
  19. This is a family movie in the best sense; it plays to children without talking down and to their parents without pandering. Mostly, it's just good fun.
  20. Reviewed by: Ty Burr
    You really don't need to borrow someone else's kids to ponder and enjoy what Millions has to offer.
  21. Reviewed by: Derek Elley
    Maintains a bankable charm and innocence even when overdrawn on the special effects side.
  22. 70
    A little broad comedy keeps things perky, but the kids' excellent, restrained acting and the low-key script by "The Claim" screenwriter Frank Cottrell Boyce hold the whole sprawling project together, from weepy revelations to silly fantasy-saint sequences.
  23. This cheeky fable rests on the slender shoulders of Etel and McGibbon, and the lovely, natural performances Boyle elicits from them are the film's real miracle.
  24. 70
    A sweet little picture with a sense of humor as well as a mission. If money can't buy you love, at least it can buy you 90 minutes of warmth.
  25. Reviewed by: Mike Clark
    Mostly avoids being cloying but flirts with being precious. Yet Boyle is enough of a stylist to make it all passable. It's one of those films for which fans and detractors can see the others' viewpoint.
  26. 63
    Give Boyce and Boyle credit for daring to be strange, but this enchilada is so overstuffed, it's falling apart.
  27. The film is small-scale, cleverly crafted and feels like a more expensive version of the sort of "dramedy" they produce by the truckload at the BBC.
  28. Starts as sweetly impossible and ends as impossibly sweet.
  29. By avoiding sentimentality, Millions emerges as a simple tale told with sympathy for a child's point of view.
  30. Reviewed by: Ed Park
    Danny Boyle's Millions is not what we'd expect from the "Trainspotting" and "28 Days Later" director. It's essentially a gentle, kid's-eye parable.
  31. 50
    We're supposed to be overwhelmed by magic, but what we see is fancy film technique and a lot of strained whimsy.
  32. 50
    And the movie, likable for short stretches, ends up seeming worn and frayed, like Christmas decorations left hanging until spring.
User Score

Universal acclaim- based on 74 Ratings

User score distribution:
  1. Positive: 20 out of 24
  2. Negative: 2 out of 24
  1. Apr 3, 2016
    A contempo Christmas fairy tale for the CGI generation, Brit director Danny Boyle's "Millions" maintains a bankable charm and innocence evenA contempo Christmas fairy tale for the CGI generation, Brit director Danny Boyle's "Millions" maintains a bankable charm and innocence even when overdrawn on the special effects side. Sparky but essentially small movie could do reasonable numbers with a wide swathe of auds if positioned clear of heavyweight crowd-pleasers.

    Set before Christmas but shot in summery locations, pic’s unreal atmosphere is underlined from the start as two brothers, 9-year-old Anthony (Lewis McGibbon) and 7-year-old Damien (Alex Etel, in pic’s casting coup), move to a brand new housing development on the edge of Liverpool following the death of their mom (Jane Hogarth, only seen at end). In an orgy of exhilarating CGI, similar to the start of Li Shaohong’s Beijing-set “Baober in Love,” the houses literally spring up around the kids as they celebrate the beginning of a new life with their father, Ronnie (James Nesbitt), and away from the grim inner city.

    While Anthony is a savvy mathematician with a businessboy’s brain, Damien is a dreamer fixated on saints, miracles and the world of imagination. Damien is building a hideaway out of packing boxes near the railroad — and hosting his first “guest,” a joint-smoking St. Clare (Kathryn Pogson) — when a bag stuffed with banknotes arrives through the air.

    For the naive Damien, it’s a miracle from God. For the practical Anthony, it’s a £229,320 ($411,662) windfall that could be taxed at 40% if they declare it. Both agree to keep it a secret, though when St. Francis of Assisi (Enzo Cilenti) appears to Damien and tells him to help the poor, the kids find that easier said than done.

    After this powerhouse opening half-hour, pic momentarily turns a little darker as a sinister-looking pauper (Christopher Fulford) turns up at Damien’s hideaway demanding money. Anthony’s presence of mind gets them out of that tangle, but there’s no escaping a looming bigger problem: Blighty is finally about to join the Euro (film is set in an imaginary near future) and in little more than a week’s time the sterling is going to be as worthless as Monopoly money.

    Soon, a chipper young charity worker, Dorothy (Daisy Donovan), starts taking an interest in father Ronnie and — to the boys’ minds — the money, which turns out to be have been dumped from a train by bank robbers. All that’s left is to somehow spend the loot, but the police have already been alerted and the pauper is again hot on their trail.

    After the early stages, film fortunately goes easier on the visual effects and concentrates more on character and story-telling, with scripter Frank Cottrell Boyce (a regular collaborator with Michael Winterbottom, and one of the U.K.’s most imaginative writers) keeping the thin plot alive with setbacks and left turns. Ending is simple and briefly affecting, with the moral of the tale (“money just makes everything worse”) spelled out but in lower case.

    Dialogue by the kids has a slightly out-there, proto-adult flavor that’s handled with great assurance by both McGibbon and the younger Etel, with the latter practically stealing the film with his northern English blend of earthy cute.

    Other roles are equally carefully calibrated to maintain the movie’s irreal atmosphere, with the adults, as in all fairytales, having a simple, one-dimensional flavor (upbeat Dorothy, kindly Ronnie, scary pauper) that keeps the emotional focus tightly on the youngsters. Nesbitt and Donovan are excellent in this regard, and Pearce Quigley, as a bureaucratic-speak community cop, stands out among the adult supports.

    Tech package is aces at all levels, with key talent drawn from Boyle’s “28 Days Later” and his prior BBC telepics (“Strumpet,” “Vacuuming Completely Nude in Paradise,” whose antsy style “Millions” often recalls). Danish lenser Anthony Dod Mantle, who also worked on a slew of Dogme movies, creates a semi-magical, semi-realistic landscape of heightened colors and summery hues, in tandem with production design by Mark Tildesley, also a regular Winterbottom collaborator . John Murphy’s score keeps the movie at a brisk pace, in tandem with Chris Gill’s crisp cutting.
    Full Review »
  2. Feb 7, 2014
    Millions may seem like an interesting movie, but it suffers tremendously from an awkward quirkiness and inconsistent filming that leave theMillions may seem like an interesting movie, but it suffers tremendously from an awkward quirkiness and inconsistent filming that leave the movie feeling incoherent. Full Review »
  3. Mar 17, 2011
    Amazing movie! Really really fun to watch. Also Very Imaginative and creative movie with a good moral to it. This movie was also religiouslyAmazing movie! Really really fun to watch. Also Very Imaginative and creative movie with a good moral to it. This movie was also religiously fascinating and the cinomtagraphy in it was great. Full Review »