This review contains spoilers, click expand to view. The year was 1955. Thereupon Ngo Dinh Diem's launching of a propagandist campaign("Denounce the Communists") against the Viet Cong, his collectivist-minded opponent, the war began, in earnest. During the intervening time, before our boys entered the fray, the South Vietnamese president killed 12,000 of these so-called commies, and for good measure, imprisoned 40,000, no doubt, innocent men, but still we supported the ROV despot. Ten years later, our consortium with a nation that allegedly shared the same democratic principles and ideals with our forefathers continued, bombing Diem's enemy to the north in the process, as part of an operation called Flaming Dart, which knocked out North Vietnam's industrial infrastructure. 1965 was also the year that President Johnson deployed the 3rd Marine Division(the first Americans to arrive in the Southeast Asian country) to quell the uprising of North Vietnamese insurgents at Da Nang Airport. Meanwhile, Keith Richards was dating Linda Keith, the groupie who would serve as his muse when the debauched musician penned "Ruby Tuesday", an elegiac ballad from The Rolling Stones album Between the Buttons. The song serves as the soundtrack of forbidden love in The Royal Tennenbaums, when Richie declares himself to his adopted sister Margo, and has the razor cuts on both wrists to prove it. They lie down in Richie's tent, sharing the same sleeping bag they used as children, when the pair ran away from home and camped out in a museum. Not for nothing does the on-screen narrator establish the year in Moonrise Kingdom, since this period piece film is a humanist riff on the French New Wave classic Pierrot le fou, Godard's polemic against the Vietnam War. The exposition is stealthily laid out in The Young Person's Guide to the Orchestra, the Benjamin Britten album that Suzy's brother plays on his phonograph, which indirectly explains how the film could be interpreted as Francois Truffaut's take on the 1965 film, when the scratchy female voice deconstructs art, explaining how an artist can play variations of the same theme. Similar to the self-aware French gangsters, Sam and Suzy are lovers on the lam, who end up occupying a coastline. Although the children lack their adult counterparts' pessimistic worldview, Moonrise Kingdom has more than Small Change on its mind. Its romanticism is barbed. This seemingly comic film is also politically-charged, sharing with Pierrot le fou, the same anti-Vietnam sentiment, best-exemplified in Sam's resignation from the Khaki Scouts, a thinly-veiled reference to our armed forces, which makes the small boy a conscientious objector. Scout Master Ward runs Camp Ivanhoe with the bombast of a four-star general, treating the boys as subordinates with a regimented severity that is uncannily military-like. When the scout master emerges from his sleeping quarters, it's with ceremony, demanding reports from the Khakis about their respective projects and threatening them with demeritorious citations like a cartoon version of Patton, as he advances incrementally towards the dining area, where the tight ship he commandeers is suddenly undermined by Sam's disappearance. Alone in the tent, Ward dictates his memoirs into a tape recorder, as one would during wartime. (Later, he saves a superior officer's life, which is pure war movie hokum.) When the search party discovers the children's encampment on the beach, and the children themselves, caught, perhaps, under post-coital conditions, reverberations of The Royal Tennenbaums can be felt. This time, the forbidden love, of course, isn't attributed to any quasi-blood relation, but rather, their prepubescence. A manifesto, however, is embedded in the children's actions that transcends the illicitness of their love. Juxtaposed against the representative military base, Fort Lebanon, whose Vietnam iconography can be glimpsed in the background as Cousin Ben walks the underage couple to the chapel, the children's affinity for each other seems like a revolutionary act. It's more than a case of puppy love, more than your typical boy meets girl narrative. Their romance is symbolic, of the anarchic sort, both personal and political, bringing to mind the late-sixties catchphrase: "Make love, not war," due to their preternatural maturity, and what such a relationship entails contextually. Sam is a lover, not a killer. In Pierrot le fou, Ferdinand tells the story of the man in the moon's exile from his sphere, after an American astronaut shoves a Coke bottle in the lunar being's mouth. In Melody, Alan Parker makes the same critique against capitalism when Daniel knocks over a Coca-Cola bottle during a dinner party thrown by his bourgeoisie parents. Not working in the Truffaut spirit, Parker has his students attacking the teachers, in order for Daniel and Melody, the newlyweds, to get away by trolley car. Sam and Suzy are romantics, but they won't be bricks in a wall.… Expand

Moonrise Kingdom is an absolutely adorable film superbly written by Wes Anderson (who also gorgeously directed it) and Roman Coppola about two kids from completely different familial situations who find a connection in their shared sense of loss, either from parents who were deceased or parents who were alive, yet never present.  The struggles to survive their individual childhoods are soothed by each other.  In one another they find the support to move through their pain, progress into adult situations and give each other comfort they couldn't receive from adults.  The quirkiness of the script's situations are typical of Anderson films, but the "yellowing" of the film's color and the exquisite use of children as the main characters add to the depth of perspective, showing the adults as the goofy, clueless, immature element of the cast.  In their own chaos, the kids appear to have it together much more than the adults.  Throughout this wonderful film, the kids deal with the adult scenarios with maturity and logic while the adults come across as trained monkeys.  The children come together as a strong, empathetic team while the adults are miserable robots succumbing to the rigidity of their mundane lives, clinging to every vice there is, from cheating, lying, drinking, smoking, etc. while all the kids want is to be loved and happy.  The simple things we all set out to obtain.… Expand

beautiful film. The people that are talking smack about this film are so stupid it makes me sick to my stomach. Someone even talked about pedophilia. OMG people can be so stupid I just want to punch them in the face.

I had to travel to L.A. (one hour) to see this film and it was worth it. When I saw "Fantastic Mr. Fox" I had a smile on my face the entire time, and this live action film captures the same quirkiness of that classic animated film. I can't say enough about how great the two lead child actors this film are - Wes Anderson likes a certain style that requires both timing and a certain way of conversing, and everyone in the film captured it perfectly. The story was kind of a modern day Huck Finn (although set in the 1960s). I already look forward to his next film, and that is the best compliment I can give any director.… Expand

I'm hard-pressed to find a bad thing about this movie. Well-written and well-executed. As always with Anderson, the cinematography is outstanding. Enjoy. (I'd put this in the top two for Wes's films.)

This is a beautiful film deserving of your attention. If you are a fan of Wes' previous work then you will love it. It encapsulates everything he excels at as an artist. "Moonrise" might be the most thematically clear and rich of all his films as well. Everyone involved shows a lot of discipline in bringing this tale to the screen and that includes a lot of child actors who had to rise to the material. Every actor is given their time to shine, and Wes proves once again that he has a prodigious talent for casting the right actors in the right roles and getting brilliant performances out of them. Even Bruce Willis fits right in here. Bruce Willis. In a Wes Anderson movie. Think about that.… Expand

Quirky and high-concept, this film could easily become an exercise in style over substance. It is both beautifully mannered and unreal but it's also unexpectedly engaging. The soundtrack, featuring Benjamin Britten, Hank Williams and in one key scene Francoise Hardy, is a joy. The actors hold the story together even when the action becomes quite overwhelming. This film well exceeded my expectations.… Expand

I don't say this lightly: this is Wes Anderson's best film. I won't even waste time trying to describe it, because I know I won't be able to. The child actors were perfect, and Bruce Willis was surprisingly delightful. Edward Norton pleases, as always, as do the other big names (I don't even need to mention Bill Murray). To anyone who didn't like Moonrise Kingdom: I love you but you don't know what you're talking about.… Expand

The film is a no-doubt signature Wes Anderson film. It's got the primary color palate, the vintage look, the interestingly quirky yet depressing characters. And yet, Moonrise Kingdom holds more in store for us. We find, among all other qualities of the the film, one of the strongest and most beautiful love stories to exist in all of cinema. Sam and Suzy go so hand in hand that it's remarkable to watch. Also, supporting performances by Bill Murray, Bruce Willis, and Ed Norton help to keep this love boat afloat. Although many may find this unorthodox romantic comedy to quirky to function, let alone enjoy, it's probably because they are obsessing over te main picture of the film, and not appreciating its intricate details. For example, the innocent and sweet yet undoubtedly destined relationship between Sam and Suzy is perfected after what seems to be endless (but what seems to be effortless) editing, until the flawless adolescent relationship is concocted. Overall, this film exudes both intelligently crafted cerebral humor and dark and looming depression (your generic Anderson film) in a masterful way, leaving us with a compelling compassion for our innocent spotlight couple. A must watch.… Expand

A gem of a movie! Visually stunning with a warm and genuine story and every character absolutely lovable. This movie strengthens the hope that Hollywood can still offer something new. Excellent acting and I'm glad to see that all of the actors gave maximum, even though most of the roles have short screen time. I have also found the two young leads very believable. Every scene of the movie is like a precious miniature in itself. Also, the scenery is unbelievably beautiful and at some moments I had a feeling that I was inside a landscape. The music was well chosen. This is one of those movies that you can watch again immediately after you finish it.… Expand

This is the best of Wes Anderson's films, everything feels and looks just right. You may or may not like what Anderson does, but if you do, you will definitely enjoy this, and that's and understatement.

Wes is rapidly becoming one of the most talented individual filmmakers of this generation. The visuals are dazzling and the acting is extremely heartfelt. You will undergo a thrill of innocence and it is impossible to not ponder your own little child while watching this remarkable film. Wes' imaginative movie reaches all age groups and will undeniably be released wide very soon and hopefully appear as a strong contender during oscar season.… Expand

I'd probably give this a 9.5 as it's a solid A movie, but that wasn't available. I was never a big Wes Anderson fan even though I liked some of his earlier films, but I'm not sure there is any director alive (at least American as I know there are a ton of great "Foregin" directors) who has a better back to back combo of movies in the last decade than Mr. Anderson (Matrix voice). I thought Fantasitic Mr. Fox and now Moonrise Kingdom were both solid A movies that have great replay value. Very Funny, touching, great cinematography (unique camera shots/angles), extremely unique, sweet.

MUST SEE movie......FYI some of my fav movies of all time are Pulp Fiction, Goodfellas, Big Lebowski, City of God, Shawshank, The Lives of Others, Godfather 1 & 2, Pinocchio/Bambi/Dumbo/Beauty & the Beast, Hoosiers (Indy born and raised who went to IU so a little biased), Casablanca, Schindler's List, Jaws, District 9, Fantstic Mr. Fox, Taxi Driver, Oldboy, Apocalypse Now, Monsters Inc/Incredibles/Finding Nemo, Deer Hunter, House of Flying Daggers/Crouching Tiger Hidden Dragon, Pans Labyrnith, Avengers/The Dark Knight (great summer blockbusters), and honestly Moonrise Kingdom may be added to my list. Need a 2nd watch, but wow AWESOME flick… Expand

I love the cinema of Wes Anderson, as I feel that he expresses much of the things I hold dearest, and I consider his movies so close to me that it feels as if I'm looking at a mirror that reminds me of my best feelings ever.Up to now, my favorite ones used to be Rushmore, Battle rocket and, perhaps, The life aquatic. But Moonrise kingdom is the new candidate for my almost favorite one. I would like to live in the world of this film;not because of what's happening(there 's a certain sadness in the relations of almost everyone to everyone in the film); but because Anderson manages to take me to a place where I feel things I was longing for and I was tending to forget. A unique film, which I instantly adored!… Expand

Moonrise Kingdom is a Wes Anderson film, and so it is not for everyone, but for fans of Wes Anderson, this movie exceeds any expectations you could have coming in. It is shot beautifully, the acting is excellent, it is perfectly cast, and the plot moves with perfect suspense and pace. Anderson attempts to capture the essence of the island, the essence of love, and the essence of childhood enthusiasm, and succeeds in doing so, the result being a beautiful, entertaining, and emotional film that moviegoers will remember as Wes Anderson's best effort. While it retains all the Wes Anderson charm that his fans admire, Moonrise Kingdom does not spend time documenting the lives of nihilistic middle aged men, nor does it waste a frame of its length. It is edited perfectly. At one hour and thirty four minutes, Moonrise Kingdom is a film that anyone can enjoy, Wes Anderson lovers and haters alike, and is perhaps Anderson's best film to date.… Expand

Directed by: Wes Anderson Written by: Wes Anderson and Roman Coppola Running Time: 94 min Rated: PG-13 Starring: Bill Murray as Walt Bishop Frances McDormand as Laura Bishop Bruce Willis as Captain Sharp Edward Norton as Scout Master Randy Ward Tilda Swinton as Social Services Jared Gilman as Sam Shakusky Kara Hayward as Suzy Bishop Jason Schwartzman as Cousin Ben In 1965, two 12 year olds decide to leave their lives behind and run away to a hidden inlet on the island of Penzance. Or so goes the plot for Wes Anderson's latest film, Moonrise Kingdom. The two kids, Sam and Suzy, meet when Sam sneaks backstage at a play and finds Suzy dressed as a raven. When she tells him that she cut her hand on a mirror when she lost her temper, you can see in Sam's eyes that he is smitten. The two are pen pals for a year and hatch a plan to run away together.

Sam is an orphan and is a member of the Khaki Scouts, a very serious group of campers that appear to be modeled on the military and, of course, the Boy Scouts of America. He and his troop are camping at Camp Ivanhoe when his scout master, Randy Ward, notices that Sam has "flown the coop". An APB is put out on Sam, and the troop, along with the local police captain, begin a thorough search of the island.

Meanwhile, Suzy has also fled from her home, carrying with her the necessities: a kitten, kitten food, a record player and her favorite record, a suitcase full of stolen library books, her lefty scissors, and her binoculars. She meets Sam in a meadow and follows him to an inlet where they set up camp. Both on the line between childhood and puberty, the two settle into life together. Sam impresses Suzy with his camping ability, and Suzy is compassionate when Sam reveals he sometimes wets the bed. After discovering Suzy's stash of letters from Sam, the search party steps up their efforts to find the two lovebirds.

I have always been a fan of Wes Anderson's films for their unique style. Each time I see one, I spend days afterward contemplating his approach. The camera pans from one room to the other in the houses as if you are looking into a dollhouse. The nature of living right next to other people and yet separate at the same time is clearly demonstrated with this technique. The settings looks like old fashioned paintings that have come to life with the characters. The colors are antiqued, almost sepia toned. The actors have their usual expressionless faces we have come to expect from Anderson's films, and yet so much emotion is being conveyed.

Once again, he has assembled a first class cast. Bill Murray and Frances McDormand played two attorneys who are married but just going through the motions. Bruce Willis is the local unmarried police captain having an affair with Frances McDormand's character. Edward Norton is sincere as the serious scout master. But the breakout performances of the film come from the actors playing Sam and Suzy, the star crossed lovers. I was mesmerized as I watched them fall in love for the first time in their young lives, as they carefully navigated the delicate balance between childhood and adulthood.

Another area in which I feel that Wes Anderson's excels is in his choice of music. After watching this film 4 times in a row (yes, I love it that much!), I downloaded the soundtrack. I'm not sure it holds up as a whole, but the parts are excellent. First there is the song that Sam and Suzy dance to on the beach, Francoise Hardy's Le Temp de L'Amour. I know it sounds silly but I love to put it on and act like I know what I'm saying when I try to sing along. Then there is the Young Person's Guide to the Orchestra. I put this on for my 6 year old and he loved it. It reminds me of how much I used to love listening to Peter and The Wolf when I was a kid. I love watching him as he discovers the nuances of each instrument and how they come together to make magic.

I highly recommend both the movie and the soundtrack. This is one movie I'm going to purchase to watch again and again. It's like a good book. In fact, I'm going to purchase all of Wes Anderson's movies and revisit them. Let me know what you think of the movie after you watch it.… Expand

This review contains spoilers, click expand to view. Moonrise Kingdom tells a mythological tale of social chaos (symbolized by the storm and Noah's Ark play) that gets resolved in a peaceful way rather than through a violent expulsion or sacrifice (except for the poor dog). Those methods are the kneejerk solutions to social confusion we expect in most communities/myths/movies. The movie begins with the chaos of adults acting like children while training the children to be adults prematurely. The orphan boy and Susie personally experience this lack of order and are trying to find peace and be prematurely adult because the island's adults are failing to provide proper care. The two teenagers accept their difference and try to leave the disorder around them for the best kind of natural and normal life and relationship they're capable of. This makes them outsiders who are blamed for the chaos that the adults have created for themselves and their children. The scouts who attack the young couple, the social service system lady, and Susie's parents use the usual blame, expulsion, and injuring/killing of these odd ones so society can return to its "normal" disorder that the adults take for order. But the Ed Norton scout leader and Bruce Willis police chief undergo personal change to take responsibility to help the children. These adults in official roles of order choose to resolve the conflict peacefully by recognizing the young couples' desparate, forced attempt to find their own sense of good order for themselves by just withdrawing from the community's disorder. And by choosing not to go through with their suicide the couple eschew the role of victims. They take the chance to live peacefully in a truly more healthy order where responsible adults care effectively for growing children. The new, true order is symbolized in the childrens' changed name of the inlet to Moonrise Kingdom following the island's great storm/chaos that's untypically been resolved peacefully. This is a simple innocent movie myth indeed that gifts us with an alternative to more common violent myths. These myths presume the necessity for a violence that gains a mere temporary peace, just the reconstituting of a still fundamentally chaotic "order." It will require repeated violence to keep chaos at bay, but never resolved. If my interpretation is sound then Wes Anderson may, like me, have been reading the cultural theorist Rene Girard. Girard has accomplished a startling unmasking of the myths, prohibitions and sacrifices that go along with the violent expulsion at the foundation of all societies. From whatever source, Wes Anderson has created a counter myth that presents a community's alternative choice to re-form/re-found itself through personal and social changes that lead to a peaceful social reconciliation. Moonrise Kingdom portrays adults learning wisdom from the mouth of babes.… Expand

All well(direction,actors and screenplay).The boy made mistakes but he solved it too fast;it's a great character.It's better than Skyfall and one of the best romance movies I ever seen.

Move over Bruce Willis! Bruce Willis is in town! Wait what? I don't know, but Bruce Willis was great in this and he didn't even punch/shoot/kick anyone or spout any cool catch phrases. Like Lord of the Rings: The Fellowship of the Ring and LA Story before it, Moonrise Kingdom is a movie. Whether or not you like movies may have a lot to do with how much you enjoy Moonrise Kingdom. Ask yourself: Have I ever seen a movie before? If the answer is no, then it is weird that you are reading this. Go see a movie. Should this be the first movie you ever see? Probably not. Go see Nell. It is about you. Then you can see this and Terminator 3: Rise of the Machinerators and Forrest Gump. But why stop there? There are literally thousands of movies you can go see now that are not being like Nell. Also, Bill Murray is in this. If you have seen a movie before, you might know that Bill Murray is pretty funny sometimes. If you are ok with that, and secure in your own level of humor, you might like to see this movie and even laugh sometimes at Bill Murray or even some of the other actors. Oh yes! There are other actors! One of them was in Fargo, and one of them made his mother cry (but I won't say which one!). Movies: the more you know.… Expand

Excellent film. Fantastic performances all round and wonderfully original. I honestly do not understand the extremely negative reviews here. This probably isn't a 10/10 film but at least an 8.

A film filled with simple pleasures. Wes Anderson films are an acquired taste. Like all acquired tastes, you can understand why other people don't enjoy them, but you pity them for it.

This movie is great, I went in not knowing anything about it, and was very glad I saw it. Its certainly different and very interesting. Recommend to anyone

Moonrise Kingdom is probably Wes Anderson's most accomplished movie... Everything is beautiful : the colors are dreamlike, the music is exuding the 60 's and the scenario joyfully childish. Did I forget to mention how good every actor ?

If I had one movie to take on a desert island, it would definitely be this one !

Even though this is my first Wes Anderon film, I enjoyed every moment of Moonrise Kingdom, savoring the originality of the characters and the atmosphere. There is something so unique and refreshing about the film... it is a breath of fresh air. Like any good drama, the movie is sincere and heartfelt, a fantasy filled with hints of nostalgia. Like any good comedy, the movie is very funny and very entertaining, with Bill Murray stealing the show at times. Part of the humor comes from the fact that the characters take themselves more seriously than we think they should. Yet the characters are sympathetic and feel realistic. The story can certainly pride itself in being unpredictable. The cinematography is simple yet elegant. Definitely see Moonrise Kingdom.… Expand

A wonderfully darkened piece from Anderson's bag. According to me, it's the best Anderson movie so far. You can sue me for saying this, but it's also probably the best of 2012. Loved the craftsmanship. Loved the acting. Loved the quirky camera movements. Loved the story. Oh hell! What am I talking about! Loved the whole thing!!!!

The more I see of the end-of-year blockbusters destined for awards, the more I appreciate this quirky, sweet film destined to be enjoyed and eventually watched again. The actors seemed to have fun and the viewer does, too. Giving it a 9 only because (in my opinion) it's not as great as "The Royal Tenenbaums."

Absolutely fantastic in every aspect of film making! Just about every element that goes into production that I can think of was spot-on. Whether it be the characters, music, story, tone, look of the film, or anything else really. This was my first Wes Anderson film, and he's acquired one more fan. A joy from start-to-finish, this is not a recommendation, this is a must-see.

Quirky, well acted, and amusing. Wes Anderson's films are not for the masses, as they are subtle and, quite frankly, more intelligent than the fodder we are fed by corporate Hollywood. I imagine his movies don't cost that much to make, that the actors all work for much less because they like him, and that because of these financial assets, make enough money to let him make the next one. I have liked them all to one extent or another. That's how it is with his films. If you don't like the quirky pathos infused humor, you just won't like his movies. He has his own voice and clearly his own aesthetic vision. I loved it.… Expand

Absolutely the must see summer movie for 2012: sweet, funny, quirky, nails the time period (so for those of you 50+, you will walk back in time), great music choices and visually stunning - took my breath away over and over and over again. The acting by both adults and especially children is pitch perfect. You must see this movie!

Although I was immediately grabbed by the trailer and the stellar ensemble cast, I haven't been a fan Wes Anderson's work in the past, and therefore was concerned that I would be (once again) disappointed and possibly frustrated with this film, as I was with his Rushmore and Royal Tenenbaum's. However,...I found Moonrise Kingdom to be one of the must unique, creative, and artistically directed films I've seen in a while. Exquisite art direction (those over 50 will particularly appreciate the attention to detail), clever cinematography, crisp editing, and touching performances from all involved. This is truly a one-of-a-kind movie experience that most over the age of 18 should enjoy. Expect the unexpected. Also - as usual, I highly recommend staying through the end titles, but this time for a wonderful narration to the instrumentation of the soundtrack. I expect Oscar noms next February for Best Screenplay, Director, and (possibly) Best Pic for this quirky, summer surprise. Grade = A-… Expand

I loved this film and laughed the whole way through. Wes Anderson's poetic moonrise kingdom will pull some in and make them laugh their heads off while others will feel alienated and cold. I was completely transported into the world of the characters through Anderson's great choice of music and poetic imagery. The only thing I could say is that it's the best film of the year so far.

Funny and delightful even on the surface. I remember laughing at the fantastic deadpan humor of this ensemble cast. This film endears at every turn, making this a worthy experience for your money.

Fantastic film from Wes Anderson. I hope Moonrise Kingdom should get an Oscar for Best Picture next year. One of the best films since Fantastic Mr. Fox.

Over the course of his career, director Wes Anderson has developed a loyal cult following. His films explore adult matters with a refreshing sense of childlike innocence and wonder. Moonrise Kingdom offers little variation on this approach, but utilizes it to perhaps its best effect. The plot centers around young Sam and Suzy (Gilman and Hayward) who exist as misfits in their small island society, which itself consists of various outcasts. These include affable if daft Scout Master Ward (Norton), Sam's khaki troop leader; lawyer couple Laura and Walt Bishop (McDormand and Murray), whose idea of sweet nothings consist of legal jargon; mild-mannered police captain Sharp (Willis); and various khaki scouts and Bishop children. Sam and Suzy decide to take flight in search of something more meaningful, possibly love. Soon just about everyone else is searching for them. Though the premise seems simple, Anderson and company excel at delivering unexpected and rewarding payoffs. Each actor finds the right note to play his or her character. In particular, the younger actors are astonishing, capturing in their performances the heightened emotions of one's preteen years. The production is highlighted by beautiful locations and excellent cinematography. This is not to say the film is without its (admittedly minor) problems; the early flashback sequences interrupt the overall flow, and Tilda Swinton is woefully underused as Social Services. Still Moonrise Kingdom fits in with the best of Anderson's work. Fans and newcomers should find plenty to enjoy.… Expand

Wes Anderson , he has an unique way to direct a film . And i thing this was him best direction . it was an amazing movie . Good story , there were some really funny moments but i they could make it more funnier with all those things happened . Good acting good location good idea but above of all its Wes Anderson's amazing direction . it was like a live action stop motion movie . so freaking love that style !… Expand

The best word I can think of to describe Moonrise Kingdom would have to be "Beautiful." The trailer is one of the greatest examples where a trailer is actually honest about the film. This film was really worth the trouble of finding the New York theater and I even skipped part of a class and I don't regret it, definitely a must-see, wether you're a Wes Anderson fan or not.

After the lightning, I felt like the movie started loosing it's originality and perfect awkwardness. Overall, it's one of the most captivating, unique movies I've ever seen

This is classic Wes Anderson right here. He takes his unique style to the next level with this odd yet charming coming of age tale. For me, the best part of Moonrise was the beautiful photography as well as the amazing score (shout out to Alexandre Desplat). The cast was phenomenal especially Edward Norton. The many child actors held their own against the veterans, however I thought the two main kids (played by Kara Hayward and Jared Gilman) were a little too monotone. We never really got to see any real passion from the kids. Overall, it's quite good.… Expand

This is definitely one of those movies you either love or hate. Personally, I loved it. Admittedly, it's kind of kitschy, but that's not always a bad thing. It's a colorful movie both in its color pallet and its characters. I especially loved seeing Bruce Willis playing a cop who's nothing like John McClane.

Moonrise Kingdom is sweet and simple. I haven't seen Wes Anderson's other movies but if they're anything like this, I definitely will.… Expand

Why did I watch it?
I've never seen a Wes Anderson film before. There, I said it. The trailers for Moonrise Kingdom made it look like a quirky, fun film with a great cast and worth a look.

What's it all about?
Set on a peacefully quiet island off the coast of New England, two children, having only met once, set their pen-mail devised plan to runaway together into action. This leads to the islands eccentric inhabitants launching their own search and rescue mission to track down the wayward pair before a storm closes in. Should you watch it?
Quite simply, yes. Moonrise Kingdom is beautifully shot, Anderson uses rich warm colours throughout and the film has such a retro feel to go with the 60s setting. The opening credits sequence was spellbinding and the film rarely lets go from there onwards. The cast is fantastic, the two young leads give performances that belies their youth and are supported by a brilliantly deadpan Bruce Willis character, Edward Norton, Billy Murray, Tilda Swinton and cameos from Jason Schwartzmann and Harvey Keitel.

The budding runaways

The screenplay is charming yet not without some serious undertones, in particular each child's motives for leaving but the film's offbeat humour (Swinton plays a character literally called 'Social Services') never lets the mood fall away from any other than pure adventure. Make no doubt that the children's naivety and innocence are the highlight of the film. The moment they meet up, Sam orders an inventory their equipment which includes an air rifle, a cat and six books before handing over some flowers to his young love. He later warns Suzy that he may wet the bed inside their tent. I'm reluctant to say anything further so as not to spoil the film for others.

Kingdom is supported by a score of classical music that fits perfectly with the eccentric nature of most characters and the old feel of the film.

A must see, and not just for Wes Anderson fans (as I mentioned I hadn't seen any of his films beforehand).… Expand

This review contains spoilers, click expand to view. I entered the cinema in a dyer, melancholy mood. Truthfully, I was expecting that Wes Anderson's latest release would lift that mood judging purely from the quirkiness of the trailer, and I was not mistaken. Immediately, I was struck by the fluency of the shots in the opening scene and vibrant setting of which it was shot, yet it was obvious from the build-up to the movie that it would be a fresh and innovative piece of art. What struck me most was the social depth of the film; character relationships reflected aspects of our western culture in sexual awareness, rejection of the different and strange, the relentlessness of authoritative figures in following the 'regime' and our (the peoples') despise at these particular figures, and the list can lengthen to however far you would like to think.
It was great how characters like Bruce Willis and Edward Norton were in their standard roles, a cop and a leader of a group respectively, yet the characters they played would be judged upon by their typical caricatures as pathetic and laughable - subtly showing how they were willing to place a comedic value on those roles and literally 'take the piss' out of them/themselves. Wes Anderson placed other subtle referenced jokes aimed at big movies (such as Shawshank and The Big Lebowksi), personifying the film, as if it was saying "Hey, i'm good too, but I don't have to be serious." I found the comedic value of the film light, witty and pleasant and it genuinely placed a smile upon my face.
On a personal level, what I took from the movie was a simple, and somewhat obvious message, of love can be obtained between the most different and weird people and in the end, it will always manage to blossom. This, in a way, I found enlightening being an 18 year old who desires love and affection but feels out of place in present day society, and this film told me "look, that is a good thing, a great thing, hope remains."… Expand

Quirky, whimsical and charming does not begin to describe, Moonrise Kingdom, which is one of the year's finest films and Wes Anderson's personal best (in my opinion). The movie follows a mature romance between people that are barely even mature yet (in terms of age). These kids elope from their damaged homes and have become the subject of a town-wide search to rescue them before "the storm" hits. The kids are played very well and with incredible maturity by Kara Hayward and Jared Gilman, and the all-star supporting cast, particularly Bruce Willis, did a fantastic job in their respective roles. They had a lot to chew on, thanks to Wes Anderson and his brilliant screenplay, which brimmed with colorful, distinct and flawed characters; and also deep story arcs. Despite the film's charming exterior, there was something deeply melancholic underlying its surface. It tackles some impressive themes like bullying, dysfunctional households and adultery (just to name a few) in an unapologetic and sometimes deadpan fashion. The perfectly symmetrical flow of the film will please any fan of the director and the grainy cinematography resembles a beautiful vintage postcard. I really have no complaints about this movie. I'm just hoping this gem does well in awards season.… Expand

The sets, photography were all from the point of view of a 13 year old. And it was done with a great sense of humor, and good eye for artful viewing. The movie was as much a Sendak style adventure as it was a teen's internal quest for autonomy, intimacy, and love.

Wes Anderson doing what he does best- aesthetics, sound, and relationships. Everything is beautiful, the soundtrack is great, and the movie is full of surprisingly touching moments. The only thing that bothered me was the somewhat wooden acting of the child actors- the deadpan "Wes Anderson" delivery doesn't come naturally to them, but by the second half of the movie I had forgotten all about this and was enthralled completely.… Expand

It's clear from the reviews that you either like Wes Anderson movies or you don't. If you're not a fan, this will not turn you into one. If you are a fan, then you've been waiting a long time for this movie and you won't be disappointed. It's got a lot of familiar quirks: the colorful tableaux filming style, the eccentric characters, etc, but it's got new stuff as well. There's more genuine emotion in the movie than probably any of his films since Rushmore (although, as usual, it's a little subdued). He did interesting things with the relationship between Suzy and Sam, too - pushing the boundaries a bit while still ultimately keeping things "innocent". My only disappointment with the movie was that I felt he marginalized Bill Murray a bit. If you've seen the trailer, you've seen pretty much every good line he has. One the other hand, it was nice to see some new faces in the movie. In addition to the kids, Edward Norton looked like he was born to be in these movies, and Bruce Willis and Harvey Keitel (!) fit in quite nicely, too.

Definitely worth seeing.… Expand

Wes Anderson is fascinated with childhood and dysfunctional families- both of which are showcased at their awkward finest in Moonrise Kingdom. Of course the photography is composed beautifully and setting the film in the 60's was a great choice given Anderson's affinities towards a certain color palette. I would expect nothing less visually from an Anderson film. Where the film goes beyond the norm is in the script. Anderson and Coppola really capture adolescent love as well as the parents reactions to said love. It delves into each character deeply enough for it to be fulfilling though not enough for it to drag into boredom. Every actor does a great job especially the two newcomers. Some of the animation sections are strange and mildly out of place. I'm not sure from one viewing where I would put it in the echelon of Anderson films but nonetheless it is a great addition to an already magical career.… Expand

Although i usually like to troll directors inert to stylistic changes and evolution, W. Anderson always manages to sneak up. And now, i must confirm that Moonrise Kingdom is an extra quality piece of Anderson's craftsmanship.

This movie, straight up, is just really enjoyable. The way it was filmed makes it feel like your in some grey area between reality and a fairy tale, and it worked wonderfully. One of my favorite things about the movie was how goofy, quirky, and irrational most of the characters are. I thought maybe the reason for this was because the movie was filmed from the perspective of 2 kids, who were sort of outcasts; and so they perceive all these adults and other kids as really weird and irrational because of how different they are from themselves. I don't know, just a thought. But overall, a really great movie that doesn't drag on any longer than it needs to (about an hour and a half).… Expand

I'm going to start with a list of movies, and you are going to tell me if you've seen them. Here it goes: Bottle Rocket Rushmore The Royal Tenenbaums The Life Aquatic with Steve Zissou The Darjeeling Limited Fantastic Mr. Fox Seen any of them? If you said no, I wouldn't be surprised: they all are rather quirky and aren't necessarily mainstream, though they have garnered quite a bit of praise over the years. Each of these films, like Moonrise Kingdom, is written and directed by Wes Anderson, the guy whom I believe must have the most interesting, colorful, and crazy imagination in the history of the world, or at least in Hollywood. Take out colorful, and he's the Coen brothers.

That's, of course, not a bad thing. After all, the brothers Coen have given us Fargo, The Big Lebowski, O Brother Where Art Thou?, No Country For Old Men, and True Grit, among others. But I say that more to give you a ballpark for what to expect out of Wes Anderson's movies. They are inherently weird, to put it bluntly. And Moonrise Kingdom is no different.

Moonrise Kingdom is the story of Suzy and Sam, two 12-year-olds who meet, fall in love, and agree to run away together and embark on an adventure that they won't soon forget.

Suzy Bishop (Kara Hayward ) is the eldest of 4 children, a problem child with a super power that is aided by her treasured binoculars.

Sam Shakusky (Jared Gilman) is an unpopular member of the Khaki Scouts, an orphan and expert cartographer with a great interest in the Chickchaw Harvest Migration Trail.

The two meet at a church performance of Noye's Fludde - the story of Noah and the Ark - and become pen pals who live at opposite ends of an island. One year later, in the summer of 1965, the two decide to run away together - Sam from the Khaki Scouts' summer camp, and Suzy from her parents' vacation lighthouse at Summer's End - and leave their dismal, lonely lives behind them.

This prompts the entire island, including Sam's scout master (Edward Norton) and fellow scouts, Suzy's parents (Bill Murray and Frances McDormand) and brothers, and the island police captain (Bruce Willis), to act as a search party to find the two missing young lovers.

Is there a lot of character development? Not really. Is there a twist ending? Nope. Are there a bunch of awesome special effects? Negative. Do you need to spend two or more hours in the theater and then even longer afterwards to figure out "what it all means?" Nay.

It's a simple story, but it creates so many funny, interesting, and delightful situations that you'd be hard-pressed to want much more from it. Is it weird? Sure. There are all sorts of odd story and character quirks that you wouldn't find in other movies, so many unique and interesting touches that just set this film apart. In no way does that make Moonrise Kingdom any less likable or any less accessible.

While the two films are extremely different, I find myself comparing Moonrise Kingdom to last year's magical Midnight in Paris. Both are stories of love - one of a city and a time, the other of a person and an adventure - and both are extremely light-hearted and fun. Both are directed by the same person that wrote them. Both are set (at least partially) in a time before our own. And both have their fair share of quirks, though admittedly Wes Anderson's caricatures and whimsy are far different from Woody Allen's neuroticism. But even better than those comparisons is that, like Midnight in Paris, Moonrise Kingdom is a darling of a film.

I was initially going to preface this review with this statement: this movie may not be for everyone. But, my mom went with me and she liked it, so I guess that statement doesn't really hold up. Often Wes Anderson's stories are so whimsical, quirky, and unabashedly odd that unless you are into "weird" movies, you may not find much to like within his repertoire. All of those things - whimsy, quirk, and oddity - are present here, and not so much in moderation, but there is something - I don't know what, but something - about this movie that just made me delighted as I sat in my chair and watched it all unfold. It's really a movie that you should see for yourself.

With a star-studded cast, memorable cameos, and a gaggle of talented young actors reminiscent of The Goonies, Wes Anderson has created a film that I don't think you'll want to miss. If you ever had a childhood crush or fell in love, ever felt like an outsider, ever hoped to embark on an adventure, well, this movie is certainly for you. All you need to do is come to the theater, sit back, and enjoy the show.… Expand

If 'Moonrise Kingdom' falls short of being a masterpiece, it isn't by much. It is a quirky, idiosyncratic work from one of the best directors working today, Wes Anderson, whom I believe should never stop making movies. Striking to look at and meticulously crafted, Anderson also gets points for capturing young love with a sense of innocence and intimacy that I haven't seen in any other film before. Not to mention that it happens to be one of the funniest films to come out this year. Amazing performances are abound, but the most affecting one comes from Bruce Willis in an against type, more subdued role that was intriguing to watch him dig into. There is a warmth and sacrifice to this man, a grace in his outlook on life, that makes him quite the unexpected hero (not in the action-movie sense that one would assume coming from Willis). And if only one thing could be said, 'Moonrise Kingdom' is hugely entertaining. It's a real crowd-pleaser when you get down to it, especially for those who are unassociated with most of Anderson's work before this. I would even say that it is THE Anderson movie, both for fans of him and those who are looking to get into his style. One of the best films of 2012, and is the most heartwarming and funny by a mile.… Expand

Definitely an Oscar film, Wes Anderson's offbeat (and at times, dark) sense of humor sets this comedy apart, as do wonderful performances by both the name actors AND younger cast members.

A vedere il miglior film per ragazzi dell

This was the first Wes Anderson movie I have seen, and I loved it. You know, it just shows you love can start at any age and last for an eternity. The filming was great. The actors were outstanding. The boy, Jared Gilman and the girl, Kara Hayward were so funny and I hope I see them in more films. Its just a fun filled loving movie that I will definitely watch again sometime.

The story itself is already fascinating, but it doesn't hurt at all that its misfit characters' journey is beautifully told by the quintessential filmmaker of the misfits. Moonrise Kingdom is one of those few cases in which bold formalism doesn't lead to a cold time at the movies. Actually, it's all the opposite.

some plot revealed in this preview.

This film is brilliant! It is a simple story on the cover: Orphan boy doesn't really fit anywhere, finds another person in life who doesn't really fit in as well. Together they find love and peace in each other, as well as acceptance and understanding. On the back of the story, we have the adults. The adults in this film show what is wrong with the world and society and its impact on our youth. The influences the Adults in the movie have directly affect the children, not so much psychologically but socially and emotionally. Its a pretty heart warming story giving you some great insight into a world of reality where children really understand more than adults realize. The movie has many layers of which to unfold. life in general; In the end, all people want is to find a balance and a happiness. this movie does an excellent job of showing the process, among many other lessons to be learned! I recommend this film for everyone! Anyone who has had some form of struggle with life should be able to relate to this movie and story.… Expand

Great movie. Period. Enjoyed every second of it. Solid soundtrack, great script, great acting, one of Wes Anderson's best films yet. Cannot wait for his next flick.

Loved this movie. If you can have the patience to sit through it all its a truley wonderful film. everything from the scenery, costumes, script all amazing. I truley love this director.

Very cute movie. Definitely different! Thought acting was great and the story was quite funny. Can never understand why it is so important for the film industry to blaspheme the Name of God, but the do several times in this movie.

I love the look and feel of this film; yes, it’s got a lot of quirkiness, but that’s not allowed to overrun the narrative too much. The soundtrack also adds to the enjoyment in a way; it becomes part of the world these people inhabit. The very black and white sensibilities of children are explored here; everything it taken as a matter of fact and accepted without question. I found it quiteuite refreshing in a way; it made a nice change from the brainless comedies I’m usually subjected to. All the performances were excellent with my top awards going to the two youngsters; Kara Hayward and Jared Gilman. Well worth a look if you haven’t seen it and (probably) well worth a re-watch if you have!

SteelMonster’s verdict: RECOMMENDED

My score: 8.2/10… Expand

This film is a success, a blending of genres that created this film of children to adults in an adventure splendid film. With a little peculiar photography in these times and mainly as the direction I've been this script very well.

If the director

Moonrise Kingdom is an eccentric, artistic, and quirky film that portrays exaggerated versions of typical people. Ed Norton's role as an obsessively responsible scout leader is revealed when he is asked what he really does in life. His answer is, “I’m a math teacher, but I’m a scout master on the side--no, I take that back. I’m a scout master, and a math teacher on the side.” For people wr people who are not movie stars, politicians, or any other vocation that involves celebrity, who they are is based on what they do, or more significantly, what they do for others.

Director Wes Anderson explores the meaning of life when life is obscure and routine. And for all those anonymous individuals out there, there is one thing that lifts them all out of the world of the mundane and into the magical kingdom of the sun, the moon and the stars--that magical moment when the moon rises--and that is love. Norton's Scout Master Ward gets his love from the scouts who are entrusted to his care at the island summer camp. The sheriff, played soulfully by Bruce Willis, seeks a different kind of love from a married friend, who lives on the same island, but later realizes he is morally adrift, and in the end becomes a loving, adoptive father. Tilda Swinton's social worker has given up on love and she is almost a robot, until she too discovers that she can find love with acts of kindness toward others. Everyone who is bereft of love eventually finds some compensation in this 1965 setting that has all the hues of a Kodacolor snapshot. But there is one kind of love that is certain to lift everyone out of their ordinary lives and into magical realms and that is, of course, romantic passion. In this film, that kind of romantic passion is absurdly and almost ridiculously acted out by two 12-year-olds.

Pre-adolescent Sam (Jared Gilman) and Suzy (Kara Hayward) meet at a school play on the island. Sam falls madly in love at first sight, pursues the object of his affections with love letters, and asks his paramour to run away with him. He leaves camp without authorization and she runs away from her parents' gingerbread house with the picture-perfect interior, and the hunt for the two runaway children begins, as the grown-ups get stressed out of their minds because the children are pretending to be adults. Sam is an expert scout, so they set up camp in various parts of their small island, where they get to explore the depths of their romance, which includes tentative, shy attempts at intimate behavior. When caught, they escape a second time and convince another scout master to marry them in a strictly symbolic ceremony, since they are too young to obtain a license. Sam then refers to 12-year-old Suzy as “my wife.” At a glance, it appears that the children are acting like adults, but in fact, this film intends to show that passion and romance are child's play, for even children can kiss, grope, and call each other husband and wife. It is indeed the grown-ups who act like children when they fall madly in love, and there is even something childish about the exclusivity of marriage, when it is born only of passion. That would explain the astronomical divorce rate, hovering at 40% and climbing, a failure rate that seems to be connected to the myth of undying romantic love.

If you grew up in the 1960's, you will wax nostalgic when you see a plastic record player that can be carried like a box with a handle. And remember when people smoked everywhere, even at breakfast? This time period also indicates a certain naivete, an immaturity on a global scale. In the end, the only love that endures is not egocentric love born of amorous passions, but the kind of love that is based on what we do for others. So, in order to wed like grown-ups, the only marriages that work are those committed either to raising the children, as shown by Bill Murray and Frances McDormand (playing Walt and Laura Bishop) in their shaky alliance that stays cemented because of the children and the profession of law to which they are both devoted--or marriages where two people use their synergistic energies to improve, further, and enlighten society at large. Anything else is a self-absorbed child's fantasy in an ephemeral kingdom filled with stardust, where there is no goal and no purpose, except perhaps to laugh, run, and chase the rising moon. And that is better left to 12-year-olds.… Expand

My fourth Wes Anderson film, a 2D cinema-going, the previous three are THE ROYAL TENENBAUMS (2001, a 7/10), THE LIFE AQUATIC WITH STEVE ZISSOU (2004, an 8/10) and THE DARJEELING LIMITED (2007, a 6/10). With its burgeoning domestic box-office performance (a $38.8M by last week, only second to THE ROYAL TENENBAUMS, which cashed in around 52M in the whole run), MOONRISE KINGDOM has a chance to be elevated into the weighty consideration as the BEST PICTURE contender in the Oscar race for the first time for Mr. Anderson, and a more potent edge is that it has gathered his idiosyncratic innovative creativity and incubates it with a fairly engaging story, therefore it can be conceived as his most developed and fully grown work to date. Apart from Anderson… Expand

If you like Wes Anderson films you will love this quirkly coming of age story of Suzy and Sam who think they are alone as oddballs in their world till they find each other and run away together. I am not a big Wes Anderson fan but I really enjoyed this movie quite a bit as it crosses back and forth between innocence and ignorance and fantasy and reality. Where do these thoughts/feelings intersect Anderson seems to ask and when did we as adults last care or take notice? The kids run away and explore freedom and their feelings but the director wisely chooses to avoid showing intercourse (god forbid-what could be worse in America?) but they kiss and touching in an innocent way that makes us long for those days when we first loved that way. The acting overall is great- I enjoyed Frances McDormand, Bruce Willis, Harvey Keitel and Ed Norton but was quite disappointed with Bill Murray. Excellent feeling of the sixties era on Long Island or New England, good music added drama and rhythm, and the reading of the letters by Sam (Jared Gilman) and Susy (Kara Hayward) to start their friendship as pen pals and Susy's binoculars are just 2 details thst show Anderson's devotion to his craft. Good film for couples, families, and the young at heart.… Expand

It was much to my surprise that my movie date leaned over half way through the film and whispered in my ear 'I don't get it... it's funny? yes?' Particularly when I had just spent the last hour with a big smile on my face... So I did what any reasonable male would do in similar circumstances. Never called her back.
But it is now, as I put down these words, that I realize Wes Anderson might invent the kind of humor that speaks in sly remarks and intelligent repartee. After all, this is the gentleman responsible for "The Royal Tenenbaums" and "Life Aquatic." Films filled with all kinds of quirky characters that are never obvious to decipher.
Perhaps is my European upbringing that allows me to relate to his flavor of sense of humor. In the old country it is rare to have a laugh at someone smashing a pie in your face, a-la-Jim-Carrey. Too obvious. We do it more with combinations of words that require three different explanations and a day to marinade. Neither is better. It just tastes different.
With or without my rather attractive yet long-gone companion, Wes Anderson delivered quite the good film. On the surface the story follows the romantic quest of a teen couple determined to come together and run away whether the adults like it or not. Which is a good thing, because the adults seem to be the ones out of touch with things in this Anderson microcosm. The kids are on point, determined, and ready to make all the adult decisions. Which is the humor of the thing. While the adults are always at a loss, indecisive, and in total disarray, specially in their personal lives.
The dramatic performances were exacted with such surgical precision that it is obviously directed as such. No human takes their words and emotions to that extreme wax-museum-like delivery. Again, that is the humor of the thing.
I found the marriage of music and imagery fantastic. It opens as it ends. The visuals leave no room for mistaken identity. There is always a haunting quality of being trapped inside a doll house within a little kid's story book. A compromise of innocence and seriousness from which to tell a story of painfully contrasting human emotions. The unrelenting honesty of a true heart ache versus the hopeless defeat of a disappointing adult world. Fantastic.
One last thing... To the gorgeous girl whose calls I didn't return... Call me back. I found a movie with lots of smashing pies.… Expand

El cine es un mundo que se va llenando de las llamadas

I enjoy a unique movie going expeirience. Wes Anderson absolutely provides that. Yet Anderson doesnt always blend his unique approach to make a good movie, in my opinion. Rushmore was great, Life Aquatic was a masterpiece, this one falls somewhere in between. Rent at home, enjoy!

This is my first Wes Anderson movie in quite a few years and have to say I am glad that I gave him another try. As we all now his style is quite unique and while I would not every director to run out to copy it, I found this movie very enjoyable. The way that Anderson makes his characters deliver their lines in the same manner and tome no matter what emotion they are feeling adds humor to situations and dialogue where you would not normally find it. I also found this movie visually enjoyable, each shot can almost be framed like a still picture, this gives the audience a cinema experience unlike any they are likely to find elsewhere. While I don't think Anderson's style makes for difficult work for his actors, it is still hard to argue that any of the performances are less than stellar. Overall a fun enjoyable film that will be worth a second viewing and make me go back and re watch some of his earlier films.… Expand

Wes Anderson´s Moonrise Kingdom is one of his greatest achievements since Rushmore. This film is simply lovely, it´s intimate and original and it truly defines what love really is. The entire cast is fabulous, that goes from Bill Murray till Bruce Willis. The film is funny when it has to be and dramatic at the right moments, it´s the perfect combination.

One of the greatest, most unique directors of our time, Wes Anderson, is back with his seventh film and it doesn

Wes Anderson at his best! Moonrise Kingdom will go down as one of his greatest. From the corky scripting, to the incredible cinematography, this film is hard not to enjoy.

After a meandering start, it takes flight and is magical. True to form, Wes Anderson. Tender at the core and odd on the outside. Sweet perfection, lovely.

I went in jaded and was ready to hate the preciousness of it all, but this gem won me over. A summer treat from a man with a vision. You pretty much know what you're going to get with Wes Anderson, but here it comes together with style and grace.

The Royal Tenenbaums is one of my all time favorite films. I love Rushmore as well. Those films are both 10's in my book. Moonrise Kingdom is not a 10. It does not live up to Rushmore or Tenenbaums, but it certainly comes close. The beginning of the film was my problem. I wasn't bored, but I was starting to get to that point. The middle of the movie then came and from that point on it was flawless. I enjoyed it very much. The performances from the cast were hilarious. Especially by Bruce Willis, Bill Murray, and Edward Norton. They are the funniest and saddest characters of this story. This is a story about young love and family and it is definitely one of Anderson's best. This is one of my favorite films of the year, and I encourage any one to go and see it. One of the most interesting movie going experiences of the year.… Expand

This is just Wes Anderson at his best. A funny and cute screenplay that shows what it is like to be a kid and the theatricality of young love. If you like quirky movies that aren't the usual Kathrine Hiegel wreck then watch this. It will entertain you and give you a soft warm glow inside you.

Película correcta, que mantiene las obsesiones de Anderson: colores, diálogos, actores. Lo nuevo son las actuaciones de la pareja de niños y los roles que cumplen, estos son personajes llenos de deseos que los adultos no entienden (a lo Simona Vinci) y se espantan. Temáticamente una loa al amor, mas uno que incluye las roturas de la mirada insolente de la niñez

I thought the best thing about this film was the big name talent in the small character roles. The story was cute and held my attention but it wasn't that funny as some in the audience found it. Still, I enjoyed it despite not being enthralled by a movie about preteens.My rating of this film is more a commentary on the lack of good films that are available for viewing today. Hopefully that will change as we head into the Fourth! I was excited to see Edward Norton back and to see that he is in the new Borne film.… Expand

A very likable movie. It made me feel like I was a teenage again, The movie captured the whole idea, of how young people think. They both ran away from home, and the director filmed it in a way, that it seemed like they were on this great adventure! I only had a problem with the films ending, other then that, great movie!

Finest script work and wonderful con-conventional typical wes anderson type powerful potrayal of a catastrophic incident in a calmly village. Do love it...

Moonrise Kingdom is a peculiar and beautiful movie, treats the story of a boy and a girl who met on a school play and fall in love, so they start to sending letters to each other and one day plan to escape together, in order to have a new life, far away from the adult world, which they both hate. It is interesting the dynamic that is generated between these two characters, because they both give to the other what their family does not provide; he compensates the understanding and support that needs the girl, and she pay off with attention and love. This story is so charming and magic because is the one that everyone wanted to have during their first love, although is not a complete happy ending; it has the precise end to make the story believable. Another exciting topic of the picture is the contrast and comparison between the child and the adult world. We see that the children do whatever they want and live guided by their imagination; however the adults do want they have to do and live guided by social conventions. Then we notice that the roles are change, the grown-ups cannot have a relationship or manage the children, but the boys have relationships and do not care of what the adults say. All of this happens because the story develops in the moonrise kingdom, a mixture between dreamland and neverland (the idea that the island where they live is fictional, also contributes to this concept). The performance of the protagonist couple is just brilliant.… Expand

This film is cute, amusing and entertaining. It has a funny title, sorta like all the fake books the characters read in the film. This film will not win any major awards.

Watching Moonrise Kingdom is like going to a fancy art gallery. Sure the film is wonderfully rendered, just like those pieces of art, but you're always on the outside when watching the film (some preposterous scenes make it hard to connect with the film sometimes), just as you are when observing the art in the gallery. Nonetheless, Moonrise Kingdom is a very-well packaged piece of art, with Wes Anderson's signature over everything in the film. Trust me, Moonrise Kingdom is 100% Wes Anderson, from the linear cinematography to the mischievous score to the dialogue and even down to the character's names. Laughs are abundant in this starkly witty, quirky, and overall enjoyable film. It's a must-see for anyone, particularly those who like intelligent, well-acted offbeat films. At the end of the day, you have to admit, no one quite makes a film like Wes Anderson does.… Expand

I'm not especially a fan of Mr Anderson's output. I found Rushmore to be bombastic and distastefully immature, if ambitious. Tenembaums never really peaked my interest. I started to get his approach with Zissou, allured as I was by his iconic visual style. I found the feature to be flawed, but it made me chuckle in a way no other film has before. His subject matter is somewhat pretentious, but for his treatment of an older man's coming of age, the splendid supporting cast and his perfect casting of Bill Murray in that role, he should and was commended. To my own detriment, I cheapened the experience by loitering in the auditorium after the screening to catch the sequel to a well known Wachowski brothers film, which, although sophisiticated in its own technical way, wasn't even in the same league. It begets a repeat viewing, but I've yet to get myself in the right frame of mind to fully appreciate it again. I was enticed into watching Darjeeling, once again by it's casting, and it's immaculate promotional poster. Unfortunately, I found that film to be somewhat self important, and, once again, undermined by distastefulness. I was drawn to this, his latest release, yes, once again, by his refreshingly unique style, which is both retro and very contemporary. On first viewing it failed to capture my interest. On a whole, for an adventure, the movie is dull: drawn out in places and rushed in others. His cinematic gags becoming a bit gimicky by this point. I did enjoy the universe he had created and, if I'm using the term correctly, the general mise en scene of its framing, to be most pleasing on the eye, but almost too much attention has been paid on this aspect (his priorities are almost inverted). The lack of worldliness is understandable in the younger cast, but I personally found the older characters to be somewhat one dimensional, the story to be slight, and the stilted delivery of its dialogue infuriatingly monotonous. (It's just not as funny as it thinks it is.) Arguably, this is intentional, and I'm sure there is a post-modern justification for the film's overall flatness. I'm sure he would likely use terms such as 'distancing effect', at which he has been succesful (the film's opening admittedly does resemble a dolls house - as Zissou's sub resembles a schematic). Maybe it's was just that there was such a large younger cast, I couldn't quite connect with the film's emotions (the word autism did surface in my consciousness a few times during viewing). Then, maybe perhaps I'm not meant to, for this seems to be a grown up film for young people, and very much an experience for those within it. I did find myself compelled to watch the film again, if not in it's entirety. Mainly to immerse myself once again in his rich universe, which I longed to re-inhabit shortly after the films close. Also, to share the company of its familiar cast, in fittingly new guises. At the risk of not being cooly understated, as most critics seem to be aware such fare requires, we are blessed by the presence of the sultry young Kara Hayward, a future screen siren in the making. This is very much her film. A gift.… Expand

I like quirky films, with odd characters and this film have both of these things. I was looking for more laughs but was a solid period based film. The casting is perfect as is the array of colors making the scenes jump off the screen. I would not call this a classic but recommended but a view or two.

The film is set and edited with a master's perfection and each scene is cut so precisely, that within the first five minutes you're enchanted by Anderson's world. But, I believe it is this same style that prevents the film from being great, as the cookie cutter feel of it all eventually becomes tiresome.

Wes Anderson's latest takes place on a New England island in the 60s. A pre-pubescent couple runs off, while a group of family and others tries to find them. The director has taken his deadpan style and dense visual statements to it's extreme. I kept waiting to be charmed and amused, while everyone around me was delighted. It's an interesting stylistic escape, but just too twee for my taste.

Quirky for the sake of being quirky. Too cute for its own good. Take the star talent from the film and it never makes the screen. I have to give this film a weak six. It is interesting enough to keep your attention, but weak enough to have your mind wandering on a regular basis.

The film has strong and weak elements. On the positive side, it is really, really easy on the eyes. I could watch it with the mute on. But you don't want to miss the music. Hank Williams and classical music on an old phonograph took me back to my childhood. The quirkiness is amusing. Negatives: Amusing is not the same thing as funny. I chuckled maybe twice. It might be funnier with friends. The movie was not very emotionally involving. It seemed a bit formal, somewhat two dimensional. Sometimes the plot seemed to be just going through the motions. The movie was not boring but was far from engrossing. Quirkiness, audiovisual perfection, and good acting keep the canoe afloat.… Expand

This film will obviously have Wes Anderson's fans drooling all over... It had all the ingredients to become my favourite Wes Anderson's movie too, and yet the overloaded music (which really never stops for a single second!) and more importantly, the cartoony nature of everything else around the central heartfelt story of adolescent love pulled the film in too many directions and actually took a lot away from what could have been a very moving and sweet story.
This is my review
http://wp.me/p19wJ2-z8… Expand

A great story but Wes Anderson's trademark tweeness and arty shannanigans just take me out of the moment. There's that air of unrealism that typifies most of his films. Also a bit dissapointed to see great actors like Bill Murray being wasted in shallow roles. I switched this film off when the two kids started dancing on the beach. Was too cheesy and made me want to vomit.

This is a cute movie, with some witty dialogue, and some mild emotion attached to it. However, like most Wes Anderson movies, it is pretentious, self-indulgent, and tries to be a deep, profound statement, not realizing that it's merely just a cute, quirky comedy. That honestly takes away a lot of its appeal for me, and that's why I docked it a points. I would put this movie in the same boat as something like Crazy, Stupid, Love. It was cute, funny in some parts, and heartfelt in others, yet there was nothing groundbreaking about it. I would have given this movie a slightly higher score if Wes just allowed the movie to just be the cute little movie that it was. When it's reaching to be a profound statement about the lives of these kids, it fails to do so, and it just leaves a bad taste. The most emotional moments have all been done before in many other movies. It does feature a cast of strong, respected actors, like Frances McDormand, Edward Norton, Tilda Swinton, and Bill Murray, although I wouldn't put this in the discussion for being one of the betters performances, or one of the better movies, for any of those people. They were cute and quirky, just like the script. Something both Wes Anderson and his pal Noah Baumbach need to work on is knowing their limits though. That haughtiness they seem to have comes across in their movies, and ruins their appeal.… Collapse

Didn't like the characters (the lead boy and girl), the flat 2D cinematography was nauseating (every shot is either side on, front on, top down, no angles, no depth), and the story was just a little too quirky for me, although I appreciate the attempt :)

Great cast, but ultimately the whole thing just felt like it was a movie made by a hipster, featuring hipsters, for hipsters.

Not particularly sweet or charming or clever, but rather a fairly stilted, posturing attempt to be all three (or at least the first two). A waste of a lot of talented (adult) actors. I loved the music, though (which, of course, was from Britten and others), and I thought the musical joke/take off during the credits was the best part (and maybe reason enough to stay to the end).

It is perhaps the best Wes Anderson film, but that fact almost made me angry because he is close to creating something engaging yet missing in the same trite ways he always does. This demonstrates he is not willing to take a risk in any meaningful way. I can endure the quirkiness, I can appreciate the calculated compositions and mise en scene... but they really should serve a story of some gravity, passion or humour. Here the acting is wooden (puppet wooden), lines spoken too fast (as if to emphasize their meaninglessness), the child characters generally acting like adults, adults acting like children, all running around in a simple story, but even more, after awhile, you realize it is about a bunch sets and objects that look like a kid's dreams of military heroism and futile activities carried out in an oddly precise manner. All this makes me think he should use his artistic styling, which is appealing enough, on an entirely different kind of story written by someone else.… Expand

This was an odd film across the board mainly due to the visuals, the actors, and their acting. First, the story is just a run-of-the-mill coming of age story centered on some 11 year olds. It's the type of story you've seen a dozen times before on Lifetime, A&E, CW, etc. But this particular film stands apart from them because of the elements I noted above, but doesn't apart in a good way. The film is set in 1965 and the film is quality is intentionally set to be grainy with yellow tinting, so my Blu-ray experience was obviously dampened. Then the actors - the principal stars (two kids) are unknowns but the supporting adult cast are all-stars. You'd think that would be great, but not so much. In fact, none do any better than unknowns could've but then this would've been an art-house flick instead of mainstream. Finally, I have to agree with "dafuq" below who notes that there's no emotion or passion in any of the performances. Much of the dialogue is done in emotionless monotones and it's just a horrible shame. Obviously director Wes Anderson did this intentionally but why ?? It's not a fully wasted effort but it could've been so much better.… Expand

Always a warning when people really like the acting. MK is just such a movie. Several superb actors hamstrung by the script. (Spoiler alert: there are no characters that you really care about.) Go and enjoy the quirkiness but it will be like a meal that still leaves you hungry. Then re-watch Napoleon Dynamite, Donny Darko, Little Miss Sunshine, Coraline.

Wes Anderson films are just not for me. This one has some really good performances including my favorite Edward Norton, but for me like all of Anderson's movies I got bored.