- Studio: Arenas Group
- Release Date: Aug 20, 2004
- Critic Score
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100Supercharged with an energy and ingenuity that "Run Lola Run" once had a patent on.
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As entertainment, Nicotina manages a bracing balance. It arrests with violent bursts and anxious pauses until its three plots merge in a satisfying resolution; its laughs caught in my throat like smoker's cough.
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80The master principle of film noir -- that everyone is corruptible -- turns a pinwheel of plot complications in this fleet, stylish little crime drama from Mexico.
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Nicotina's every loser, criminal, dreamer, crank and cynic is flawed, but their flaws are primal and as human as thumbs. In the end, it's this grim but tender view of humanity that gives the movie its appealing combination of mordant humor and cheerful pessimism.
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70A gimmick film, but it's brought off with such verve it's great fun.
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63Lightweight but enjoyable entertainment.
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63While obviously not a unique or uniquely satisfying experience, the film still does the job in a pinch, and looks cool doing it.
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60Though "Pulp Fiction" is the obvious point of reference, but this hugely entertaining Mexican crime comedy is actually closer in spirit to "Go," Doug Lyman's underrated 1998 lark.
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50Flawed but imaginative film.
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50The stylistic cleverness of the opening minutes settles into a self-satisfied flair.
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50Yields up plenty of opportunities for heated confrontations, wild and woolly dialogue and startling violence, which prove diverting in a shallow way.
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40It seems likely that how much you enjoy Nicotina will be tied to how much you enjoyed the Guy Ritchie pictures it strongly resembles. Those who thought Lock, Stock, and Two Smoking Barrels and Snatch were the cats p.j.'s will likely enjoy Nicotina.
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40Nicotina's lack of originality ultimately proves forgivable. Its glib, heartless nihilism doesn't.
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40While it demonstrates some formal ingenuity, it is for the most part a tasteless and derivative stew of overdone jokes, chronological tricks and labored shock effects.
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30Self-satisfied, incoherently busy farce.
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30Nicotina skitters between dull and forced, this despite the use of split screens, jaunty music and the personable Luna.
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20The only thing worse than second-generation Guy Ritchie is fourth-generation Quentin Tarantino, and this movie has the musty smell of 1995 all over it.