X
- 1991
- R
- Twentieth Century Fox
- 1 h 55 m
- 1991
- R
- Twentieth Century Fox
- 1 h 55 m
Summary Bill Lee becomes addicted to the insect powder he uses and accidentally kills his wife. Under the influence of the powder, he finds himself in a world of bugs and writing reports of his secret missions.
Directed By: David Cronenberg
Written By: William S. Burroughs, David Cronenberg
- 1991
- R
- Twentieth Century Fox
- 1 h 55 m
- 1991
- R
- Twentieth Century Fox
- 1 h 55 m
Naked Lunch
67
6.2
Summary Bill Lee becomes addicted to the insect powder he uses and accidentally kills his wife. Under the influence of the powder, he finds himself in a world of bugs and writing reports of his secret missions.
Directed By: David Cronenberg
Written By: William S. Burroughs, David Cronenberg
Top Cast
Metascore
Generally Favorable
Based on 16 Critic Reviews
67
63% Positive
10 Reviews
10 Reviews
38% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Generally Favorable
Based on 16 Critic Reviews
67
63% Positive
10 Reviews
10 Reviews
38% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
Though much of Naked Lunch is flip, hip and hilariously funny, it never wanders far from a profoundly melancholic undertone - Cronenberg's unshakable sense of loneliness, isolation and anxiety. [10 Jan 1992]
This David Cronenberg masterpiece (1991) breaks every rule in adapting a literary classic - maybe On Naked Lunch would be a more accurate title - but justifies every transgression with its artistry and audacity.
User Score
Generally Favorable
Based on 48 User Ratings
6.2
50% Positive
24 Ratings
24 Ratings
35% Mixed
17 Ratings
17 Ratings
15% Negative
7 Ratings
7 Ratings
User Score
Generally Favorable
Based on 48 User Ratings
6.2
50% Positive
24 Ratings
24 Ratings
35% Mixed
17 Ratings
17 Ratings
15% Negative
7 Ratings
7 Ratings
Naked Lunch was my real first experience with classic David Cronenberg, and, at first, I wasn't sure what to make of it; granted, some degree of this was by design. However, amidst the surreal confusion, the movie resonated with me. I understand that it an adaptation of a book, one with perhaps a more vexing nature, but I haven't read that, nor was that what impacted me. Sure, Naked Lunch is, in some ways, obscure and nonsensical, but I found the presentation of the narrative and imagery so striking and relatable for me. I have previously read and been fascinated by Kafka's works, by their worlds and their emotive undertones. Naked Lunch feels as though it is the next step in Kafka-esque artistry, translating so many of the images and sensations while heightening the surreal through the use of a visual medium. But more importantly than this, Naked Lunch perfectly encapsulates the cruxes of anxiety, paranoia, and depression with which I am all too familiar. The editing and composition were so evocative of these emotions that, during my first viewing, I kept flipping from feelings of reflective dread and incomprehensible awe. I saw more truth in Naked Lunch than almost any other film.
Like Kafka's mortal works, Naked Lunch is filled with ideas and images, many of which fit together into separate arrays, but not so neatly as to encapsulate everything. There is an air of absurdity to every action that clouds the consolidation of the story. In such a way, the movie resembles a game of telephone; every individual scene links up with another one, but through repeated translation, it changes form until it is almost unrecognizable. This form of storytelling allows the film to cover more ground and ideas to include infinitely many partially important tangents without obstructing the whole experience. The speed and diversity of ideas allow for various readings and prevents the movie from pushing a singular ideology or perspective. By throwing so much at the wall, the film sets itself up for success. Not only will different things stick with people but also things will stick with different people.
Cronenberg's oeuvre is overflowing with uniquely surreal imagery, concepts, and, most notably, practical effects. Naked Lunch is the perfect vehicle for all of these to shine through, with its unreliable narrator and heavy drug presence. The creature design and interfacing hold up quite remarkably, granted there are a couple of brief moments where it is easier to see the trickery at work. The set design and casting also bring the piece to life; the movie accordions from feeling bustling and expansive to tight and agoraphobic. These alterations aid the feelings of anxiety and paranoia. There is a sense of worldly distrust and grand conspiracy accompanied by that of loneliness and delirium. The film's personality invites you to become invested in its world, cycling through reality and fiction. The two becoming murky as the world's rules are defined.
Because of Kafka's stature and self-concept at the time of his death, many of his works remained unfinished. Naked Lunch resembles the disarray and emptiness of these works despite the film's completion. The omnipresence of these sensations suggests dearth is perhaps inherent to the genre. The film is so distinct and charming that I frequently return to it in idle thought. It feels like the projection of a free-flowing thought stream, saying whatever comes to mind. But within this stream, there is the soft pull of an undercurrent of structure and meaning. I don't know if I currently or will ever understand the purpose of it all, nor if I need to. Naked Lunch has provided me a unique sensation and experience. It gives me a snapshot of my life while at the same time providing an escape from it.
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With each passing David Cronenberg that I watch, I become convinced that my latest viewing in his filmography may just be the weirdest one yet. Naked Lunch may live up to this billing, at least until I watch another Cronenberg film. What billing is does live up to is that, as of now, it is my favorite film of his. Surreal, dark, and defying interpretation, Naked Lunch is a nut that is not just tough to crack, but it fights back. It is a film that, naively, I believed I had pinned down as we neared the ending. However, the one thing the film left me with, above all else, is to exterminate rational thought. To approach this one rationally is to approach it wrong. It is not a rational film, just as the world around us is highly irrational. It is the job of the writer to capture this irrationality and put it on display, as William Burroughs has so brilliantly done in his semi-autobiographical Naked Lunch.
After killing his wife accidentally via "William Tell" trick, William Lee (Peter Weller) begins subconsciously writing a novel at the same time he gets caught up in world of governmental secrets exposed to him by his typewriter, which transforms into a bug. This is brought to his attention when he becomes addicted to a bug killing powder that, as his now deceased wife eloquently explained, "Makes you feel like a bug." Rationally, one could argue that the film is merely a result of his drug use. They are hallucinations, as William believes, that do not really exist. Yet, there is so much evidence that these things do exist that it causes cognitive dissonance. There is no way these things could be real, right? Well, it is a David Cronenberg film, so of course these things could be real.
Irrationally, the film makes a lot of sense and its purpose is quite clear. It is semi-autobiographical on the part of Burroughs, who has a drug addict, writer, and convicted of manslaughter for pulling a "William Tell" trick and accidentally shooting his wife in the head. His novel, published in 1959, was incredibly controversial. Yet, in essence, the film is about writing and writers. The gateway to this alternate universe is the typewriter. From there, William receives his missions and, apparently, writes a stellar novel. Writers live in their own minds. To tell a story, one must delve deep within themselves and find a story worth telling that they could visualize. William's tale, therefore, is real. All of it. Every odd encounter is merely part of the writing process and the path his brain takes in order to spit out this novel of his. These visualizations and alternate reality are merely the high given to him by writing and living on the literary edge. Thus, he is addicted to writing and the high he receives from the written word. His world and the film itself is autobiographical of Burroughs beyond the similar life details. Rather, this is his world. Accentuated by drug use, Naked Lunch is the mind of a writer given to other writer's to let them know they are not crazy. Writing is a mad science to a degree and this film articulates the intricacies and oddities that the mind goes through when writing. In essence, writing is a drug that grants you a passport to an alternate reality. Yet, it is a bug that refuses to be exterminated and an itch that simply must be scratched.
To expose his story, in Naked Lunch this is Interzone, a writer must go undercover. Yet, he can lose sight of himself and begin to believe in his own cover story. By doing this, he loses sight of reality and of who he actually is in the real world. The fake story, Interzone, is one that he merely experiences and delves into when he needs to write. William realizes that he is losing sight of reality in the film when he cries on the ground after saying goodbye to two friends, fearful that he will never see them again. This fear comes from the knowledge that he is losing sight of reality. The high and power given to him through storytelling is one that makes the real world feel like a poor imitation of the reality he has carved for himself by himself. This is why the writers here are obsessed with their typewriters. It is their needle. Their vial. The instrument used to make them feel real and enter reality once more. As such, it is addictive.
The film itself, while defying rational thought, it is also about the extermination of rational thought. Writing enters us into a world of fiction. It defies rational thought and can be surreal. It can depict reality according to the artist. This ties together two scenes in the film. One, the opening where William's two friends are speaking about writing. One argues that rewriting is a must, while the other says it is a sin because it betrays your original thoughts. William says then that all rational thought must be exterminated. Later, Tom Frost (Ian Holm) communicates to William without his lips. His lips say something else as his words talk to him about consciousness and the killing of his wife.
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Paradoxically cerebral and primal, reasonable and anti-rational, life- affirming and nihilistic, Naked Lunch is a sensual and intellectual feast. It will not be a meal to everyone's taste, but in its bizarre class, there is nothing classier. [10 Jan 1992]
Naked Lunch is so well-acted and so amusingly warped that it's a shoo-in to become a cult movie. [30 Dec 1991]
The movie is way too colorful - cute, in a repulsive way, with its crawly special effects - and tame compared with its source.
It's a movie for people who really dig Cronenberg's mulchy fixations-and probably for no one else. [27 Dec 1991]
It feels studiously surrealistic, an excuse for cinematic buggery; deep in its center there's a lack of conviction.
Very good, odd, artistic film.
I't one of those movie where you can't understand what happens on screen at times and other times you are a little concerned of what you see. But you'll keep watching because it entertain, it start to make sense if you keep going and it is unexpected.
It's like Twin Peaks or Inception or eXistenZ or Tetsuo
If, after watching it, youìll read about the original novels and Burroughs personal life you'll begin to understand it more.
Adult only of course, it isn't too vulgar or shocking but it talks about drugs, homicide, mutations, sex, and so on.
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Okay, was soll man über diesen Film schreiben?
Tatsächlich habe ich nach dem Anschauen mehr das Gefühl einen David Lynch Film als einen David Cronenberg gesehen zu haben. Woran das liegt ist schnell erklärt! Eine sehr verworrene und kryptische Handlung die sich nicht darum schert ob der Zuschauer mitkommt oder überhaupt versteht was sie aussagen will. Mir erging es ähnlich. Irgendwie waren mir die Charaktere egal, sodass ich nicht mit ihnen mitfiebern konnte. Der Tod der Ehefrau ganz zu Anfang hat mich null gecatcht und auch der Protagonist dessen Namen ich bereits vergessen habe löste in mir keine Sympathien aus. Ich könnte die Story die sich um Drogenmissbrauch, Schwulenhass und Verschwörungen zwar Zusammenfassen aber irgendwie ist mir der Grund des Films nicht klar. Was will er aussagen? Was ist der Sinn des Films? Gibt es überhaupt einen? Kein Plan. Einzig die Effekte die selbst im Jahr 2023 noch gut aussehen bleiben mir wohl länger im Gedächtnis. Ich sage nur Schreibmaschinenkäfer, Face Hugger Frauentorso und riesiger Vogelkäfig. Ich kann diesen Film nur den wenigsten Empfehlen fand ihn jetzt aber auch nicht katastrophal. Müsst ihr Wissen!
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I admired the underlying message, and the seemingly clever imagery. I loved the unique atmosphere that is similar to Terry Gilliam's Brazil. And I was fascinated by the gorgeous animation and the designs of the animatronic bugs. But I think this movie is very self-indulgent for its own good. Very, very self-indulgent that the most important action in the movie, which led to all its series of events, happened very quick and there wasn't enough focus on it.
The movie's biggest concern is using metaphors that I really didn't care to figure out what they stand for. Therefore, I wasn't engaged with the story nor the characters. Also, the tone of the movie is very slow and cold exactly like the acting.
I'm really frustrated because Naked Lunch is my first Cronenberg film, and I was ready to enter his universe, and to be presented to his distinctive directorial style and to his wonderful work as I heard and read many times. That being said, Naked Lunch won't be my last Cronenberg movie because I really felt there was something special and really good deep inside this movie in spite of the fact that I didn't like it.
(6/10)
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It was hard to review. I was really confused. Basically, this is a movie about William Lee's hallucinated adventure from New York to North Africa. He met a lot of people who were doppelgängers. What narcotic did he use? Why typewriters caused a lot of problems? I really didn't get it. If you have a penchant for Surrealism, you may like it. Otherwise, you feel like a waste of time.
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Production Company
Recorded Picture Company (RPC),
Téléfilm Canada,
Ontario Film Development Corporation,
Film Trustees Ltd.,
Pierson, Heldring & Pierson N.V.,
Nippon Film Development and Finance,
Naked Lunch Productions
Release Date Dec 27, 1991
Duration 1 h 55 m
Rating R
Tagline David Cronenberg and William S. Burroughs invite you to lunch.
Awards
Genie Awards
• 7 Wins & 10 Nominations
National Society of Film Critics Awards, USA
• 2 Wins & 5 Nominations
20/20 Awards
• 4 Nominations
