Metascore
76 out of 100

Generally favorable reviews - based on 39 Critics

Critic score distribution:
  1. Positive: 32 out of 39
  2. Negative: 1 out of 39
  1. Reviewed by: Steve Persall
    Jan 12, 2011
    100
    Sounds depressing, although Rabbit Hole isn't, with David Lindsay-Abaire presenting a perceptive, subtly dark-humored adaptation of his Pulitzer Prize-winning play.
  2. Reviewed by: Richard Corliss
    Dec 14, 2010
    100
    Kidman, in a career-best performance, and Eckhart lend pitch-perfect calibration to the couple's shared and separate agonies. It's as if previous treatments of the subject were a series of failed experiments, and Rabbit Hole is the Eureka! moment.
  3. Reviewed by: Keith Phipps
    Dec 16, 2010
    91
    Rabbit Hole is a tremendously sad movie, but it's also the furthest thing from a miserablist wallow.
  4. Reviewed by: David Ansen
    Jan 4, 2011
    90
    Rabbit Hole deftly sidesteps sentimentality and still wrenches your heart.
  5. 90
    The Kidman in Rabbit Hole is a revelation.
  6. Reviewed by: Pete Hammond
    Dec 7, 2010
    90
    It's an unforgettable, moving and brilliantly acted drama that richly deserves to be seen by anyone who cherishes great filmmaking.
  7. Reviewed by: Calvin Wilson
    Jan 14, 2011
    88
    Might be mistaken for a mere soap opera. But it's actually an emotional symphony.
  8. Reviewed by: Roger Moore
    Jan 12, 2011
    88
    That message, this script and these actors make Rabbit Hole one of the best films of 2010.
  9. Reviewed by: Roger Ebert
    Dec 24, 2010
    88
    Entertaining and surprisingly amusing, under the circumstances. The film is in a better state of mind than its characters. Its humor comes, as the best humor does, from an acute observation of human nature.
  10. Reviewed by: Ty Burr
    Dec 24, 2010
    88
    Rabbit Hole is a personal project for Kidman - she produced the film after falling in love with the play - and it seems to have revived the quickness in her. That ice-blue gaze has found its focus again, and it looks deep into the one thing none of us want to face.
  11. Reviewed by: James Berardinelli
    Dec 22, 2010
    88
    Uncompromising, painful, and at times difficult to watch, this movie lays bare more than a few raw nerves. Some viewers will find it too real, too immediate. It's an experience, to be sure, but I wouldn't classify it as entertainment.
  12. Reviewed by: Rex Reed
    Dec 20, 2010
    88
    This meticulously nuanced, sensitively acted film version of the Pulitzer Prize-winning play by David Lindsay-Abaire gives Nicole Kidman her best role in years, and she chews it like raw steak.
  13. Reviewed by: Rick Groen
    Dec 17, 2010
    88
    Don't go down this Rabbit Hole unless you wish to see a superb film that treats a sad topic with unflinching honesty. Don't go down this Rabbit Hole unless you believe that tragedy's grief, when transmuted through art's protective lens, can feel liberating, even joyful in its painful truths.
  14. Reviewed by: Peter Travers
    Dec 17, 2010
    88
    Nicole Kidman is just astonishing in Rabbit Hole - subtle, fierce, brutally funny, tender when you least expect it, and battered by the feelings that hit her when she forgets to duck.
  15. Reviewed by: Claudia Puig
    Dec 16, 2010
    88
    Profound and superbly acted, with a moving script superbly adapted from David Lindsay-Abaire's Pulitzer-winning play.
  16. Reviewed by: Ella Taylor
    Dec 17, 2010
    85
    Mitchell brings respect, tenderness and a generous helping of his antic wit to Rabbit Hole, not to mention a rare gift for adding visual radiance to a talky stage play.
  17. Reviewed by: Helen O\'Hara
    Jan 31, 2011
    80
    Kidman, in particular, hasn't been this good since "To Die For" and maybe not even then.
  18. Reviewed by: Bill Goodykoontz
    Dec 28, 2010
    80
    The film is quiet, patient, allowing for lived-in performances that get at the enormous change in the characters' lives.
  19. Reviewed by: J.R. Jones
    Dec 24, 2010
    80
    John Cameron Mitchell directed, making an impressive detour in style and subject matter after his flamboyant "Shortbus" (2006) and "Hedwig and the Angry Inch" (2001).
  20. Reviewed by: Joe Morgenstern
    Dec 16, 2010
    80
    Nicole Kidman places the bereaved heroine of Rabbit Hole in a nether land between life and not-quite-life. Her beautiful performance transcends the specifics of the script, which David Lindsay-Abaire adapted from his play of the same name.
  21. Reviewed by: Stephanie Zacharek
    Dec 15, 2010
    80
    Director John Cameron Mitchell - adapting David Lindsay-Abaire's play - has a surprisingly deft touch with this admittedly downbeat material; he builds dramatic intensity in subtle layers, rather than slapping it on with a trowel.
  22. Reviewed by: Peter Debruge
    Dec 7, 2010
    80
    Grief may be the topic under examination, but humor -- incisive, observant and warm -- is the tool with which it's dissected in Rabbit Hole, a refreshingly positive-minded take on cinema's ultimate downer: overcoming the death of a child.
  23. Reviewed by: Marjorie Baumgarten
    Jan 14, 2011
    78
    Although it is achingly sad, Rabbit Hole is not maudlin or depressing.
  24. Reviewed by: Lawrence Toppman
    Jan 13, 2011
    75
    Mitchell keeps the direction simple and well-behaved, usually just pointing the camera at the speaker, but you can see why this topic appealed to him.
  25. Reviewed by: Rene Rodriguez
    Jan 12, 2011
    75
    Absorbing and hugely compelling, a thoughtful portrayal of the myriad ways in which we learn to deal with the unthinkable.
  26. Reviewed by: Ann Hornaday
    Dec 25, 2010
    75
    What on the surface seems to possess all the melodrama and photogenic suffering of a banal prime-time weepie instead becomes a lucid, tough, deeply sensitive examination of emotional fortitude.
  27. Reviewed by: Carrie Rickey
    Dec 25, 2010
    75
    Wrenching, poignant, and quietly healing.
  28. Reviewed by: Michael Phillips
    Dec 24, 2010
    75
    Rretains what made it work on stage, chiefly a disarming sense of humor amid the grimmest sort of personal crisis, and a pair of juicy leading roles.
  29. Reviewed by: Owen Gleiberman
    Dec 8, 2010
    75
    Eckhart shows a new kind of foreboding anger. He's powerful as a man who will do anything to crack the ice.
  30. Reviewed by: Anthony Lane
    Dec 28, 2010
    70
    Against all expectations, you approach Rabbit Hole with a heavy heart and leave with a lighter one.
  31. Reviewed by: A.O. Scott
    Dec 16, 2010
    70
    Rabbit Hole could easily have been maudlin, grim or exploitative, and it is none of those things. It is sensitive, considerate, and, in the end, not entirely persuasive.
  32. Reviewed by: Peter Rainer
    Jan 22, 2011
    67
    Although the filmmakers try to avoid roteness, the conflicts tend to play out along circumscribed lines. This gives the film a seesaw sameness. It's all a bit too diagrammed.
  33. Reviewed by: Kenneth Turan
    Dec 16, 2010
    60
    A tragedy devastating to experience can feel generic when transferred to the screen, and that, despite everyone's best intentions and an outstanding performance by Nicole Kidman, is what happens with Rabbit Hole.
  34. Reviewed by: David Fear
    Dec 14, 2010
    60
    Easily the most gracefully performed grief-porn you'll see this season.
  35. Reviewed by: Kirk Honeycutt
    Dec 7, 2010
    60
    The film does achieve moments of catharsis, but it can be heavy going.
  36. Reviewed by: Mick LaSalle
    Dec 25, 2010
    50
    As a viewing experience, the film is by turns heartrending and stultifying, but mostly stultifying.
  37. Reviewed by: Karina Longworth
    Dec 14, 2010
    50
    Becca and Howie's extracurricular relationships are the saving grace of a movie that's otherwise a sledgehammer of plot and score.
  38. Reviewed by: Joe Neumaier
    Dec 17, 2010
    40
    Kidman is able to draw you in even as the movie's solemn, morbid obviousness wears you out.
  39. Reviewed by: Kyle Smith
    Dec 17, 2010
    38
    It contains no poetry. It simply conjures up a horrible feeling -- and then sits back awaiting congratulation.
User Score

Generally favorable reviews- based on 44 Ratings

User score distribution:
  1. Positive: 19 out of 22
  2. Negative: 2 out of 22
  1. 'Rabbit Hole' is a modern day drama about how people cope with death. In particular, this film is about how two well-adjusted parents deal with the untimely death of their son. Uplifting, I know. That may sound like an unenjoyable premise, but 'Rabbit Hole' delivers a subtle but delightful punch that will leave you smiling. This movie, based on David Lindsay-Abaire's play, is absolutely worth seeing. From the get go we learn that the stakes are high. The main characters, Becca (Nicole Kidman) and Howie (Aaron Eckhart), are unable to deal with the loss of their son. At a support group of similarly suffering parents we see that, as one may expect, everyone's state of mind and well being is constantly in flux. Even more, the very relationships holding these couples together is tearing at the seams. The mood is subtle and sad, but interspersed with melancholy snapshots of everyday life. I cared about these people because they are unique, they have incredible challenges to overcome, and they have imperfections they must deal with. As the story unfolds we witness Becca and Howie's fruitless attempts to cope with the grief while slowly glimpsing the details of their son's death. Becca's family is supportive, however that doesn't prevent a number of confrontations when the topic of the accident comes up. Her mother (Dianne Wiest), wants nothing but to help but only ends up provoking Becca. These tension relieving arguments are both painful and believable. While Becca and Howie seek out their own individual outlets to get over their loss, they remain loosely coupled in what appears to be a now loveless marriage. It is what they find on their own that ultimately results in a wonderful final scene that is captivating, sad, and uplifting all at once. I laughed at some of the atheistic remarks that Becca makes, most of which were biting and inappropriate. It closely mirrors my internal though process, words which I think but would never say. But Becca has no reason to hold things back. She's dealing with the death of her only son. This results in Becca putting those around her in unfair and difficult situations. I also really enjoyed one of the group therapy scenes. Howie and another mother Gaby (Sandrah Oh) decide to get high in the parking lot before the meeting. The two stoned sufferers then laugh inappropriately when a couple talks about the death of their daughter. It was absolutely inappropriate, but their marijuana induced haze let them rise above the anguish of their children's deaths despite suffering that very same experience. Nicole Kidman really shines in this movie. She has several awkward moments that are pitch perfect and entirely realistic. It's easy to identify with this character as we've all had such clumsy social encounters, however hers occur much more frequently as the result of the constant dwelling on the death of her son. Aaron Eckhart and Dianne West also shine in their performances, although Eckhart could at times be accused of being too subdued. West is rumored to be in the running for Supporting nominees. However, Miles Teller, a fairly unknown young actor who portrays Jason, the driver of the car in the accident, is perfectly cast. He's genuine and reserved and is completely captivating. His self made comic book, an artistic outlet to escape the death he caused, gives the movie it's namesake. It is the often unplanned meetings in which Jason and Becca speak about their shared misery that are the highlights of 'Rabbit Hole'. As I hinted at earlier, 'Rabbit Hole' is very well written. The music accompanies the mood perfectly, primarily featuring a piano that slowly creeps in and out. And although it is very well shot, cinematographer Frank G. DeMarco takes no artistic risks beyond capturing the story on screen. I'm really happy to see director John Cameron Mitchell take a step back from his otherwise risqué films. If this is the sort of drama he is capable of directing then I am excited to see what he'll do next. I think this movie may never reach a critical audience because of its somber subject. That's unfortunate, because this sort of writing, acting, and story deserves to be both told and seen. 'Rabbit Hole' is truly unique in that it focuses squarely on people overcoming sadness and coping with pain in a very realistic human way. It tackles this somber subject with a refreshing sense of grace, humor, and relief. Full Review »
  2. "Rabbit Hole" is definitely of the the best films I've recently seen. The cast is just superb, led by the mesmerisingly good Nicole Kidman and Aaron Eckhart. The supporting roles are extremely strong as well, making it a all-around "actor's film." Kidman, Eckhart and Wiest definitely deserve all the praise they have been getting for the film, especially Kidman, who is as bar as she last was in "Birth" in 2004. The screenplay is so well written that it does not drag one down the rabbit hole, but it makes one understand it, feel it to an extent and feel for the characters (and with them). However, it does not drag one down into depression, but it shows hope in realising and accepting grief the way one has to do it - and hopefully grow through it. Excellent acting, excellent directing, as well as screenplay and the original score - Rabbit Hole is simply a must see! Full Review »
  3. "Rabbit Hole" manages to display the acceptance and overcoming of grief by the powerful lead roles of Kidman and Eckhart as they journey through their triumph over human emotion in a very realistic and subtle way. Full Review »