Metascore
85 out of 100

Universal acclaim - based on 32 Critics

Critic score distribution:
  1. Positive: 30 out of 32
  2. Negative: 0 out of 32
  1. At the film's intimate best, it gives a guitar's perspective of the troubadour. He plucks his instrument as he plays our heartstrings. It's movie and music bliss.
  2. Reviewed by: Claudia Puig
    100
    The mesmerizing, heart-tugging concert film Heart of Gold confirms Neil Young's stature as a national treasure.
  3. 100
    The result is a performance film that conjures a vision of American life as moving, funny and rueful as John Ford's Young Mr. Lincoln.
  4. 100
    Heart of Gold feels like an ample slice of the real America, the one truly worth caring for. And it's such a rare thing in this benighted age that the simple clarity with which it's presented feels like nothing less than a miracle.
  5. Reviewed by: Robert Koehler
    100
    The concert film has never looked or sounded classier than Jonathan Demme's superbly crafted Neil Young: Heart of Gold.
  6. 100
    It's hard to film icons like Young as anything BUT icons, but Demme's film gets past the legend, zooming in on Young's aged, heroic face and finding an artist as human as the rest of us.
  7. All in all, a visual and musical feast.
  8. Reviewed by: Jeremy Mathews
    90
    This immaculate filmmaking creates an engaging documentary that makes you forget that you're missing the energy of a live show because it's a completely cinematic experience with its own special energy.
  9. Reviewed by: David Edelstein
    90
    Demme is in such perfect sync with Young's music that even the painted prairie backdrop (and the painted farmhouse interior screen, complete with hearth, that slides in front of it) only makes you roll your eyes in retrospect.
  10. 90
    Jonathan Demme's superb film of Neil Young's 2005 performance at Nashville's Ryman Auditorium is as fervent a musical homage as was Demme's bubbly tribute to the Talking Heads, Stop Making Sense (1984).
  11. It's the record of a life, a musical and spiritual autobiography, and as directed by Jonathan Demme it taps into the kind of unashamed, unsentimental emotion that's become increasingly rare in films of any kind.
  12. In one sense, Neil Young: Heart of Gold is just a simple concert film -- no cutaways during the music for interviews, no cameras swooping and soaring on giant booms. But simplicity in this case also means no barrier between us and the people on stage, as they sing some of the most soul-stirring pop songs I've seen performed in a very long time.
  13. Reviewed by: Raoul Hernandez
    89
    In this sushi age of methamphetamine concert DVDs and dysfunction junction music tell-alls, Jonathan Demme dreams us back to the golden age of performance films.
  14. 88
    This is more than a movie, it's a privilege.
  15. Reviewed by: Michael Phillips
    88
    Pretty-near pure gold.
  16. Reviewed by: Ken Fox
    88
    A bracing cover of Ian Tyson's "Four Strong Winds," performed by no fewer than seven acoustic guitars, rounds out the set, but be sure to stick around for the credits.
  17. Reviewed by: Ty Burr
    88
    That film remains an electrifying testament to pop music as a communal creative act.
  18. Reviewed by: Ann Donahue
    88
    With its varied close-ups and wide shots of the performers and a series of interviews with several of the musicians as they prepare to perform, Heart of Gold is a traditional concert film. But a traditional concert film starring Neil Young brings a layer of emotion to the medium that's rarely seen.
  19. Young, wizened yet valiant, his voice still braying at the moon, delivers these songs of aging and loss as if caught in a beautiful dream of what lies waiting for him on the other side.
  20. Reviewed by: Duane Byrge
    80
    This smart, aesthetically understated concert film from Jonathan Demme will transport Young's legions of baby boomer fans back to the future, as 1969 re-invents itself in 2005 for Young.
  21. Reviewed by: Tom Charity
    80
    Recaps and effectively mythologizes this nugget of modern folklore in brief interviews with Young and a band of old reliables, including Spooner Oldham, Grant Boatwright, and Ben Keith.
  22. At one point, during one of his occasional verbal rambles, he (Young) says half-jokingly, half-defensively that he's got some love songs left in him. This film, which is at once a valentine from one artist to another and a valentine from a musician to his audience, is surely proof that he does.
  23. Director Demme is smart and sensitive enough to sit back and listen to the music without attention-getting intrusions. The tunes are subtly compelling.
  24. 80
    One might call Neil Young: Heart of Gold soothing, even becalmed, but mellowness and ripeness, when they exist at this high level of craft, should have their season, too.
  25. 80
    Given what Young charges for concert tickets, all his organs could be gold. So I was even more grateful for this documentary of his August 2005 shows at the fabled Ryman Auditorium in Nashville, expertly directed by Jonathan Demme.
  26. Dropping in amusing anecdotes and tender memories, a deeply reflective Young revisits - and often reinterprets - both his recent and classic work.
  27. Reviewed by: Joel Selvin
    75
    A snapshot of a fabled career that's of little interest to anyone outside Young's fans.
  28. Reviewed by: Kate Taylor
    75
    This remarkable concert film, beautifully shot by director Jonathan Demme over two days last summer, is all about legacy, a more-or-less conscious exercise in myth-making on the part of a musical giant facing his own mortality.
  29. 70
    Heart of Gold is a sweet, gentle picture, if not a particularly exhilarating one.
  30. It works as a wistful coda to suggest that the song will go on long after the show is over.
  31. Reviewed by: Ross Bennett
    60
    Shows the famed songwriter's performance and work off with reverance, and a faithfullness to the live experience.
  32. 50
    A schmaltzy filmed record of a Nashville concert given by the legendary former rocker, who has morphed into the new Kenny Rogers.
User Score

Universal acclaim- based on 32 Ratings

User score distribution:
  1. Positive: 14 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 0 out of 14
  1. SambistagirlH.
    10
    This was a wonderful concert movie. I went to see it because I love Neil Young, but came out loving country music.
  2. RogerW.
    10
    I've been a Neil Young fan since his Buffalo Springfield days and I suppose I must have every album he has ever made or been part of. I bought Prarie WInd about six months ago and it reminded me of Harvest and Harvest Moon only I thought it bette. I bought the DVD being already familiar with the CD and, honestly, I never expected to be surprised by the picture. The picture is a notch above the CD on many levels and in my opinion it perfectly captures the themes of the CD. I suppose some might call the picture overly romantic even schmaltzy. Sadly, there are many cynical people in the world. Whether the picture is as authentic as the director would have us believe is I think rather besides the point. I was not at the Ryman and cannot judge that point; what I can do is watch this picture and attempt to understand what Demme and Young hoped and wanted their live audience to experience...the romance of North American life. I came away from the picture with an even greater appreciation of Neil Young as a performer, musician, and lyricist: The man only gets better with time. Full Review »
  3. GailK.
    10
    Back when I was in college, Neil Young was right up there with Bob Dylan, for me and my friends. For many years since, I've not followed his career until seeing this extraordinary film. I felt like I had been simultaneously snapped into 1970, but yet rooted in the here and now. Neil Young is a treasure, and this film will be an indelible example of just how valuable he is. Full Review »