- Studio: Paramount Classics
- Release Date: May 26, 2000
- Critic Score
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68Works best as romantic melodrama and is least convincing as a psychological suspenser.
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63There's no Passion in this psychological drama.
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50By the ending of the film, which is unconvincingly neat, I was distracted by too many questions to care about the answers.
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It's pretty muddle-headed and confusing.
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50Leaves the viewer exhausted, jet-lagged from the effort of investing equally in competing story lines.
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50A shallow, stilted romantic thriller.
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50At its most interesting, and a bit frightening, when Moore starts to get a little loony. Too bad they didn't follow through and make this more of a psychological thriller than a melodrama.
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50Pretty hard to buy into at all.
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50Though a hypnotically beautiful film, it's dramatically listless and dull, and completely lacking in passion.
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40What may have looked good on paper across the Atlantic gets lost in the translation to our shores.
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40Moore succeeds, even though the film as a whole does not fare as well.
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38The acting is sincere and the camera work is pretty, but this art-movie variation on "The Sixth Sense" doesn't have enough energy to fulfill the high promise of Berliner's previous picture, the enchanting "Ma vie en rose."
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38It's too gauzy, and - with its Ron Bass script - too goopy by half.
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33Nobody's got a clue. Enquiring minds don't even want to know.
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Like a hall of mirrors, casting back at us distorted images from other movies. It even calls to mind "The Sixth Sense." It isn't engaging in the least.
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30Slick and effective escapism with a touch of poetry (a la "The Sixth Sense") that left me vaguely dissatisfied once the mystery was supposedly resolved.
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25Berliner deserves something better, as do all the actors -- even Moore, who's starting to look very interesting and European.
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25Moore can't help but be rotten. She has no grace and little nuance, which is why she's always best as a hard-ass in movies.
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25So tedious that the experience results in nearly two hours of squirming and cringing.
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20It's hard to imagine a movie at once more pandering and insulting to adult women
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20An indigestible chunk of romantic marshmallow.
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20An out-of-body experience for its viewers as well as its heroine.
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20Less a spiritual quest than a very self-indulgent gimmick movie that could use a strong shot of inspiration.
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20Are two Demis better than one? How you answer will determine the level of patience you'll need to sit through this bizarre pet project.
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20It's hard to take Passion seriously because it brings to mind the kind of shallow psychology that wouldn't be out of place in a history short about Sigmund Freud on "ABC Schoolhouse Rock."
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20This small-scale, chamber piece, which boasts good acting from Moore, Skarsgard and Fichtner, has a strong built-in appeal for women but may experience harder times in going beyond the specialized arthouse circuits due to the narrowly-scoped, undernourished script.
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20You won't feel enlightened, just let down
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