- Studio: Miramax Films
- Release Date: Aug 21, 1998
- Critic Score
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63There are times when, as diverting as it can be, Next Stop, Wonderland feels like a lengthy prologue to an as-yet unmade film.
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50The movie gains a few points for its colorfully filmed Boston background and bright bossa-nova music. But it's filmed in a fake-spontaneous style that's as stale and artificial as the relationships between the characters.
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83Anderson brings compassion to his amused sense of yuppie tragicomedy, as he does to his nuanced understanding of Boston, the setting of this appealing fairy tale.
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70Next Stop Wonderland isn't really much more than a beautifully acted, finely edited sitcom, but it creates and sustains an intelligent, seriocomic mood better than any recent film about the urban single life.
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70Anderson pulls it off, thanks in large part to his witty writing, punchy editing and a likable supporting cast.
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90Smart and beguiling, it manages the impressive feat of believing wholeheartedly in the power of love without checking its mind at the door.
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67The premise works despite its inbred hokiness due to Anderson's sure direction and the lovely central performances of Hope Davis and Alan Gelfant.
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60What's good about Next Stop Wonderland -- and nearly good enough to warrant recommendation -- has nothing to do with Anderson's sloppy, disjointed filmmaking, and everything to do with Hope Davis' far more disciplined and appealing lead performance.
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80Low on plot but high on charm and personality, Next Stop Wonderland is a sly, hand-crafted indie that is very alive and attentive to its characters' feelings and foibles.
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63The characters in Wonderland show an intelligent complexity and sharpness of contemporary observation that transcends romantic-comedy clichés.
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80Shot with a shaky hand-held camera, Wonderland is a sentimental fairy tale with a gritty documentary feel.
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80Anderson and co-writer Lyn Vaus have a wonderfully light touch with dialogue both comic and sad, and Davis is the perfect mirror for the movie's gracefully shifting moods, and its soulful bossa nova score.
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80This low-key romantic comedy proves that destiny-powered love stories can be formulaic without being predictable.
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70It's the individual characters, so carefully crafted, who count, as opposed to a tidy conclusion.
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75Both actors are so appealing, you root for the inevitable meeting to happen somewhere in the vicinity of Wonderland.
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50Like too many young filmmakers, Anderson seems to equate honesty with choppy editing, bad lighting (so harsh in a couple of shots you can see the pancake on Davis' face) and herky-jerky camera movements.
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70The style of the filmmaking, the freewheeling handheld camera movement, the associative editing, and the buoyant Brazilian score convey Anderson's sense that chance plays a major role in our lives and that what's happening on the periphery is often more important than what's staring us in the face.
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70While too many things about the story don't ring true for the film as a whole to work, there is enough in Next Stop Wonderland to keep the viewer wide awake and entertained.
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Unlike the heavy-handed "Good Will Hunting," this gifted-Boston-misfit romance floats, adroitly mixing thoughtfulness, farce, and surprise.
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