User Score
6.2

Generally favorable reviews- based on 37 Ratings

User score distribution:
  1. Positive: 23 out of 37
  2. Negative: 5 out of 37

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  1. Dec 26, 2012
    4
    For a movie that was meant to take us on a wild ride with idols from the spontaneous beat culture, it sure does follow a familiar road map. Always maintaining the same route and never attempting to venture out into an uncharacteristic art form, On the Road proves to be an underwhelming and disappointing road film, on many levels. This is primarily due to the narrow screenplay that sticks to that aforementioned, familiar path; and the dull central presence of Expand
  2. Jul 19, 2014
    3
    Some of the cinematography is worthwhile, bits of acting are noteworthy but, in the end, it's a book you can't really make into a film.
    What would be shocking and extraordinary in the late 50's now looks fairly tame and often sad. there is a lack of rhythm to the editing, too many unconnected ideas, big, sprawling and dull.
    If they had tried for something smaller, maybe it might have worked.
  3. Dec 31, 2012
    1
    Boring. Confusing. Pretentious. Drawn Out. Basically...doo-doo.
  4. Aug 31, 2013
    0
    One of the worst road movies ever made. I saw it when it first came out and I wanted like crazy to leave the cinema earlier. I didn't leave earlier but I cried in the end for my money. If I new that this film is so awful, I would spend my money to Star Trek or The Lone Ranger.
Metascore
56

Mixed or average reviews - based on 32 Critics

Critic score distribution:
  1. Positive: 13 out of 32
  2. Negative: 0 out of 32
  1. Reviewed by: Mick LaSalle
    Mar 21, 2013
    75
    The result is a movie that, like the book, is episodic and has dips in energy but has more than its share of glory and illumination.
  2. Reviewed by: Joe Williams
    Mar 21, 2013
    88
    Notwithstanding the characters’ spiritual camaraderie, Salles’ emphasizes the hard physical labor and loneliness in Sal’s story, including the jittery rigors of the writing process. When he reaches a crossroads choice between down-and-out Dean and his own rising career, Sal senses that except for the words on a typewritten scroll, his life on the road is gone, real gone.
  3. Reviewed by: Marc Mohan
    Mar 21, 2013
    67
    Even if Salles' film can't possibly capture the impact of its source, it's intriguing enough to rate a place in the ever-expanding mythology of "the mad ones, the ones who are mad to live."