- Studio: Magnet Releasing
- Release Date: Nov 18, 2009
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Anyone who enjoys stylized hyper-violence should be enthralled by this long, sweeping, murderously vivid dramatization of ancient Chinese warfare, circa A.D. 208.
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90The immensity encompasses such variety, subtlety and intimacy that you may find yourself yearning for more.
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88This is magnificent filmmaking, and a magnificent film.
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Red Cliff is a dichotomous beast: The computer-generated imagery that makes so much of it possible is served up in heaping, state-of-the-art portions, but the results occasionally border on the cartoonish. At the same time, Red Cliff is a classic tale that gets a classicist's treatment.
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83The spectacular battle scenes are the engorged heart of the delirious adventure. But Woo also gets maximum romantic value from Tony Leung as a war hero married to Chiling Lin as the tea-pouring beauty.
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83Woo's hand is sure and his eye, as ever, finds beauty in everything, even death.
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80Camp, over-the-top and entirely unbelievable: in short, the best thing John Woo has made in years.
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80It's a movie on the Hollywood scale that has so much of the Asian spirit. It has drawn the Asian audience back to the movie theater.
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Red Cliff exudes a physical grandiosity that few movies of the past 20 years have attempted--no matter that Woo, even at his best, is still more at ease with down-and-dirty action than epic pageantry.
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80Balances character, grit, spectacle and visceral action in a meaty, dramatically satisfying pie that delivers on the hype and will surprise many who felt the Hong Kong helmer progressively lost his mojo during his long years stateside.
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75A scrumptious war movie.
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75As expected, it has gaping holes where back stories used to be. Still, it's a historical war movie with impressive sweep, strong characterizations and the kind of idiosyncratic flourishes that made Woo such an irresistible storyteller.
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75We are reminded: War is hell. But at their best, war movies can be cool and beautiful.
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A prelude that provides the beams and columns for the narrative framework, but with a few decisive and spot-on action spectacles, it sufficiently kindles expectations for the climactic clash in Part 2.
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70Any war picture in which the heroine stalls the villain with a quiet, painstaking tea ceremony until the wind shifts direction and the good guys can firebomb the bad guys into oblivion is too ineffably Zen not to love.
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70Returning to his roots after a stint in Hollywood, Woo has made the most expensive film in mainland Chinese history, a pleasantly traditional picture that marks a new direction for one of the world's premier action maestros.
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While handsome and intelligent and perfectly easy to sit through, never really approaches the visceral tug of Mr. Woo's Hong Kong hits.
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67You may have the biggest flat-screen DLP monitor in the city, but Red Cliff will never look half as spectacular as it will on the big – and I mean really big – screen.
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67The film is both traditional and modern: austere in its engagement with history, and insistent in its showy action beats.
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63Even at 148 minutes (and viewed twice!), you still feel as if you're watching the longest coming attraction ever for a John Woo movie.
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60Overlong but ambitious, Woo proves he's as good at tactical maneuvers as he is at close-quarters combat.
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60For all his brilliance with choreography, Woo is flummoxed by the thousands of actual human extras, though there's no denying his commitment to the finer points of battle tactics (yawn).
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User score distribution:
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Positive: 3 out of 4
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Mixed: 1 out of 4
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