Metascore
65 out of 100

Generally favorable reviews - based on 38 Critics

Critic score distribution:
  1. Positive: 29 out of 38
  2. Negative: 2 out of 38
  1. Reviewed by: Mick LaSalle
    Nov 22, 2011
    100
    Michelle Williams doesn't just survive. Called upon to glow, she glows. Her performance doesn't solve all the riddles of that personality; none could, and it's for the best that Williams doesn't try.
  2. Reviewed by: Rex Reed
    Nov 22, 2011
    100
    What an extraordinary thrill to leave a movie exhilarated instead of drained, sated instead of empty, rejuvenated instead of depressed. It's a magical experience.
  3. Reviewed by: Joe Williams
    Nov 25, 2011
    88
    The performance is both an eerie imitation and a touching revelation. Oscar voters who overlooked Williams for her camouflage roles in "Brokeback Mountain," "Wendy and Lucy" and "Blue Valentine" should now throw diamonds at her feet.
  4. Reviewed by: Roger Ebert
    Nov 22, 2011
    88
    The movie seems to be a fairly accurate re-creation of the making of a film at Pinewood Studios at that time. It hardly matters. What happens during the famous week hardly matters. What matters is the performance by Michelle Williams.
  5. Reviewed by: Steve Persall
    Dec 26, 2011
    83
    This is a slight movie, but it's Williams' all the way (possibly to an Oscar nod) while the rest of the cast supports her well.
User Score

Generally favorable reviews- based on 97 Ratings

User score distribution:
  1. Positive: 33 out of 38
  2. Negative: 3 out of 38
  1. Excellent. The editing is wonderful, it gets you into the story before the characters take over. Michelle Williams nails the performance, just when you start to see the actress you slip right back into seeing Marilyn. The layers she has to play is amazing, not like the superficial cartoon that Kate Blanchett did of Katherine Hepburn (Aaarruggh). I was caught up in the movie for the full time (also not something I can say for the poorly edited Hugo). If you want to be taken to another time and place and believe it, this is the one. You also get the added benefit of understanding how this characters interacted without the "vengence" factor when characters get angry at one another in films today. The foreshadowing is subtle but clear yet you don't have clue how people will react. Full Review »
  2. My Week with Marylin is an amazing movie because it shows that everyone, no matter fame, money or beauty, it is human and it suffers like one, passing through sorrows and glories. The story is about a young man who wants to create his own path in life and because he loves movies, he will try his hand in the film industry. In his first job, he will met Marylin Monroe, and will fall in love despite that everyone tell him to do not get involve to deeply because Marylin will use him and then broke his heart. In this point is when this picture becomes like a chronicle of a death foretold.
    Another interesting topic of My Week with Marylin is the relation that appear between the female protagonist and the director of the movie (a film inside a film), Laurence Olivier. He fells intimidated by the diva, because Larry is also famous but no one pays attention or wants to take care of him. Then we see the irony when comparing Marylin with Laurence: She is a star that wants to become an actress; and he is an actor who wants to become a star.
    This movie has an original idea, a beautiful script and performances that leave you open-mouthed; specially the ones of Michelle Williams and Kenneth Branagh.
    Full Review »
  3. I don't know why the critics are so hard on this one. Michelle Williams is amazing. I hope she gets nominated for an Oscar. The score is also great. Go see it and take a date! Full Review »