- Studio: Universal Pictures
- Release Date: Feb 19, 1999
- Critic Score
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90Immensely entertaining and unabashedly inspirational.
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88One of the best elements of the movie is in breaking free, he is respecting his father. This movie has deep values.
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88A family tale, in the best sense. [19 February 1999, Tempo, p.4]
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88With its lack of car chases, fist fights, and over-the-top melodrama, the film has to rely on solid acting, an intelligent script, and capable directing.
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A professionally crafted family film that reserves all its challenging moments for its characters, letting the audience bask comfortably in the approach of a predetermined warm and fuzzy ending.
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80One of the most unfashionable movies of the new year, and one of the more appealing. [19 February 1999, Calendar, p.F-10]
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80At its best, the movie evokes that blend of thrill and terror that comes from mixing two chemicals together without being sure that an instant later you'll still be standing there in one piece.
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80It makes a great point: Love, honor and respect your father, but then get the hell out of town.
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75The film is rich in period flavor and refreshingly unhip.
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75Here's hoping other filmmakers will follow its spirit, if not all of its methods.
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75This film is family.
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While this movie hasn't many surprises, it does offer strong performances, especially from Gyllenhaal.
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75The finale, which utilizes vintage home movies to show us the real people we've just seen portrayed, packs a wallop. [19 February 1999, Life, p.13E]
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75Now if that isn't an inspirational story, it's hard to know what is.
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Duller than rocket science and more reliant on formulas.
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70Despite its "based on a true story" opening credit, this earnest, nostalgic film has a way of seeming too good to be true.
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70Paint-by-numbers feel-gooder, in which Homer and his friends decide to win a national science fair for their little town and, ultimately, for America.
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70The movie manages to push buttons without seeming formulaic.
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60Cooper who was so poignant in "Lone Star," gives an emotionally robust performance.
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60Offers a strange mix of sentimentality and social criticism, sometimes mixing the two to awkward effect.
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50The film's most fully realized performance is Chris Cooper's.
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50October Sky falls flat (despite its rich tone and some startling cinematography by Fred Murphy) due to its all-too-obvious third act and the vague fact that, really, not that much happens.
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October Sky may be set around coal mines, but ultimately it's Field of Corn, Part II.