- Studio: Warner Bros. Pictures
- Release Date: Sep 26, 2008
- Critic Score
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75Rodanthe is a reliably steamy stormy sultry story.
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75This is one of the increasingly rare Hollywood films that treat people in middle age as though their feelings were just as intense and their needs just as valid as those of people half their age.
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60It's like "The Bridges Of Madison County" with more shouting, only not nearly as good. No surprises whatsoever, but nice scenery, attractive stars and another credible, affecting performance from Lane that hoiks it up an extra star.
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58A slow-moving, unashamedly weepy, middle-age love story of the kind big-studio Hollywood doesn't often make anymore.
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50A tasteful melodrama courtesy of the easy chemistry between its two leads and a generally restrained touch from Tony-winning director George C. Wolfe in his feature debut.
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50As skillful and charismatic as Gere is, I never get the sense he's really in there, conversing with his fellow actor.
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50Aims straight for the tear ducts as well, but this weepie is a dry well.
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The film tastefully yet unenergetically chugs along.
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50It's tough to make it through Nights in Rodanthe without wincing at its sticky-sweet sentimentality.
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50Once a hurricane blows Gere and Lane into each other's arms, all the director's tasteful style and good sense turn into mush. Given the material, I suppose it has to.
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50Although I haven't read Nights in Rodanthe, I have to assume there is material in the book that would have helped the movie make hearts thud instead of fingers tap.
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50It's an increasingly rare pleasure to see two naturally aging adults onscreen, and it's not exactly hard work to watch this still-gorgeous pair fall in love.
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50May not be best chick flick around, but it's the flick with the best chick by far.
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50Hardly groundbreaking, but for those with an appetite for an increasingly rare gust of unapologetic romance, well, as they say, any port in a storm.
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50What really sells this three-hanky tear-jerker -- and there were a lot of women buying it during a recent screening -- is Lane's steely and vulnerable performance. Like Tinker Bell, she almost made me believe in fairies. Almost.
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42Lane and Gere mime adult courtship with the efficiency of synchronized swimmers. Yet in this ocean of emotion, they look like they're drowning.
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42This isn't a movie: it's a feature-length Ralph Lauren commercial.
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40The movie around Lane and Gere is unreal, a tortured construct, but they open a breathing space in its center.
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Exhibits a certain amount of integrity in its dedication to being uncomplicated, unashamed romantic goo.
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38The movie attempts to jerk tears with one clunky device after another, in a plot that is a perfect storm of cliche and contrivance. In fact, it even contains a storm -- an imperfect one.
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38A shameless puddle of romantic slop.
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38Most of the laughs are unintentional, but the result is absurd and laughable.
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38The only reason to see Nights in Rodanthe is to check in with Diane Lane.
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30Less than the sum of its parts, which were problematic to begin with.
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This romantic stinker is one of those films in which every plot development becomes a life lesson and every gesture is weighted with significance.
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10It's no wonder the faithful continue to forsake the movies, given junky embarrassments like Nights in Rodanthe.
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User score distribution:
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Positive: 4 out of 16
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Mixed: 4 out of 16
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Negative: 8 out of 16
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