- Studio: Paramount Classics
- Release Date: Jul 11, 2003
- Critic Score
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100There has never been a movie quite like Northfork The movie is visionary and elegiac, more a fable than a story, and frame by frame, it looks like a portfolio of spaces so wide, so open, that men must wonder if they have a role beneath such indifferent skies.
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100The movie elegantly mingles drama, comedy, and low-key spiritual resonance. It also has a splendid cast.
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100A thoroughly original accomplishment of a high artistic order, Northfork features flawless, spare production design by Ichelle Spitzig and the Polish brothers' father, Del, and cinematographer M. David Mullen's striking images slide effortlessly into Dalí-like Surrealism.
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90With their third film, the Polish brothers find their authorial voice, resulting in a lyrical work whose free-floating Lynchian weirdness coalesces into an unexpectedly touching movie.
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90There is nothing quite like this movie, and I'm not altogether sure there is much more to it than its lovely peculiarity. But at a moment when so many films strive to be obvious and interchangeable as possible, it is gratifying to find one that is puzzling, subtle and handmade.
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90Love it or hate it, Northfork is a cinematic vision (visually and textually) unlike any with which most moviegoers, even arthouse regulars, will be familiar.
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89Gets under your skin with its graceful edits and poetic elisions, lovely performances, and faded imagery.
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88Strictly a love it-or-hate-it proposition, it requires viewers to work at a movie with a narrative that could support at least half a dozen interpretations.
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A love letter to the state of Montana and a landscape that is biblical in its desolation and splendor.
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80Northfork may be doomed, but the Polish brothers and cinematographer M. David Mullen (who worked with the brothers on their previous features, "Twin Falls, Idaho" and "Jackpot") make the place feel like heaven on earth.
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80Isn't everyone's cup of tea -- as the Polishes admit in a clever bit of critical preemption -- but it possesses an undeniable, haunting grandeur.
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80Stark, mysterious, and often weirdly funny.
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75It's a film that is mystifying and haunting -- a cool, brotherly vision of the last day and the coming flood, of American dreams and the vanishing frontier.
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75This is very much the bargain that Northfork offers an audience: Buy into the brothers' elegiac meditation on angels, Eden, and the death of American innocence or sit back and scoff at it as so much David Lynch lite.
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75Just when the movie seems set to soar, there's a drag factor -- it keeps getting weighed down, if not sunk, by an anchor of ponderousness.
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75I predict Northfork will give you food for reflection or a case of the hives. I stopped scratching 20 minutes into the movie, settled into its lulling rhythm and floated away into the Polish brothers' flaky, austere dreamworld.
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67There's real craft here and a vision that's nothing if not unique.
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63Northfork feels like the work of a couple of ardent art students who, for whatever reson, are very keen on pleasing their teacher. [July/August 2003, p. 23]
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60Every tiny aspect of the universe here comes from the filmmakers' imagination, and while this occasionally leaves us bemused, the film as a whole is a magical, otherworldly trip into undiscovered areas of cinema.
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60Just about gets us off the ground on its dreamy, feathery angel wings; it just doesn't have the strength or the stamina to keep us aloft.
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60Northfork's overall ponderousness prevents it from becoming a transcendent fictive poem on the violent domestication of the West.
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50An improvement over "Jackpot," but not much. The best thing about it is Nolte, playing the grizzled priest as an angel in his own right. Everyone else- - save the young boy playing the orphan -- seems to be in on a joke we just don't get.
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50The cinematic equivalent of an elaborate and poetically constructed non sequitur.
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50Moody and atmospheric -- a study in tone over plot and pacing over characterization. Unfortunately, in devoting all of their efforts towards the film's look and feel, co-creators Mark and Michael Polish have crafted a motion picture that is static, occasionally opaque, and, worst of all, boring.
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50So stuck is the movie inside the heads and hearts of its indisputably gifted makers, it never quite makes the leap into ours.
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40The film is meticulously crafted but frustratingly meaningless.
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38An insufferably artsy, pretentious work, the sort of picture that gives art films a bad name.
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38American art movies rarely come fancier or emptier than Northfork, a down-home arabesque made of angel fluff.
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30It's just too lost in its own presumed self-enchantment.
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25Numbing and inert.
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16It has that vintage Polish pace, their signature arch pomposity and rhythmless weirdness, only this time the brothers had to go and make a cosmic allegory of American dreams.
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User score distribution:
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Positive: 8 out of 18
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Mixed: 1 out of 18
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Negative: 9 out of 18
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JohnY.8Not a masterpiece, but a visually stunning work that has a pace and mood that's all its own. At times, it's quite mesmerizing.