Metascore

Generally unfavorable reviews - based on 8 Critics What's this?

User Score

Universal acclaim- based on 52 Ratings

  • Summary: An epic motion picture set in an imaginative world of adventure, intrigue and romance, One Night With the King follows a young girl who rises from peasant to princess by going against the culture and seeking the King's heart rather than the riches of the kingdom. (8X Entertainment)
Score distribution:
  1. Positive: 2 out of 8
  2. Negative: 2 out of 8
  1. Reviewed by: Joe Leydon
    70
    Blessed with abundant production values and a minimum of campy excess, One Night With the King is a surprisingly satisfying attempt to revive the Old Hollywood tradition of lavishly appointed Biblical epics aimed at mainstream auds.
  2. The performances are all solid, although the screenplay frequently bogs down with the complexity of palace intrigues and plots that could have been rendered more consumer-friendly.
  3. Fails to find the genuine drama in its story of love and intrigue.
  4. This preposterous adaptation of the Book of Esther is recommended viewing only for those impressed that it comes endorsed by the American Bible Society.

See all 8 Critic Reviews

Score distribution:
  1. Positive: 29 out of 35
  2. Negative: 4 out of 35
  1. Rarely have I been so disappointed in my own "instincts" to select a quality film for viewing, but "One Night With The King", sadly, falls into that category. And to be completely honest, as an owner of over 500 films, even more rare are those which had so little power to immerse ones interest as this supposed "epic" release.

    Sporting a cast composed of Omar Sharif, John Noble, John Rhys-Davies and Peter O'Toole one can scarcely imagine how a sure-shot collection of acting prowess could be wasted so thoroughly. John Sturges once propounded that the lead characters were not so critical to a quality film production as the support cast. Had he been alive to view this today, I have no doubt he would have considered retracting that claim. What may have been missing from that qualifier was the caveat "with skilled direction". So perhaps that was the main reason for such a dismal screenplay and non-cohesive production. I will definitely be "handicapping" directorship rather than cast in future film selections due to this disappointing experience.

    As equally disheartening is the apparent fact that all a filmmaker needs to do to satisfy religious-based movie-goers is pen a script based on biblical storytelling and then provide enough cinematographic substance to support a basic plot. One can't help but wonder if this new generation of screen epic followers has ever felt or appreciated the timeless work of directors like William Wyler and Cecille B. DeMille... if for no other reason than to form a metric on which to gauge screening experiences. Fortunately, as previously mentioned, the camera work by the Steven Bernstein (yes, the actor... that's not a mistake) was more than adequate, although at times captured with dubious continuity. The level of authenticity and set design was just as capable which is possibly one of the reasons the Bible-belters received this presentation which such enthusiasm. It did LOOK pretty realistic.

    So after 2 hours of enduring the tedious interplay of characters that seemed to be reading lines on a set in a parking lot rather than living a life in ancient Persia, it finally ended. By the grace of God, I might add. One can only imagine what must have gone through the minds of the renown cast members that really didn't NEED this project to feed their families or pay the rent or establish some level of notoriety. Perhaps they were feeling what I did while watching it... that just around the corner, in the next scene, for the following few minutes... by sheer will... the film could be saved... that it could be given that miraculous shot of adrenaline (or fairy dust!) to substantiate the prior suffering and squirming in the chair. All the hope in the world won't make it so. Not this time. :(
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  2. FlorenceC.
    8
    Gave you some good historical Judeo background. Nice love story.
  3. C.H.
    7
    The imagery and wardrobe were awesome! The screenplay threw me off a couple of times but it stuck to the original story fairly well. The only thing that bothered me was the fact that Esther was too "American" for me. She did not even try to fake an accent. Being a big fan of Biblical epics, over all, I liked it. It will definitely join my collection when it comes out on DVD. Expand
  4. HosseinA.
    3
    As an Iranian, I wouldn't need to seek very carefully to find so many historical mistake in the film's decoration and architecture (they mostly resembled Arabic or Babylonian tradition than that of the Persian Empire), costume (Egyptian like, Arabic, anything but Persian if you can remember the Persepolis inscriptons), make up (Persian Achamenid kings had long beard and used to wear special king of hat not the typical metal crown, they also used to carry lotus flower and a long rattan) and attitude (Persian kings never on earth would kiss the queen in front of others, even for the very last persian king Mohamadreza Pahlavi who was grown up and lived for years in Switzerland in the 20th century). In short, the movie is far more a jewish advetisement than an honest historical reconstruction. Collapse

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