- Studio: Focus Features
- Release Date: Mar 26, 2004
- Critic Score
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Expertly combining the personal and the epic, Jordan has crafted an excellent historical saga that doesn't collapse under the weight of too much history.
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80An impressively staged, dark-toned revisiting of the life and times of Australia's boldest and most charismatic outlaw.
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70Its an exciting movie filled with plenty of action, adventure, beautiful cinematography and best of all, terrific performances.
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70The film marks a welcome departure from the usual rah-rah machismo of the semi-nationalist action adventure, but Jordan never escapes the mighty shadow of "The Thin Red Line"--from the grace-note inserts of exotic birds, snakes, and foliage to Ledger's laconic, sometimes haiku-like voice-over to Klaus Badelt's embarrassingly Zimmer-derivative score.
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70Despite the idealized portrait of Kelly and the very predictable plot, the film proves engaging, thanks in large measure to Ledger's sympathetic and believable performance.
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67A boggy mix of fact, fiction, and changeable wigs and beards worn by Heath Ledger in the title role, manages to shrink the grandness of the myth without clarifying our understanding of the man.
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63The result is a handsome, action-packed biographical drama with a credibility gap wider than the screen.
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60The wholly invented character of unattainable love interest Julia Cook (the real Kelly once referred to an enigmatic "Julia" in a letter) is the film's weakest link and smacks of a desperate attempt to shoehorn a pretty woman into a story about grubby men with tangled beards.
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60The storytelling is choppy and abrupt, and the filmmakers rely heavily on voice-over narration to announce themes that are never brought to dramatic life on screen. Mr. Ledger, his heartthrob charisma camouflaged behind a heavy beard, gives a stiff, hesitant performance.
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50The cast works hard, but Jordan's directing is too ponderous and slow to build dramatic energy.
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50There's something in Ned Kelly' that's lost in the translation from Australia to America, and the overly emotional film score is just a symptom.
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50The movie, which has a rusty photographic veneer, is monotonous and drags toward the end.
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50The whole movie is curiously distant and flat, like a museum object encased in extra-thick glass.
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50Since Ned Kelly -- which is not terrible, just too often dull -- has a no-expense-spared feel to it, this Focus Features release can be regarded only as an opportunity missed.
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38Ultimately, Jordan's vision is so murky that Ned Kelly remains as foreign to us as wombat stew.
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25A leaden retelling of the legend of Australia's Jesse James that has understandably been sitting on the shelf for a couple of years.
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