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91It's a gorgeously atmospheric, perfectly cast, beautifully crafted oater of the old school, made with heaps of integrity, no gimmicks and few concessions to the box office. Its only real flaw is that it strains a bit too hard to be a "classic" western.
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90Open Range gets better the deeper you get into the story.
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90There's a lot in this movie, simple, big, small and exciting. It's the year's first serious contender for big prizes. What's not to like about this picture?
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90In this handsomely traditional movie, Kevin Costner has tried to fix the Western myth for all time in the stern contours of Duvall’s face and the guttural beauty of his voice. [1 September 2003, p. 130]
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88An imperfect but deeply involving and beautifully made Western.
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80Costner sets course for one of the most stirringly choreographed shootouts in movie history.
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80A return to the Western in its pure, cinematic form.
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80Here is a Western without irony or innovation, without any of the overt efforts toward “revisionism” we’ve come to expect even from Eastwood -- a movie that waxes elegiac about the end of the West, but remains sure that cowboys and cattle and ramshackle frontier towns will live on in perpetuity at the cinema.
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80Say what you like, think what you will, scoff if you have to (and you will definitely have to), but in the final analysis Kevin Knows Westerns.
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80It's a real and rare pleasure to see Costner and Duvall together -- these masters of intense passivity, who know how to be watched when they're listening.
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80An intensely scenic, refreshingly humanistic oater that dares to be sincere and open-hearted.
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80A fine, heartfelt film, sometimes harrowing in its violence but blessedly free of pretension or bombast, even though it aspires to -- and achieves -- the stature of a classic Western.
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80It's a fine, old-fashioned 2 1/4 hours at the Bijou.
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75A flawed but highly entertaining B Western blown up to John Ford scale.
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75Open Range could easily have lost 20 minutes in the editing room, but its very casual pacing and beautiful vistas - gorgeously photographed in British Columbia by James Munro - are a soothing alternative in a season of movies seemingly aimed at sufferers of attention deficit disorder.
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75A patient, suspenseful exercise in genre craftsmanship
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75This is a great two-hour motion picture. Unfortunately, it runs 20 minutes longer than that.
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75Nobody smells of sagebrush, campfire coffee, tobacco (smoked or chewed) and saddle soap like Duvall.
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75There's nothing corny, however, about the climactic shoot-out, which Costner has staged superbly as an extended logistical mini-war that surges and rifle-cracks with bloody abandon through what feels like every building in town. Call it dances with guns.
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70In spite of its portentousness, the film does engage one.
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70Costner is always at his best when he’s a little ornery, and Duvall is the same way. His grizzled performance is so thoroughly in character that he even chews as if it were 1882.
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70Mostly it's just a good yarn, with attractive picture-postcard vistas and an agreeable strain of light humor.
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70The scenario recalls everything from "High Noon" to "Unforgiven," but Costner is less interested in grappling with the grim ambiguities underlying those films than in codifying them. There's still much to like, including the warm, thoughtful performances and cinematographer James Muro's fearless use of natural light.
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67Though visually lovely and ambitious, never soars to the heights achieved by "Unforgiven." Costner’s film lacks the moral complexity that might earn it a solid berth in the canon of the American Western.
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67When the picture's good, it's really something; when it's bad, you grit your teeth and pray it will end.
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63A blend of the classical and the trite, the beautiful and tawdry, the genuinely moving and the cornball. Oddly, producer-director-star Costner often can't seem to tell the difference.
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63The screenplay of Open Range, credited to one Craig Storper, is an awesome compendium of cowboy-movie cliches. It borders on parody, and often crosses the border, rustling up a drove of oater aphorisms.
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63Compared with other films Costner has directed, Range isn't a folly like "The Postman," nor is it quite as over-elaborated as "Dances With Wolves."
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63A better, and more relevant movie, might have left us at the point of troubled introspection, but Costner is compulsive about tying up loose ends and upbeat messages. If the climax of Open Range is disappointing, the ending is almost intolerable.
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60While Costner the actor clearly imagines himself the Gary Cooper of the 21st century, he's got a crude sentimental streak that Costner the director fails to curtail.
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60Many sequences, many moments, are turned skillfully, and the look of the film is much of the time breathtaking. Yet, for its entire two hours and fifteen minutes, we merely watch it. It is there. We are here, regrettably objective.
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60Storper is pretty good at playing with and against certain western cliches in his treatment of the good guys (including Annette Bening's character), but resorts to pure cliche when it comes to the villians (e.g., Gambon and James Russo).
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50Open Range copies the rain and flood of the Clint Eastwood classic but can't match it for dark-night-of-the-soul brilliance.
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50In all, the film is a striking, if flawed, achievement by a talented actor who may become an important director if he sticks to the genre that suits him best.
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50There's a fine little western lurking inside Open Range: Too bad it gets drowned out by director Kevin Costner's pretentiousness. Almost everything in the movie feels inflated, overblown, drawn out.
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50Open Range veers wildly. It's a movie of beauty and sensitivity, and tedium and absurdity.
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50A moderate success, if a bit clunky. Somewhere beneath the syrupy melodrama and the scenes that should have expired long ago, there is an intelligent, thoughtful western in waiting.
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40Where "Silverado" swaggered, Open Range sulks; it's no fun at all.
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40Mr. Costner's relentless, root-canal humorlessness turns what might have been an enjoyable B-picture throwback into a ponderous drag.
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38Without Duvall, this movie would be as wet as Waterworld.
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User score distribution:
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Positive: 25 out of 31
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Mixed: 0 out of 31
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Negative: 6 out of 31
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PatC.3
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LukeD.1a very bad, bad film with characters so underdeveloped that i almost wished them harm. the first film i have ever walked out of.