- Studio: New Films International
- Release Date: Dec 14, 2001
- Critic Score
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40Not a man, but the romanticizing of him. A lot of jive-shit.
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75It wisely lets us hear Pinero's words for ourselves, and in the end, they echo louder than the images that accompany them.
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40Bratt's fast-talking, all-attitude interpretation is showboating without soul -- which can be said of the entire movie.
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40The main drawback is Claudio Chea's vertiginous camera work -- and the print's continual alternations between black-and-white and color add nothing but a distracting ornamentation.
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80Ichaso moves easily between a black-and-white past and a full-color present, maintaining a pace as buoyant and rhythmic as the beat of the infectious Latin music that accompanies the film.
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50A biopic that is as messy as the life it details.
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50What Ichaso does do is take us on a dizzying, constantly moving ride through an exciting decade in the blossoming of "Nuyorican" culture with its most flamboyant figure as our focus.
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30There's a strong movie in this life, but writer-director Leon Ichaso ("Sugar Hill") hasn't found it.
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20A sustained piece of showboating mythmaking, and something of a snow job.
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100A daring, free-spirited and ultimately moving performance by Benjamin Bratt lies at the beating heart of Pinero.
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58Piñero never comes close to convincing us that this guy is worth a movie at all.
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70It is a career-defining performance that could catapult the 37-year-old actor beyond bland romantic leads and into the kinds of juicy anti-heroic parts once gobbled up by Mr. Hoffman and Robert De Niro.
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60Ichaso tells Piñero's story through a sometimes disorienting series of flashbacks and flash-forwards, fracturing the time frame to suit the film's internal rhythms, rather than any coherent time line.
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20Hectic, sketchy and finally dull.
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30At its most indulgent and posturing, Piñero plays like a movie the man himself might've made, between scores.
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40A well-intentioned, reverential but unenlightening portrait. It pays tribute to the artist. Yet it doesn't scrutinize him.
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30This character was an abusive swine. Perhaps it would be best to let his art stand on its own.