Metascore
28 out of 100

Generally unfavorable - based on 27 Critics

Critic score distribution:
  1. Positive: 2 out of 27
  2. Negative: 16 out of 27
  1. 68
    Works best as romantic melodrama and is least convincing as a psychological suspenser.
  2. Reviewed by: Jay Carr
    63
    There's no Passion in this psychological drama.
  3. 50
    By the ending of the film, which is unconvincingly neat, I was distracted by too many questions to care about the answers.
  4. Reviewed by: Marc Caro
    50
    It's pretty muddle-headed and confusing.
  5. Leaves the viewer exhausted, jet-lagged from the effort of investing equally in competing story lines.
  6. 50
    A shallow, stilted romantic thriller.
  7. At its most interesting, and a bit frightening, when Moore starts to get a little loony. Too bad they didn't follow through and make this more of a psychological thriller than a melodrama.
  8. Reviewed by: Andy Seiler
    50
    Pretty hard to buy into at all.
  9. Though a hypnotically beautiful film, it's dramatically listless and dull, and completely lacking in passion.
  10. 40
    What may have looked good on paper across the Atlantic gets lost in the translation to our shores.
  11. Moore succeeds, even though the film as a whole does not fare as well.
  12. The acting is sincere and the camera work is pretty, but this art-movie variation on "The Sixth Sense" doesn't have enough energy to fulfill the high promise of Berliner's previous picture, the enchanting "Ma vie en rose."
  13. It's too gauzy, and - with its Ron Bass script - too goopy by half.
  14. Nobody's got a clue. Enquiring minds don't even want to know.
  15. Reviewed by: Eric Harrison
    30
    Like a hall of mirrors, casting back at us distorted images from other movies. It even calls to mind "The Sixth Sense." It isn't engaging in the least.
  16. Slick and effective escapism with a touch of poetry (a la "The Sixth Sense") that left me vaguely dissatisfied once the mystery was supposedly resolved.
  17. 25
    Berliner deserves something better, as do all the actors -- even Moore, who's starting to look very interesting and European.
  18. Moore can't help but be rotten. She has no grace and little nuance, which is why she's always best as a hard-ass in movies.
  19. 25
    So tedious that the experience results in nearly two hours of squirming and cringing.
  20. 20
    It's hard to imagine a movie at once more pandering and insulting to adult women
  21. 20
    An indigestible chunk of romantic marshmallow.
  22. 20
    An out-of-body experience for its viewers as well as its heroine.
  23. Less a spiritual quest than a very self-indulgent gimmick movie that could use a strong shot of inspiration.
  24. 20
    Are two Demis better than one? How you answer will determine the level of patience you'll need to sit through this bizarre pet project.
  25. 20
    It's hard to take Passion seriously because it brings to mind the kind of shallow psychology that wouldn't be out of place in a history short about Sigmund Freud on "ABC Schoolhouse Rock."
  26. Reviewed by: Emanuel Levy
    20
    This small-scale, chamber piece, which boasts good acting from Moore, Skarsgard and Fichtner, has a strong built-in appeal for women but may experience harder times in going beyond the specialized arthouse circuits due to the narrowly-scoped, undernourished script.
  27. You won't feel enlightened, just let down