|Focus Features | Release Date: April 7, 2006||CRITIC SCORE DISTRIBUTION|
When a feelgood formula is fleshed out artfully, going along with it can feel very good indeed.
Gaby Dellal's cynically mushy film, like "The Full Monty" and its ilk, is best savored only by its target demo: middle-classers who see one imported film a year, the selection in question requiring working-stiff melodrama and leprechaun burrs gently and lovably mangling the English dialogue. Read full review
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