- Studio: Touchstone Home Video
- Release Date: Dec 25, 1999
- Critic Score
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80A wonderfully entertaining, raunchy, hilarious and savage foray into the lives of a couple of beat-up middle-weight boxers who get a second chance.
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75Either Shelton knows this world well, or he's such a great bluffer it doesn't matter.
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75Another invigorating, extremely raunchy sports movie from Ron Shelton .
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70Throws us directly into the ring for one of the most brutal fight scenes in American film.
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63Fghting your heart out at the end of this movie can't win the prize or the crowd.
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A wicked, light-headed first half dissolves into a bloody, head-bashing second half . The previews make it seem like a comedy. It isn't.
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58A boxing film with no conflictual punch.
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58The film is nothing much to look at and has trouble swallowing its own clichs and implausibilities.
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50Benefits from an amiable chemistry between Harrelson and Banderas, and Davidovich always makes a good tough-as-nails dame with more smarts than any man will give her credit for.
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50Vince and Cesar have been written to evoke equal audience sympathy, so there's no suspense whatsover in the outcome of their climactic match-up, the brutal realism of Shelton's staging notwithstanding.
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50This is still Ron Shelton in good -- not great, but good -- form here, and the rewards are plentiful.
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50Even when his work is at its most contrived, which it certainly is here, writer-director Ron Shelton is the best purveyor of jock humor around.
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40(Shelton) knows how to write pungent dialogue that covers a multitude of sins when the film goes off the rails.
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38The movie doesn't know how odd it seems to cut from the bloodshed in the ring to the dialogue of the supporting players, who still think they're in a comedy.
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38Ron Shelton's boxing pic is long on road work but strictly a flyweight.
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38It's bone tired.
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38This is no "Raging Bull."
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38Isn't going to be a contender
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38A punch-drunk lightweight. Inside the ring, it lands some forceful punches. Outside the ring, it stumbles around, swinging wildly at nothing, until it collapses.
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32Shelton attempts to fashion a kind of road movie-love triangle-sports flick. He fails on all three counts.
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30A half-hearted comedy whose jokes are far from a knockout.
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25As dopey as its heroes, and the cast's admirable energy isn't enough to keep the story punching through the final round.
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25If you really love "Bull Durham," don't go near Play It to the Bone. It will break your heart.
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25In this movie, he (Shelton) falls so hard he becomes, for the first time in his career, genuinely offensive.
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20Does not live up to its name. It's more like White Men Can't Box, Either.
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20Are they fools or heroes? Because the movie can't decide, neither can we. And without an emotional payoff, Play It to the Bone ends up stranded in serio-comic limbo.
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20Never achieves more than feckless amiability.
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20A woefully under-realized story of small-time boxers enjoying perhaps their last moment in the spotlight.
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20As dull as the decor in a Motel 6.
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10Doesn't quite have the goods.
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10The journey is a yawn -- an outpouring of backstory, punctuated by cute episodic diversions and ill-advised running gags.
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A road movie trapped in a cul-de-sac.
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10Despite some redeemable comic dialog between Banderas and Harrelson, most of the movie is TKO.