- Studio: Samuel Goldwyn Films
- Release Date: Dec 17, 1999
- Critic Score
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90A pleasure in all ways.
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90Few things are more enthralling than unrequited love, as demonstrated by this drama.
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80A riveting, unsentimental tragedy of unrequited love.
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80A deliciously romantic story, in all senses of the word.
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80Handsome, well-acted, richly textured adaptation of Alexander Pushkin's novel.
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75The pace slackens a little after the first hour, but the photography by Remi Adefarasin and music by Magnus Fiennes keep the emotion stoked.
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75Fiennes does this sort of inner pain thing exceedingly well, Tyler is beguiling and believable, and there is an edge of wit and grace to the proceedings.
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75Hot-blooded.
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75(Fiennes's) Onegin is clueless to anything other than the sensual world, and is finally more repellent than sympathetic.
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67Tatyana, the embodiment of a heroine whose still waters run deep, requires more maturity than Tyler as yet possesses.
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67A handsome, somewhat draggy and abrupt film that's more memorable in snippets than as a whole.
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63There is a cool, mannered elegance to the picture that I like, but it's dead at its center.
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63Despite Fiennes' splendid moodiness and Tyler's radiant vulnerability, despite lovely settings... this movie is dull.
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63A confident and promising directorial debut, one that has the feel of an experienced director to it, from the hypnotic unfolding of scenes to the finely observed character details.
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60(Tyler's) voice is still mall American, and Onegin's rejection of her is nowhere near as puzzling or as tragic as it's supposed to be.
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50Makes you appreciate opera, or NoDoz.
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50Would have been a stronger movie if it didn't require a strong cup of coffee going in.
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50Overall, this is the kind of thing that gives literary adaptations their bad name.
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A sumptuous yet unexceptional story.
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40Feels too cramped, indoorsy and bloodless to catch romantic fire.
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20Unable to capture either its wit, psychological acuity, or formal rigor, the movie essentially reduces the schematic, seesaw narrative to doomy clichés.