User Score

Universal acclaim- based on 50 Ratings

User score distribution:
  1. Positive: 46 out of 50
  2. Negative: 3 out of 50

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  1. Apr 8, 2013
    This review contains spoilers, click expand to view. Akira Kurosawa's final epic, Ran, takes on William Shakespeare's King Lear. To me, from head to toe, this Kurosawa's picture which symbolizes downfall is absolute stunning such gorgeousness in a film is utterly rare, and of course, it is one of the Kurosawa's many best films. Ran is a success having nominated for Academy Awards for best art direction, best cinematography, best costume design and best direction and won one. Ran was also nominated for a Golden Globe for Best Foreign Language Film.

    I repeat this Ran, from head to toe, is absolutely stunning, and of course this movie is perfect. The film's cinematography, which is top notch, is a killer. The way Kurosawa captured the images of burning castle, a moving horses, dead soldiers, battle scenes are all undeniably respectable, and sublime too, and one great example would be the scenes where the attack of the third castle was occurring. Very much in evidence that Kurosawa's talent in film-making is transcending. The film's script which was being written by Kurosawa himself, Hideo Oguni and Masato Ide is yet admirable. The exploitation on poetic lines are proved to be effective and fitting for the movie.

    One would see great performances in Ran. Good acting by the players, but to me, the two actors who stood up above the rest are Tatsuya Nakadai and Mieko Harada. Tatsuya Nakadai plays the great lord Tatsuya Nakadai. The great lord is old, fragile and somewhat defenseless and the character is well characterized by him. Mieko Harada plays a female villain Lady Kaede, whose character is hungry for revenge. Her amazing performance which is raw and gripping, plays a very important part for the success of the movie.

    Surely there are several movie elements which are worthy to be carried out for discussions, but to me, the main highlight of Ran is its cinematography, and it is one hell of a show.


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Universal acclaim - based on 11 Critics

Critic score distribution:
  1. Positive: 10 out of 11
  2. Negative: 0 out of 11
  1. The triumphant masterpiece of Akira Kurosawa's fertile twilight.
  2. As close to perfect as filmmaking gets.
  3. 80
    A magisterial film, but not quite a great one.