Metascore
66

Generally favorable reviews - based on 33 Critics

Critic score distribution:
  1. Positive: 27 out of 33
  2. Negative: 3 out of 33
  1. The overall result is a romantic comedy that indulges fantasies, calms insecurities (can an ordinary bloke stack up?), and breaks and mends hearts with surgical precision.
  2. It comes as a bonus that this romantic comedy is one of the rare pictures of its type that actually is about something -- the double-edged sword of celebrity.
  3. Blithe and exhilarating romantic comedy.
  4. 91
    A pure, sweet romance that moves along with bouncy comedy and a touch of grown-up realism and rue.
  5. It's pure fluff, but as irresistible as cotton candy.
  6. Reviewed by: Norman Green
    90
    It's irresistible.
  7. Reviewed by: Marc Caro
    88
    It's funny, sympathetic, mostly smart, and it boasts a likable cast of characters led by two performers who have star power and know how to use it.
  8. 88
    Its deadpan wit, ingenious fairy-tale premise and superbly accomplished cast will leave you feeling positively oxygenated.
  9. Reviewed by: Eleonore Snow
    82
    A smart, sometimes pissingly funny romantic comedy that is also oddly unmoving and predictable in spots.
  10. Reviewed by: David Edelstein
    80
    A brainy weave of satire and fantasy.
  11. Reviewed by: Derek Elley
    80
    Has buckets to spare of that rarest screen commodity — genuine, engaging charm.
  12. In the end, the movie works because Grant and Roberts are disarming geniuses at playing themselves -- and then some.
  13. So the film has this weird postmodernist taint: It has a self-aware script that cleverly plays off the reality of its own cast and their famous real-life contretemps. It's smart and knowing.
  14. 75
    The movie is bright, the dialogue has wit and intelligence, and Roberts and Grant are very easy to like. By the end, as much as we're aware of the ancient story machinery groaning away below deck, we're smiling.
  15. There's some very funny dialogue, but the picture falls apart when it tries to think real thoughts about celebrity, publicity, and the media.
  16. Reviewed by: Rod Dreher
    75
    The frothy, feel-good Notting Hill is about as enchanting as movies get these days.
  17. The deft, hilarious Notting Hill finds Grant's dour-droll-deprecating affliction at its most dead-on.
  18. 70
    Roberts fans will, of course, be delighted to see her in a role that plays to all her strengths -- fresh-faced looks, charming gangliness, air of infinite approachability -- and neatly sidesteps her glaring inability to act by having her more or less play herself.
  19. 70
    It may boil down to little more than a minor variation on Four Weddings' formula, but it's an interesting and entertaining one.
  20. Reviewed by: Robert Horton
    70
    A piece of fluff that can be enjoyed without guilt.
  21. A smartly cast and consistently amusing romantic comedy.
  22. The movie has lots of glossy charm even if Ms. Roberts and Grant seem less like lovers than members of a support group for the desperately attractive.
  23. Reviewed by: Jeff Giles
    70
    Adorable, if uneven, romantic comedy.
  24. 70
    At once a light comedy and a reasonably serious meditation on the perils of fame.
  25. Reviewed by: Jennifer Nowitzky
    70
    If you're looking for Julia Roberts (circa "Pretty Woman") playing, well, herself, and Hugh Grant (circa "Four Weddings and A Funeral") playing, well, himself, then you're in luck.
  26. 63
    Notting Hill does an adequate job, but this isn't one of those landmark romantic comedies that dozens of subsequent movies will seek to emulate.
  27. In the slow coast down Notting Hill, we approach the blessed land of Nodding Off.
  28. Reviewed by: Hollis Chacona
    50
    Funny, bright, sly, and unabashedly romantic, Notting Hill combines fluffy, fairy-tale fantasy with big laughs, snappy dialogue, and small moments of pain and unease to create a surprisingly satisfying two hours.
  29. 50
    The result is two films: a big, dreary star vehicle that sags whenever its leads spend quality time together, and a mettlesome British caper whose nutsosecondary characters walk away with the movie.
  30. Reviewed by: Ernest Hardy
    50
    It has to be noted that the use of music in this film is the worse in recent memory: maudlin, syrupy, and overwrought.
User Score
8.2

Universal acclaim- based on 51 Ratings

User score distribution:
  1. Positive: 23 out of 26
  2. Negative: 2 out of 26
  1. Apr 18, 2014
    6
    “Notting Hill” was a movie I was hesitantly looking forward to because it stars a bunch of solid actors like Hugh Grant (“Four Weddings and a Funeral”), Julia Roberts (“Erin Brockowich”) and Rhys Ifans (“The Amazing Spiderman”). I had also heard some good things about it. Then again it was a romantic comedy and those are really hit and miss for me… I am however pleased to say that I liked it.

    “Notting Hill” has a very basic plot: simple bookshop owner William Thacker, played by Grant, falls in love with the beautiful moviestar Anna Scott, played by Roberts. The entire movie is then a predictable “will they, won’t they?” ride but it is an enjoyable one at that.

    I have already cited the main cast, Grant, Roberts, Ifans, and they are all great. Hugh Grant is perfect in his role since he delivers his lines with a dry wit that the character demands. Roberts suits her part great as well not only because of her looks but also because of her natural sense of humor. I know Rhys Ifans from “The Amazing Spiderman” where he plays the dead serious professor, Curt Connors. His role in this film is not like Connors. Not at all actually. Here he is an odd-ball, slacker who lives with William, named Spike. I have noticed that characters named Spike are often kooky… Just a fun sidenote.

    Roger Michell is the director helming this film and his directing in this movie is fine. Nothing spectacluar or remarkable like what Edgar Wright does but… fine. He uses some long continuous shots that looks nice and the cinematography is very cool at times.

    The soundtrack in “Notting Hill” is good. I say that it is good because it has one great part and one not so great part. First of all is the orchestral soundtrack wich is not the best. I wouldn’t say it’s sub-par but it feels too cheesy and it beats you over the head sometimes. Then there is the great part, the songs. “When You Say Nothing At All” is such a great song and it fits the film brilliantly. Other songs are played throughout the movie and they are equally fitting,

    “Notting Hill” is a rom-com in it’s purest form. I have already described the basic plot wich is obviously not the strongest part of the film. The best part is however the script. The dialogue is very witty and funny. I cracked up several times thanks to the dry, humorous both style and tone of the talk in the film. However, the dialogue is a double edged sword. While it is funny it is very unbelievable and it feels fake and theater-like. I have no problem with theater but plays and movies are two different mediums and they should not be switched up.

    So in the end, “Notting Hill” is a standard rom-com with funny dialogue and fine acting. The story is compelling enough to keep you invested while not leaving the formula we are used to. If you want to see a fun movie with great chemistry between the actors you may not have to look any further than to “Notting Hill”.
    Full Review »
  2. Jan 6, 2013
    3
    This movie was duuuuummmb. It was long and stupid long looks at other characters that led to stupid innuendos that don't work until an ending that just died on the table. Full Review »