- Studio: New Yorker Films
- Release Date: Oct 15, 2004
- Critic Score
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100This was for me the best film at Cannes 2004, a story vibrating with urgency and life. It makes a powerful statement and at the same time contains humor, charm and astonishing visual beauty.
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100A beautiful picture with a great heart, a classic-to-be with a common touch.
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100It's worth stressing how deeply pleasurable Moolaad is to watch.
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100Once in a rare while a film comes along that is boldly original, communicates an important idea in an elegantly simple fashion and happens to be highly entertaining. Such is the case with Moolaadé.
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100This sometimes harrowing, often delightful drama stands with his (Sembène) most compassionate, colorful, and artfully filmed works.
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100The result: This great work of art has the potential to change the world.
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100As empowering and triumphant a film as you'll see this or any year.
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100It's not easy to pull off a good morality tale. That's why Moolaad, the new film from 81-year-old Senegalese writer-director Ousmane Sembene, feels like such an exceptional success. Its moral center is painfully clear, but so is its humanity.
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100To skip Moolaade would be to miss an opportunity to experience the embracing, affirming, world-changing potential of humanist cinema at its finest.
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100Moolaade, in short, is a movie to rock the soul.
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100This is a masterwork by Ousmane Sembene, the 81-year-old father of African cinema and one of Senegal's greatest novelists.
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90Quite possibly the most buoyant, exuberant film ever made on such an unpleasant topic.
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90This has to be the most richly entertaining movie anyone has ever made on the subject of female genital mutilation.
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90There's such a rich sense of the fullness of life in Moolaadé that it sustains those passages that are truly and necessarily harrowing.
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90This richly textured parable feels every inch the work of a master.
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90Sembène's love of his people and his commitment to the richness that underlies the poverty of their condition have always made his films gems of truth, as they do once again here.
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88It's a deceptively simple tale that tackles, serenely and with surprising humor, issues of gender, power, custom and change.
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88Fatoumata Coulibaly's peformance is striking. She plays her character with a mixture of determination and compassion.
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83Brilliantly colored and passionately acted, Moolaade teems with incidents, personalities and drama and is never less than vivid.
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80A marvelously entertaining, deeply moving treatment of a highly controversial practice: female genital mutilation.
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80Poetic, provocative and unstoppably powerful. But, depressingly, it probably won't change a thing.
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75A rousing indictment of a barbaric practice.
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75Not always pleasant to watch.
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70Though Moolaadé doesn't shy away from the task of educating its viewers about the brutality of "purification," it works equally well as a tribute to righteous defiance wherever it surfaces.
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60As drama the film mostly serves to illustrate the two sides of this crucial social debate in Africa.
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40Achieves the impossible in taking a genuine socio-political tragedy and turning it into an anvil drama which will fray the patience of the most sympathetic audiences.
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BillF.10Phenomenal. Humane and insightful.