Metascore
70

Generally favorable reviews - based on 30 Critics What's this?

User Score
7.4

Generally favorable reviews- based on 12 Ratings

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Score distribution:
  1. Positive: 24 out of 30
  2. Negative: 2 out of 30
  1. 100
    It's a superb film -- funny, insightful and very wise about the realities of political life.
  2. Such a smart and savvy piece of work it encourages us to feel we're eavesdropping on history.
  3. Sophisticated and unsentimental political film.
  4. Reviewed by: Todd McCarthy
    70
    A modern immorality tale with a keen, observant edge.
  5. Reviewed by: Ken Fox
    70
    An intelligent and very funny satire about the bloody game of American politics.
  6. Reviewed by: Robert Horton
    70
    Primary Colors is by turns hugely entertaining and resoundingly square, beginning as a raucous black comedy about political mechanics and ending as a sober-sided morality tale.
  7. Reviewed by: David Edelstein
    10
    I found it so oppressively smug that I had to get up and pace the aisles three or four times, and I'd have bolted if I hadn't been duty bound to stick it out.

See all 30 Critic Reviews

Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. TonyB.
    Jan 20, 2006
    9
    This was one of 1998's best films, a sharp political satire that is both very nasty and very funny. Elaine May has written quite a script, and Mike Nichols has directed an excellent cast, all of whom deliver great portrayals. Special honors go to John Travolta, giving one of his best performances, Emma Thompson and Kathy Bates. Many Clinton haters wanted it to go further than it does, and many Clinton devotees felt it went to far. For me, it was just right. Expand
  2. Jan 3, 2014
    7
    Mike Nichols presents a political satire PRIMARY COLORS, which came timely during Bill Clinton’s infamous Lewinsky scandal and impeachment in 1998. So it might boost the publicity then, but 15 years later, when our memories fade, the film actually has weathered pretty good, narrating from a Black young novice Henry (Lester)’s eyes, who assists Governor Jack Stanton (Travolta)’s presidential campaign for the democrats, initially Henry thinks Jack is different from other politicians because he viscerally cares about adult literacy and dyslexia, but when he gets closer to him, the stain of Jack’s personal life is far more reprehensible and the conniving political game is far too scurvy for an idealist like him.

    With a light touch, the film sets its campaign process in a vibrant tempo, benignly portrays Jack as a zestful candidate who canvasses and panders to his voters with great facility (through the different connotations from his body gestures and a memorable slapstick cameo from Allison Janney) in spite of the relatively youthful and uninitiated team. Then when Jack’s wife Susan (Thompson) comes into the scene, the placid surface cannot dissemble the cracks beneath as soon as we detect Jack's philandering nature. A sex scandal is well-expected, which invites the troubleshooter Libby (an open lesbian and a close friend of Jack and Susan since college), plays by a fiery Kathy Bates, a devil-may-care warrior can track down any sources and break them, Bates is well-deserved for this hard-earned Oscar nominated performance, her wrangle with Jack and Susan about the integrity she cannot forsake is purely magnificent.

    Emma Thompson is perpetually excellent, especially under Nichol's guidance, a perfect wife behind a successful man mode is such a cinch for her and she nails it with much more nuances to accentuate her vulnerability and snobbishness. As for Travolta, it has hitherto been his last decent offer (if one can count out his droll transvestite transformation in HAIRSPRAY 2007, 8/10), underneath his cordial impression, his true color does not betray easily even in the hardest times, maybe that's why makes him a successful politician. And Adrian Lester is the audience's proxy, a wide-eyed enthusiast undergoes the tidal wave throughout, and an adamant observer which cogently influences his sea change in altitude through the screen to the viewers, bookends with the ending's artificial vagueness which also corresponds with the beginning, the same handshakes, different undertones.

    Forget about its reality allusions if you can, PRIMARY COLORS qualifies itself as a better-than-expected dissection of what politicians are made of, we are all characters with flaws, sometimes moralities and political expertise should be discriminated in order to see through the murky smoke screen and select the credentialed ones instead of stalking horses. As for most of us, the most substantial message is that there is no win-win situation or whatsoever in the political composition.
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