- Studio: Koch Lorber Films
- Release Date: Apr 14, 2006
- Critic Score
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Similar to the recent Emmanuelle Devos drama "Gilles' Wife," but it's as cool as that one was melodramatic.
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80Nathalie becomes a complicated three-handed game, far more concerned with the narcissistic, pornographic and mutually manipulative relationship between Catherine and Nathalie than with the latter's purported affair with Bernard. If you live in New York, run, don't walk to see this on the big screen, because it won't be there long.
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75In different hands and different lands, the same story could easily have been a pretentious bit of "Red Shoe Diaries" piffle. But exceptional performances and the oh-so-Frenchness of the complications instead produce an erotic tale that plays like the best gossipy story you ever heard about people you thought you knew.
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75So what keeps the movie from being boring? Nathalie... is like lewd Eric Rohmer - that is to say that what the characters have to say is INTERESTING.
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75A stylish, sharply observed erotic mystery.
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70Nathalie is intricate, provocative, cleanly acted, but it's never entirely convincing--and never more so than in the table-turning climax.
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70Anne Fontaine's seductive film Nathalie is mostly about French star power and sex, so it's somewhat surprising that it is also subtle and intriguing.
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70Whatever the plot, it is soothing to be in the company of Fanny Ardant, who plays Catherine and whose twenty-five-year career is dotted with small treasures.
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70Depardieu, a great actor who in recent years has delivered several overblown performances, is here measured and naturalistic, a sympathetic match for Ardant's icy obsessive, and Beart is suitably mysterious as a spy in the house of love.
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50An unconvincing psychosexual drama that tries to reconfigure the classic romantic triangle but winds up looking like a preposterous pretzel.
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50An intellectual-cum-sexual teaser whose twist is apparent far too early on.
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MarcK.8