Paradise: Faith Image
Metascore
61

Generally favorable reviews - based on 16 Critics What's this?

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8.0

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  • Summary: Anna Maria, a single woman in her 50s, devotes her summer to missionary work in an effort to return Austria back to the path of virtue. Carrying a foot-high statue of the Virgin Mary, she goes door-to-door preaching Catholicism. One day, after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, returns home. Anna Maria’s life is turned upside-down as her prayers are joined by fighting. [Strand Releasing] Expand
Score distribution:
  1. Positive: 8 out of 16
  2. Negative: 2 out of 16
  1. Reviewed by: Oliver Lyttelton
    Aug 21, 2013
    83
    For all its abrasiveness, the film is also capable of real tenderness.
  2. Reviewed by: Leslie Felperin
    Aug 14, 2013
    80
    The constant juxtaposition of scenes showing the dark and light aspects of the characters endows the pic with a juicy moral complexity that will stimulate post-screening debates.
  3. Reviewed by: Rene Rodriguez
    Aug 29, 2013
    75
    Although there are several stretches in the movie in which Seidl seems to be repeating himself, the director is carefully building toward a knock-out final scene in which the inscrutable, often annoying Anna becomes beautifully, poignantly human in front of our eyes, like magic.
  4. Reviewed by: Simon Crook
    Aug 14, 2013
    60
    Part two of Ulrich Seidl’s Paradise trilogy is a stark, morally complex study of blind belief, lightened by black laughs and Seidl’s static, deadpan compositions.
  5. Reviewed by: David Fear
    Aug 20, 2013
    60
    It’s hard to say if Faith works better as part of a whole instead of a triptych’s single panel until the trilogy is complete, but the unconverted may find this too much of a cross to bear.
  6. Reviewed by: Mike D'Angelo
    Aug 21, 2013
    58
    A powerful final scene reveals that Seidl knew exactly where he was going. But the journey is stultifyingly static, repeating the same basic information over and over with only negligible variations.
  7. Reviewed by: Diego Costa
    Aug 14, 2013
    38
    A shallow film that leaves us knowing exactly what we're seeing, and able to predict what the characters will say to each other in the mostly uninspired and overtly familiar dialogue.

See all 16 Critic Reviews

Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of

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