Metascore
40 out of 100

Mixed or average reviews - based on 34 Critics

Critic score distribution:
  1. Positive: 10 out of 34
  2. Negative: 8 out of 34
  1. Reviewed by: Jay Carr
    75
    The kind of film you've got to admire simply for the way it squares its shoulders and plunges into a message of unfashionable idealism.
  2. Another gutsy, big-budget movie that dares to say something new and optimistic about our messed-up times. And it almost, but not quite, brings it off.
  3. Heavy-handed, saccharine message somehow goes down good.
  4. The combination of restrained writing and direction and top-of-the-line acting is enough to make even confirmed agnostics want to believe in this unashamed fairy tale.
  5. Reviewed by: Todd McCarthy
    70
    An unusual film that intelligently avoids numerous potential pitfalls even if its central earnestness is ultimately inescapable.
  6. 63
    With a cleaner story line, the basic idea could have been free to deliver. As it is, we get a better movie than we might have, because the performances are so good.
  7. Works unexpectedly well for its first three quarters.
  8. It's a pretty nice movie until, like a Ponzi plan, it collapses.
  9. 63
    Either you will weep uncontrollably during the final 10 minutes or so of this bittersweet fable...or the urge to gag will be overwhelming.
  10. More of a sales pitch than a movie.
  11. Reviewed by: Marc Caro
    50
    Too high-minded to stoop as low as it does, particularly in its unforgivably manipulative ending.
  12. You'll enjoy this sentimental drama if you feel good intentions are their own reward, at least where movies are concerned; but it'll exasperate you if you want your entertainment to have some connection with the world we actually live in.
  13. 50
    Winds up making a very good case for never going out of your way to help anybody.
  14. My rule of thumb for manipulative movies: I don't mind playing the marionette as long as the strings aren't visible.
  15. Has all the elements of a satisfying movie except knowing when to stop.
  16. There's the world-alteringly scary possibility that (Leder) might be trying to kill us with a star-studded "After School Special."
  17. 50
    There's no faulting this movie's Capra-esque concept, equal parts optimism and sad recognition of the world's intrinsic harshness, but its manipulative execution may rub you the wrong way.
  18. Reviewed by: Robert Horton
    50
    Spacey and company deserve better.
  19. It's too bad about the ending because, until then, Pay It Forward... is Hollywood feel-goodism at its best.
  20. 49
    Despite being full of Oscar-winning talent, this is still just a better-dressed, drawn-out episode of "Touched by an Angel."
  21. 42
    Feels more TV movie-of-the-week than Oscar contender.
  22. 40
    (Leder's) camera won't sit still long enough to complete a scene and tell a coherent story, skittering all over the map until you're dizzy from all the degrees of separation and spurious connection.
  23. Reviewed by: Sean Means
    40
    Tragic and phony, and proof that a contrived sad ending can be as bad as a contrived happy ending.
  24. It's so enamored of its own upbeat view of human nature that it expects you to overlook its stick-figure characters, its creaky plot machinery and its remorseless assault on your tear ducts.
  25. Reviewed by: David Edelstein
    40
    Had enough grit to scratch its way through my cynical defenses, at least until its grotesque ending. But that capper isn't an aberration -- it's the logical extension of the movie's grandiose ambitions.
  26. 40
    Baldly manipulative, emotionally counterfeit melodrama.
  27. 30
    At its core, a very manipulative piece of work.
  28. 30
    No wonder Arlene (Hunt) keeps a bottle of vodka in the chandelier. You would too with this demonic, passive-aggressive, New Age munchkin (Osment) trying to run your life.
  29. Reviewed by: Richard Schickel
    30
    As rigged as a casino slot machine, preying on people's hopes but paying off only for the house.
  30. The truth is that this programmatic Christian parable is pretty unbearable--glib, often myopic, and reeking with sentimentality and self-pity.
  31. Pushes and pushes and pushes the emotional throttle without respite.
  32. Reviewed by: David Ansen
    20
    If this is what Hollywood considers serious, important filmmaking, maybe the movie industry should stick to the low road.
  33. 10
    Crass manipulation can clean up at the box office, so do your part: Nail this flick as a bottom feeder and pay the bad word forward to three others.
  34. 0
    An overflowing septic tank of chicken-soupy sanctimony that proceeds from casually offensive hypocrisy to wretchedly inapt religiosity.
User Score

Generally favorable reviews- based on 30 Ratings

User score distribution:
  1. Positive: 9 out of 15
  2. Negative: 5 out of 15
  1. 10
    Sorry for the translation With the permission of the director, Mimi Leder, enter Class Trevor, as auditors of course. The lesson has already begun. ……… You see I am here for you every day, so I expect you to be there for me. On time without excuses. Now… This is a course, Social Studies, which you and the world. Yes, there is a world out there and even if you decide not to want to meet, however, will hit you straight in the face. Believe me. So, you better start thinking about the world now, what does it mean for you. That means the world to everyone. Courage, I want a class that participates here. It 's just from this room that want to pull you out from your home, on your street? None of you wants to go further? (A student) In stores, only 3 kilometers from my house. Oh well, I will tell you another question. How to think about things that happen outside of this city? Watch the news? Yes ... no. Well we are not global thinkers, but why do not we? Trevor: Because we have eleven. Just relief. Your name? Trevor. Maybe Trevor is absolutely right, why should we think about the world, after all what the world expects from us. Trevor: Expect ...? What the world expects from you. Trevor: Nothing! Nothing! My God, boys and girls are absolutely right. Nothing! Yes, here you are. You can’t drive, vote, you can’t even go to the bathroom without permission from me. Nothing! My God, boys and girls are absolutely right. Nothing! You are stuck. Right here, in seventh grade. ... But not forever. ... Because one day you will be free! (Applause) But what if the day on which you are free you are not prepared, you are not ready; Yet you look around ... and you do not like the world is. And ... if the world is a huge disappointment ... ...? We're screwed! Unless ... unless you take the things you do not like this world and end up making them beat off the ground buttocks. Do not tell your parentes that I used that word. And you can start doing today. This is your task. You. . . Rate and applies throughout the year. And you can start doing today. (boys) It 's so ... weird, crazy, dull, tedious. Funny, crazy, dull, tedious. How about you .... And 'possible. The realm of possibilities exist. Where? In each of you! Here! (Indicating his head). So you can do it, you can surprise us. It is up to you or you can starvene impaled, and let it atrophy. Thank you, Mimi Leder and go away from class. There are teachers who just bore you to look at them, then start talking when the focus reaches historic low. Eugene Simonet (Kevin Spacey) is not one of these for two reasons. The first. It 'a connoisseur of the human mind, than that of boys in particular. Establishing meaningful relationships, knows how to stimulate them, how to capture their attention as they move through the emotional maze. Well, not so much to teach .... (In Italian: Insomma, non insegna tanto per… .) The second. He had two masters "senators" The Book and the Life. With the former has always had a good relationship, is a thinker, he enjoys playing with words and writing. Second, it has molded in body and soul. On your body the time past, that of adolescence, has left deep furrows and devastating. But his life has become too orderly, even his moods are sorted. Every feeling has its boxes, tightly closed. Disordered for 'Chemical' is Arlene McKinney (Helen Hunt), his disorder resulting from the use of the liquid light / dark called alcohol. Liar knows how to be an alcoholic, lives with her son Trevor (Haley Joel Osment) in a working-class neighborhood of Las Vegas, singles, first communicated with his mother and then with her husband only by the bottle. Working in a strip club and a casino night, day changers. Bottles hidden everywhere. Life with You, is playing a difficult game and not want to miss. There is still something I do not want to lose the most precious, his son. He knows that she could not deceive. Trevor, eleven, despite his age, he learned too early to "live alone". Trevor loves his mother more than himself, knows his state of physical and mental health, knows that alone will never be able to write one new page and beautiful in the book of life. Is not one to abandon the game. No longer wish to live in balance. It 'tough, thoughtful, and it takes everything seriously. The deeply meditating on the work proposed by the teacher in class one morning when Simonet offers ... Think of an idea to change our world – and put it into ACTION! A Trevor do not need more than this, input, a meaningful input. In fact, while back home ...... Let's sit down and follow Trevor. There is much to learn. Good Ciak! Full Review »
  2. 10
    An incredible film which brings an original characteristic to the table, giving the audience a point of view that had not yet been recognized. Though leaving you in tears at the end, it shows the importance of how much one step in society can make a difference and even though we think we don't make a difference with the choices we make and we may not ever know the impact of those choices, the effect of them can still make a huge impact. Full Review »