- Studio: Sony Pictures Classics
- Release Date: May 7, 2010
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100A flawless film of heartrending realism about the eternal chord that binds parents and children and the emptiness when they are separated.
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88The film is founded on three performances by Annette Bening, Kerry Washington and Naomi Watts. All have rarely been better.
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80The force of the acting alone almost compensates for some of the more difficult (and realistic) questions about not giving birth that García willfully sidesteps.
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80An insightfully observed and exceptionally acted ensemble piece precisely about what the title suggests.
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75In Mother and Child, he (Rodrigo Garcia) creates an emotional powerhouse.
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75Garcia's calm, steady guidance behind the camera, along with his nicely finessed faith in a very good cast, makes Mother and Child a fuller and more satisfying example of this storytelling style than we've seen lately.
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75High praise for the movie Mother and Child: It's as good as a TV show. Although it's not as fine as HBO's "In Treatment," a show run by this movie's writer-director, Rodrigo Garcia.
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75While on its face, Mother and Child is about the impact of adoption, in its heart Garcia's movie reckons how consequential motherhood is in the calculus of womanhood. The fine actors show how we bond to those not related to us by blood - and also how we love. Bring Kleenex.
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75Still, the goodwill lingers, even though Mother and Child falls down, dies and is beginning to look a little green and stiff about 15 minutes before the finish line.
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75Mother and Child is as tangled as the emotions that link parents and children.
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75If nothing else, Garcia's movie is a brave one, with its unflinching look at adoption, which -- as overwhelmingly compassionate an act as it is -- often leaves behind deep emotional scars.
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75Unfortunately, Garcia can't quite resist sentimentality, giving us an ending that's a bit too emotionally neat. Still, Mother and Child is a thoughtful and provocative film about the way we live now.
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75Something like a finely-written and -acted soap opera. That isn’t death, but it’s less like life than you’d hope.
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75Mother and Child is depressively interesting, with characters constantly ruining their best chances at happiness.
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75Garcia shoots Mother And Child with minimal flare, an approach that keeps the focus squarely on the cast, whose moving work helps pave over some of the narrative’s lumpier patches.
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70Garcia, despite creating yet another vibrant canvas for his actors, deflects the burden of this toughest and most modern of familial conundrums, offering instead the bland, regressive ideal of motherhood as not only redemptive but required.
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70Very few actual mothers will appreciate the manipulative ending, which even a child could spot coming an hour away.
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70Eventually, all of the stories will come together in a somewhat contrived way. The film's parts are greater than the whole. But the parts are worth the effort.
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70Mother and Child is suffused with grief and loss. It’s also suffused with compassion and insight.
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70The movie unfolds with novelistic pacing for a leisurely but engaging two hours.
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70This is well worth seeing for Bening's arresting, unpleasant performance.
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65When it comes to family togetherness, love and quality time are thicker than blood, water or just about any other social glue you can think of. That's the admirable if hardly news-breaking message of Rodrigo Garcia's domestic drama Mother and Child, whose official thread is the impact of adoption on three different women.
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63Mother and Child glows for a good 90 minutes before an increasing reliance on contrivance and coincidence makes the lamp flicker and then fizzle out.
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60Some may find the film overly schematic, but Garcia smartly uses three parallel narratives to probe the extraordinary nature of motherhood.
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60A believably unbalanced Bening scores the movie’s true coup: Karen’s revitalizing relationship with a sweetly persistent coworker (Jimmy Smits) is a rare example of Hollywood doing right by midlife romance.
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60Annette Bening is the most pivotal character in the movie, both angry and scared.
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60You may not quite trust Mother and Child -- its soft spots and fuzzy edges give it away -- but you can believe just about everyone in it.
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58The hothouse drama Mother and Child is organized like a femme-friendly spa that specializes in treatments for the psyche rather than the skin. Soft New Agey music tinkles intrusively. Sore spots are prodded and massaged. Clients pass one another in the changing room. The ritual is exquisite to some, and excruciating to others.
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50Mother and Child is good when it takes a harsh, unsparing look at lament and the burdens we carry throughout our lives. Then it goes for your tear ducts, and we're suddenly stranded in Lifetime TV territory.
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50Garca brings his finely calibrated sense of drama to the subject of adoption, which he handles with characteristic restraint and insight -- at least until the film's maudlin, too-pat finale. That sharp melodramatic turn is a shame, because so much of what has gone before in Mother and Child is of real quality.
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40If the mother-child bond is the core human relationship, then this movie implies that we are an emotionally doomed species, though I do not think this was writer-director Garcia’s intent.
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30A slow and lugubrious film about the impact of adoption on the lives of three women.
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