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Mixed or average reviews - based on 7 Critics What's this?

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  • Summary: 1938, Prague. Emil, a radio reporter, is married to the beautiful Hana, an actress whose new film has catapulted her into fame. As the Nazis come to power, however, Hana's Jewish heritage precipitates her fall from stardom to the bottom of the social ladder. In order to protect her, Emil compromises himself collaborating with the new Nazi-controlled state radio station. But as Emil starts enjoying the attention and respect that had previously evaded him, his fidelity and loyalty towards his wife begin to falter. The assassination of the Third Reich Deputy Protector and a chance encounter on a bicycle bring their lingering marriage to a crisis, possibly sealing Hana's fate. (Film Movement) Collapse
Score distribution:
  1. Positive: 1 out of 7
  2. Negative: 0 out of 7
  1. Reviewed by: Sheri Linden
    Aug 1, 2011
    Young director Marek Najbrt, commendably, is not interested in wringing easy tears from the European experience of World War II. In the handsome drama Protektor, he brings a cool, noirish slant to a story of Czech artists and intellectuals as they accommodate and to a lesser extent resist the German occupiers.
  2. Reviewed by: Elizabeth Weitzman
    Aug 5, 2011
    Though it remains a little too enigmatic, Marek Najbrt's Holocaust drama is atmospheric enough to keep us edgy on its heroine's behalf.
  3. Reviewed by: Vadim Rizov
    Aug 13, 2011
    The strong central hour - full of beautifully assembled linking montages and a refreshingly offbeat sense of dramatic timing that could pass for comedy - makes up for a lot, marking Najbrt as a filmmaker to watch.
  4. Reviewed by: Joseph Jon Lanthier
    Aug 1, 2011
    Engendering an experience both visually slick and narratively sprawling, the apropos-of-nothing professionalism of Protektor often feels more like branding than filmmaking.
  5. Reviewed by: Jeannette Catsoulis
    Aug 4, 2011
    Dipping in and out of luminous black and white, Protektor has a distancing glamour that prevents the story from digging in. Burdened by a central relationship so lacking in passion that its fate becomes negligible, the film's narrative feels trivialized by jaunty musical fragments and repetitive cycling and rowing motifs that belabor Emil's metaphorical treadmill of appeasement.
  6. Reviewed by: Michelle Orange
    Aug 2, 2011
    Najbrt gets the look and feel of noir fatalism down, but storytelling that alternates between roughshod and lethargic means the film doesn't hold together as much more than pretty fragments.
  7. Reviewed by: David Fear
    Aug 2, 2011
    Protektor is simply another in a long line of diluted stories about life during wartime, one whose diminished returns only further trivialize a legacy of real-life horror.
Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of