Metascore
88 out of 100

Universal acclaim - based on 31 Critics

Critic score distribution:
  1. Positive: 31 out of 31
  2. Mixed: 0 out of 31
  3. Negative: 0 out of 31
  1. Nobody Knows, by the often excellent Japanese filmmaker Hirokazu Kore-eda, is one of those special movies that can give us a new way of seeing.
  2. It's a quietly powerful work, pulsing with gentle humor and a gripping sense of imminent calamity and dread.
  3. The film, winsome and tragic at once and finely attuned to the rhythms of childhood, always seems quite close to real life.
  4. Yagira's performance is so extraordinary, it won him the best actor prize at the 2004 Cannes film festival.
  5. Beautiful, elevating and achingly sad.
  6. 100
    [The children's] remarkable lack of self-consciousness ... and Kore-eda's quasi-documentary style give this movie a stunning credibility.
  7. 91
    Moves at a stately pace; it's a long film, to boot. But there's real drama and pathos in the story, in the blend of matter-of-factness and potential catastrophe, in the depiction of innocence imperiled.
  8. 90
    Unfolds with such leisurely, terrible beauty, it takes a while to realize that what we are witnessing is the children's long slide into beggary, exacerbated by the slow torture of faint hope.
  9. Not for the faint of heart, though it has no scenes of overt violence, and barely a tear is shed. It is also strangely thrilling, not only because of the quiet assurance of Mr. Kore-eda's direction, but also because of his alert, humane sense of sympathy.
  10. Reviewed by: David Edelstein
    90
    Pure and universal.
  11. Apart from a singer named You who plays Keiko, the members of the cast are non-professionals. You may find that hard to believe when you see this astonishing film, as I hope you will.
  12. 90
    The kids in Nobody Knows are most decidedly not crazy, and we come to care for them to an almost excruciating degree.
  13. Reviewed by: Jim Healy
    90
    Yuya Yagira, winner of the best actor award at Cannes this year, is superb as the protective eldest child; he and his other nonprofessional costars are quietly heartbreaking.
  14. Nobody Knows is the rare film that successfully tells its tale of childhood from the children’s point of view.
  15. 88
    There are moments in Yagira's performance that will break your heart.
  16. 88
    Kore-eda presents the deeply moving story in a documentary style that is both gentle and compelling.
  17. Reviewed by: Ty Burr
    88
    Spare and elegant and harrowing, it's an ode to childhood trust being stretched until it snaps.
  18. 88
    Kore-eda expresses the terror of the kids' predicament with a touch that's equally tender and dispassionate.
  19. You won't forget Nobody Knows, the quietly harrowing tale of four abandoned Japanese children.
User Score

Universal acclaim- based on 64 Ratings

User score distribution:
  1. Positive: 34 out of 39
  2. Negative: 2 out of 39
  1. DonaldW.
    2
    One word can describe this movie: boring. It could also apply to the other Koreeda movies I have seen. If another word is desired, try "pointless." If Koreeda is trying to tell us that young children should not be abandoned by their parents that isa point which certainly should not take two hours and twenty minutes to make as nothing could be more obvious. Full Review »
  2. Film Director, Hirokazu Kore-eda's take on a real life event of child abandonment in Japan. In Nobody Knows, Four children are left to fend for themselves when their mother takes off. The eldest son, Akira, is left in charge of his younger sisters and brother. He is forced to "grow up" and take charge but can only do so much. Hirokazu Kore-eda's cinematic progression and pacing is slow but riveting. It's a quiet film, yet spilling over with emotion. It's a comment on society and family. It reflects the status and shows us a cinematic situation of child abandonment it's not just a "pointless" and "boring" film. The kids act like kids. It's moving and eye-opening. As I say about all movies: Don't go in with expectations. Be surprised, entertained, and enlightened! Full Review »
  3. I was quite disappointed with this movie, it was very slow, lacking in character arcs, plot or emotion. The abandonment and the 'fending for themselves' is interesting, but it's half shot like a documentary, half shot like a progressive drama. But there's very little to take from the film. The characters are pretty shallow, despite the great acting and close-up shots. A movie this reminded me a lot of is King Of the Hill, a fantastically made movie about a boy left to fend for himself as his parents have to leave. There's adventure, a coming-of-age character arc, a plot with strong overtones. Very strongly written characters in addition to the good cast. Obviously they're not identical films, but I would recommend King Of The Hill tenfold over this. I'm a hugely into Asian cinema, but other than good camerawork, there's very little to this film. Full Review »