Mixed or average reviews - based on 28 Critics

Critic score distribution:
  1. Positive: 12 out of 28
  2. Negative: 2 out of 28

Critic Reviews

  1. Ultimately, p.s. confirms Kidd's talent without expanding it or achieving the comic/dramatic heights of "Roger Dodger."
  2. Even though the story ultimately doesn't match the intensity with which it began, the movie's extraordinary for its two main performances.
  3. 75
    P.S., adapted from Helen Schulman's novel, is Linney's show, and she makes it hilarious and haunting.
  4. 75
    An intriguing and satisfying romance that may hold some appeal even for those who normally do not like films about affairs of the heart.
  5. Reviewed by: Peter Debruge
    Director Dylan Kidd sneaks some pretty profound observations about love and life by us.
  6. The offbeat screenplay turns even the corny bits in unpredictable directions, and it's rare indeed to see such consistently superb ensemble acting.
  7. 75
    Fascinating because it require us to see the younger character through two sets of eyes -- our own, which witness an attractive woman drawn to a younger male, and the women's, which see a lost love in a new container.
  8. Once you get beyond the absurdity of the premise, it works.
  9. There is still plenty to like about p.s. , including its smart humor and its surprising ability to absorb.
  10. 70
    Somehow, wondrous acting holds things together.
  11. Wanders off on story tangents that can't be called anything other than bizarre, but nevertheless oddly engages.
  12. Reviewed by: Mike Clark
    Linney remains a full-blooded character so memorable that she's worth watching - even in a less-than-memorable movie.
  13. 60
    The film is based on the novel by Helen Schulman, who co-wrote the script with Kidd, and it suffers from the same hobbling that bedevils so many literary adaptations; namely, that what strikes a reader as a conceit of some delicacy will strike a moviegoer as clunking whimsy.
  14. 60
    While not dwelling on plot eventually gets P.S. in trouble during the slack finale, it gives Linney and Grace plenty of room to maneuver.
  15. The question of whether this is a movie about reincarnation or fate or middle-aged delusion remains unaddressed far beyond our capacity to care. Many of the admirably long conversational scenes are pointless; some, like Harden and Linney's climactic bitch-fest in a hotel room, are flat-out absurd.
  16. A meticulously rendered romantic drama, very well acted and featuring solid production values and location work that makes New York feel like one of the movie's characters. The only problem is the story is rather flat.
  17. Reviewed by: Todd McCarthy
    Laura Linney’s beautiful performance is most of the story in p.s.
  18. The movie implodes, with each actor less vivid than he or she ought to be and each character less connected to the others than necessary for such an arbitrary plot.
  19. 50
    All movies require suspension of disbelief to a certain degree, but p.s. really pushes the envelope.
  20. Goes disappointingly soft despite two dynamite lead performances.
  21. Grace fares better than Linney, and both escape with more dignity than Harden, whose blowsy, wanton Missy is a coarse, soap-opera caricature of a suburban hoyden.
  22. Its premise had me worn out by the second reel.
  23. 50
    This sappy stuff gets better direction by Kidd (who made the far superior Roger Dodger) than it deserves, and Linney gives a wonderfully wistful portrayal of urban loneliness.
  24. P.S.'s ending, a cautiously happy conclusion, feels like an afterthought.
  25. Reviewed by: Ty Burr
    Contains more than its share of implausibilities and absurdities.
  26. Even the always radiant Linney can't save this misbegotten film.
  27. What's disheartening is that an actress as fine as Ms. Linney has to endure the indignity of such excremental nonsense.
User Score

Mixed or average reviews- based on 6 Ratings

User score distribution:
  1. Positive: 2 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 1 out of 3
  1. ChadS.
    Jul 16, 2006
    In one of the deleted scenes, we can see that Louise(Laura Linney) has no input when it comes to who the selection committee admits into In one of the deleted scenes, we can see that Louise(Laura Linney) has no input when it comes to who the selection committee admits into their art program. She stays out of the room. What's in the movie works better because the happy ending makes us a little uncomfortable. "P.S." is at its best when Louise and F. Scott(Topher Grace) are feeling each out. There's also a pretty hillarious scene that involves Linney with Gabriel Byrne(playing her ex) because his confession, albeit heartfelt and sincere, is nonetheless, self-indulgent and smarmy. But "P.S." loses its steam when it turns into a high school drama between Louise and her best friend Missy(Marcia Gay Harden). Full Review »