User Score
7.5 out of 10

Generally favorable reviews- based on 6 Ratings

User score distribution:
  1. Positive: 5 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 1 out of 6

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  1. BrendaC.
    Aug 10, 2003
    3
    What a disappointment. The cast was exellent, but let down by a poor script. Terribly self indulgent and very unsatifactory. So sad, as it had the potential to be so much better. Thankfully I had complimentary tickets so it cost nothing, but what a waste of time!
    • 0 of 0 users said yes
  2. MichaelH.
    Dec 19, 2002
    10
    Nuanced, subtle portraits. Sharp, original view of topics that you think are well-worn. See it!
    • 0 of 0 users said yes
  3. ChadS.
    Feb 18, 2003
    10
    Was 2002 some sort of watershed year for female directors of independent film? Nicole Holofcener's "Lovely & Amazing", Jill Sprecher's "13 Conversations About One Thing", Christine Jeff's "Rain", and now Rebecca Miller's "Personal Velocity". All of these films deserve serious thought when putting together a "Best of 2002" list. I almost skipped this invigorating movie because the critic in my region panned it. She suggested we should skip the movie and read the book. Do yourself a favor and do both. Like children, don't play favorites. All three stories are wonderfully written, acted, photographed, and directed. Most importantly, this is not a chick flick. A bad film with female protagonists is a chick flick. Like "Beaches". Expand
    • 0 of 0 users said yes
  4. LampertD.
    Dec 27, 2002
    6
    Didn't really work for me, although most of the reviews I read led me to believe it would.
    • 0 of 0 users said yes
Metascore

Generally favorable reviews - based on 28 Critics

Critic score distribution:
  1. Positive: 19 out of 28
  2. Negative: 0 out of 28
  1. The actors navigate tough characters through emotional mayhem with such intense determination it's a shame they're undercut by the intrusive voice-over.
  2. The writing is self-consciously literary in a way that probably worked better on the page.
  3. Has the confessional intimacy of a video diary and performances to match, particularly those of Kyra Sedgwick and Parker Posey.