Metascore
62 out of 100

Generally favorable reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 17 out of 29
  2. Negative: 1 out of 29
  1. 90
    Like Vardalos and Corbett, who play their roles with vibrant charm, the film, directed by Joel Zwick, is heartfelt and hilarious in ways you can't fake. It's a keeper.
  2. Reviewed by: David Edelstein
    80
    There is a long and honorable tradition of broad intermarriage comedies (from the Romans to Abie's Irish Rose to La Cage aux Folles), and this one comes at least shoulder-high to the best. It has been directed by Joel Zwick in a happy, bustling style and acted with madcap ethnic relish.
  3. It's not art, this movie. But it's much more amusing than you'd expect.
  4. It's light fantasy, but lovely and astute.
  5. 78
    Not only the best date movie of the year, it's also a -- dare I say it twice -- delightfully charming -- and totally American, I might add -- slice of comedic bliss.
  6. 75
    Five minutes into the film, I relaxed, knowing it was set in the real world, and not in the Hollywood alternative universe where Julia Roberts can't get a date.
  7. 75
    Vardalos made the Portokaloses so funny they'll make your own family seem tame.
  8. Vardalos is a breath of fresh air. After all the little nipped and tucked bunnies we've been seeing onscreen for so long, we forget what real women look like.
  9. 75
    Delivers a sugar rush without the calories.
  10. It's a buoyant comedy with more warmth and generosity of spirit than anything else in theaters right now.
  11. With Corbett's laidback persona nicely countering Vardalos's authorial performance, the picture radiates a pure affability that's awfully attractive. My Big Fat Greek Wedding is a very slim movie that succeeds on its own modest terms without pretense or apology.
  12. The results are sometimes too frenetic, the laughs too obvious and predictable. But director Joel Zwick paces things well, and leavens the lunacy with enough seriousness (including a wonderfully poignant exchange between Toula and her brother) to keep the film grounded in the real.
  13. Reviewed by: Ken Fox
    70
    Funny without out ever making fun, Vardalos mixes elements of ethnic stand-up, Cinderella romance and Bridget Loves Bernie-style situation comedy, all grounded in something very real.
  14. 70
    Vardalos's parodies of Greek family values are loving and witheringly hilarious.
  15. There's such a good-natured heart beating beneath the cliches that it's easy to appreciate the film's willingness to poke gentle fun without a whiff of nastiness or judgment.
  16. Reviewed by: Claudia Puig
    63
    Wedding feels a bit anachronistic. Still, not every low-budget movie must be quirky or bleak, and a happy ending is no cinematic sin.
  17. Vardalos is of Greek ancestry, which makes stereotyping permissible: She can tease Greeks, just as Italians can safely mock Italians or Jews can poke fun at Jews. But isn't it demeaning to reduce your heritage to clich?s?
  18. 60
    May not exactly be an innovative film, but it most certainly is a lovable one.
  19. 60
    Vardalos is a pleasing mix of Elaine May and Bonnie Hunt; in other words, she's not a sex kitten, but she's funny and smart.
  20. 60
    An amiable, offhanded comedy about ethnic identity and last-chance romance.
  21. Reviewed by: Dennis Harvey
    60
    Suffers in ways typical to such adaptations -- what was fresh and flavorful in anecdotal description becomes more familiar and sitcom broad in literal depiction.
  22. 58
    Watching it is like filling up on baklava: Later you may feel really guilty, but you don't exactly complain while it's going on.
  23. 50
    Stays unrelentingly pleasant, but affability is a poor substitute for laughs or chemistry.
  24. 50
    I enjoyed parts of "Wedding," and I'm not about to tell people that they should not have enjoyed it. I'm just afraid that Hollywood will respond to its success by making many more sitcoms in the guise of movies. [23 Sept 2002, p. 98]
  25. 40
    As Tolstoy observed, all sappy ethnic family comedies are the same. None is sappy in its own way.
  26. All told, this is going to make passable television. Eventually.
  27. Reviewed by: Joshua Rothkopf
    40
    The intentionally broad Greek-American milieu is oddly colorless; having all of the cousins named Nick or Nikki is an OK gag, but once you're past it there's little to hold your attention.
  28. The wedding, which turns the very concept of ''Greek'' into the sort of hideous, pandering clichés that look rejected from bad Jewish and Italian sitcoms.
User Score

Universal acclaim- based on 145 Ratings

User score distribution:
  1. Positive: 99 out of 114
  2. Negative: 12 out of 114
  1. My Big Fat Greek Wedding is a great movie with a great cast. There are some silly moments however,but Nia Vardalos did worse in I Hate Valentine's Day! Full Review »
  2. TrishB.
    10
    I thought it was very entertaining; a definite "feel good movie'.
  3. ElVulturo
    0
    Perhaps the worst movie of all time. Awful, awful, awful. I feel like I've been stabbed after watching it. You could write a rather large book about just how terrible this movie is, but for now I'll stick with the 'highlights'. 1. The character of Ian. He's barely human. A walking doormat, bereft of an identity, emotions, or a spine. It's a wonder how he gets out of bed. So your bride to be has a pushy but loving family that won't give her any space. Do you react angrily to their constant demands? Try to instigate a little give and take in the relationship? Gently steer her towars some form of independence? Hell no. You bend over and take it as deep as humanly possible. Baptism? Church Wedding? Completely ignore his own parents? Ditch his best man because he's not Greek? Generally act like a human doormat? No problem! Not once does he get angry, or even question the motives of his new inlaws. So her parents don't want her to marry a non-Greek? His solution, to give up his identity and try to act as Greek as humanly possible. Which brings us to... 2. Stereotypes. Those crazy Greeks! Always with the wackiness! And look at the "ingenious" contrast between their over the top ways and those stiff, uptight Wasps. No doubt hilarity will ensue. One wonders how the write restrained from having Ian have a 'funky' black sidekick who can't help but say "awww helll no" when offered some Ouzo and the one millionth rendition of the Zorba dance. 3. Anti-feminist. The message the family sends to their daughter? You can marry anyone you want (and even then, not really, only if he tries really really really really hard to be as Greek as humanly possible). Not that you can be whatever you want. Or aspire or achieve anything you set your mind to. No. You can marry anyone you want, provided that we still control your life and steamroll your values whenever we choose. At the end of the movie, the father, in a great emotional display, traps his daughter by buying her a house NEXT DOOR. Wow, thanks dad. How unbelievably "out there". 4. It's not funny. If you love "everyone loves Raymond" or "Yes Dear" then you'll love this steaming turd. Witness punchlines you'll see coming a mile off! Enjoy the most tired movie cliches of all time! 5. One dimensional characters. Apart from the female lead, not a single character in this movie felt like a real person. And even then she was only one step above being a spineless automaton. We've got the senile grandma, the prankster brother, the wacky aunt, the overprotective father, the uptight Wasps. I must have missed the scene with the Rabbi, the Irishman, and the thrifty Scot. Conclusion: It's not that you can't have a good comedy based on ethnic and cultural clashes; it's been done a million times before. What's missing here is the clash, any semblance of conflict, or heart, for that matter. You don't have to be making highbrow arthouse cinema to do this well. For example, "Bend It Like Beckham" does much the same thing, only it has the advantage of a good plot, interesting characters and jokes that are actually funny. If I sound bitter, well, guilty as charged. I sat through a nine hour bus ride with this abomination blaring from multiple screens. After the huge box office and all the hype, I was ready to like this film. But it sucks. Terribly, horribly, utterly, completely. Full Review »