Universal acclaim - based on 37 Critics What's this?

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Universal acclaim- based on 1595 Ratings

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  • Starring: , ,
  • Summary: Guillermo del Toro delivers a unique, richly-imagined epic with Pan's Labyrinth, a gothic fairy tale set against the postwar repression of Franco's Spain.
Score distribution:
  1. Positive: 37 out of 37
  2. Mixed: 0 out of 37
  3. Negative: 0 out of 37
  1. 100
    A swift and accessible entertainment, blunt in its power and exquisite in its effects.
  2. 100
    Del Toro never coddles the audience. He means us to leave Pan's Labyrinth shaken to our souls. He succeeds.
  3. Like the folk tales from centuries past, Pan's Labyrinth is a dark odyssey with nightmarish visions and cruel threats, but coming through the sacrifice and suffering is the childlike belief in magic and imagination that for Del Toro represents the hope and optimism of a happily ever after in this cruel world.
  4. 100
    Del Toro's film ranks with the best examinations of children's inner lives, but be warned: Its haunting insights are best left to adults.
  5. A critic trots out the word "masterpiece" at his own peril, but there it is.
  6. 91
    After two hours of dazzlingly fantastical images and stomach-turning gore, del Toro winds around, and finds his story's center.
  7. Reviewed by: Justin Chang
    There's plenty of blood -- both literal and figurative -- coursing through the veins of Pan's Labyrinth, a richly imagined and exquisitely violent fantasy from writer-director Guillermo del Toro.

See all 37 Critic Reviews

Score distribution:
  1. Negative: 79 out of 651
  1. Jan 22, 2011
    This review contains spoilers, click expand to view. Wow people really didnt like this movie... i guess they just didnt get it, the violence is not some sort of sick twisted torture porn, it was to show exactly the world the girl was living in and just how hard it was for her. And for the record I'm not sure what everyones crying about how BAD the violence was in the movie when half the movies out there use so much more and its done just for the sake of it being there. The whole point of the fantasy world was the girls escape from this violence, so now it didnt have to be a mirror image of the war plot, instead it is a look into the mind of the girl and simply from the world she creates for herself we learn more about her as a character. *spoilers in this paragraph* Even though she creates this world she still puts an evil/violent spin on it as she cannot escape it but in her world she overcomes it. Sure she may not survive in the real world, she may not live and there may not be a happy ending in the real world, yet she still holds onto that belief that its possible and that right there gives us so much insight into the character of the girl, that even in her dying moments she still holds tight to this notion that everything is going to be ok... THAT is why we cry at the end of the film, that she, despite all this violence and even her dying she is still able to hold onto that innocence. The plot is very much modernist in so far as it creates a story that is trying to mimic that of real life, modernists were very much into the idea that a story didnt totally have a coherent plot or that it didnt follow the usual rising and following action or have a happy ending as that did not mimic real life. This movie does just that.

    The problem is most people get it, some dont, they long for the comfort of the familiar rising and falling where everything is resolved in the end and if it doesnt follow that basic idea, that outline they get upset and storm off claiming its "screwed up" or "twisted" or just simply "stupid".

    Though the one thing i can agree on it was marketed wrongly, I bought the movie when it first came out on DVD and expected a fantasy movie just like everyone else.
  2. Oct 12, 2012
    This movie moved me deeply in 2006, and hasn't stopped moving me since. The final scene is playing on a perpetual loop in the background of my mind. It is a canonical work of art. Expand
  3. Aug 13, 2013
    Marvelous to the deep core, 'Pan's Labyrinth' is s astounding, so fantastic, that one must wonder how Guillermo del Toro came about some of the instances in the film. Expand
  4. Feb 8, 2013
    Acclaimed director Guillermo del Toro ("Hellboy", "The Devil's Backbone"), creates one of the most exciting and visually stunning adult-themed fables ever. "Pan's Labyrinth" is one of the cinema's great fantasies--rich with darkness and wonder. It's a fairy tale of such potency and grandeur, that it reconnects the adult imagination to our primal thrill, and horror stories that held us spellbound as children. As gruesome and brutal as it is enchanting and spellbinding--"Pan's Labyrinth" is a movie intended for adults. It is a harsh, uncompromising film--but equally just as beautiful and moving."Pan's Labyrinth" is itself a narrative maze, with multiple stories that branch apart and back together again. This dark fairy tale plays out against the backdrop of Spain in 1944. A monstrous Fascist captain (López) is determined to flush out soldiers of the resistance, as his pregnant wife arrives at his countryside headquarters with her young daughter. The young girl Ofelia (Baquero), escapes the brutality of her new environment by drifting into a fantasy world where she comes across a mysterious faun. The faun tells her that she is a princess from a kingdom in the underground. The faun also tells that her that her father is waiting for her, but she needs to accomplish three challenging and dangerous assignments first. Ofelia's challenges do not arise like arbitrary plot obstacles--they are organic to her (and the movie's) development. She learns not only to follow instructions--and that there are heavy prices to pay for failing to abide by them. But also to trust her own instincts about what is right and wrong. In order to find her true self, she must also find the her inner-strength to break the rules imposed by authority. An individual conscience. What could be a more powerful anti-fascist weapon than that?
    In a dark, harsh, and violent world, Ofelia lives in her magical world trying to survive her tasks and see her father again. Soon, the line between fantasy and reality begins to blur, and before Ofelia can turn back, she finds herself at the center of the ferocious battle between Good and Evil. Incredibly unique fable that blends fantasy and fearsome violence, ultimately merging the two stories together. Superbly realized--a rare film that invites repeated viewings to fully absorb all that writer-director del Toro has put into it. Oscar winner for Cinematography, Makeup, and Art Direction.
  5. Jan 7, 2012
    Not only is this movie visually stunning, ranging from innocent beauty to gruesome reality, not only does the director, Guillermo Del Toro, perfectly contrast a young girl's fantastic fairy tales with the Captain's brutality in war, Pan's Labyrinth is a moving and even philosophical story of someone trying to cope with the horrors of real life, a fable that transcends time. Probably one of the greatest movies ever made. Expand
  6. Jan 28, 2013
    In my opinion, this movie was so good beacuse it was sad, exiting an at the same time dark, only if there werent so much blood it would be the best movie of 2006 Expand
  7. Jan 24, 2013
    The only "tale" here is the historical aspect. And it's rather a sad tale since it's a blatant propaganda. Other than that, questions arise like: Why so brutal? Why so dystopian? And why is the hourglass one fifth full after a few seconds but goes on for several minutes after that? One of the worst movies I've ever seen... Expand

See all 651 User Reviews


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