Metascore
60

Mixed or average reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 8 out of 15
  2. Negative: 0 out of 15
  1. Reviewed by: G. Allen Johnson
    75
    A gentle, pleasant film about people you genuinely like.
  2. Writer-director Georgia Lee never leaves any doubt that the bonds of ethnic family devotion are a charm against any woe more serious than an engagement to the wrong white guy.
  3. Well-told and charming, debuting writer-helmer Georgia Lee's comedy-drama Red Doors is big on heart but never sappy. Without overdoing the quirk factor or the melodrama, Lee shows a sure feel for family dynamics, and her light touch brings out the best in the ensemble's lovely, understated performances.
  4. 70
    A peppy if uneven charmer with a fetchingly wistful edge.
  5. Following Woody Allen, Ang Lee and any number of sitcoms, Georgia Lee constructs her well-shot, well-written film around three daughters.
  6. There's enough affection and insight here to make Lee's next movie worth watching for.
  7. 63
    Packs five films' worth of drama, crises and revelations into one, and often lapses into sitcom triteness.
  8. Reviewed by: Ty Burr
    63
    Think of Red Doors as a promise, and hope that Georgia Lee keeps it.
  9. 60
    A film about a family billed as "bizarrely dysfunctional" – is a pleasant enough experience. However, it probably could have used a little more of the bizarre or dysfunctional to spice things up.
  10. Reviewed by: Melissa Levine
    60
    Everything you'd expect from a frosh-indie effort: stilted dialogue, oversimplified relationships, sitcommy goofiness, and cringe-inducing romances. And yet Red Doors is so well-meaning, with such obvious affection for its characters, that it pleases nonetheless.
  11. This agreeable, lightweight movie, written and directed by Georgia Lee, turns the malaises of a suburban family into bittersweet farce that teeters between cheeky humor and surface pathos.
  12. Reviewed by: Joshua Katzman
    60
    Predictable but sincere.
  13. 50
    The script falls victim to the stereotypes and clichés so often found in movies about Asian-American families. Still, Lee shows talent, although it might take a feature or two before she finds her own voice.
  14. Reviewed by: Scott Warren
    50
    Ma, who portrayed the stone-faced General in the Coen brothers' comedy "The Lady Killers," once again plays his role largely silent. As the despondent Ed, Ma says more with a few facial expressions & twitches than most performers could hope to with a three-page monologue.
  15. Reviewed by: Ronnie Scheib
    50
    A lightly feminist, good-naturedly comic sketch of a Chinese-American family in crisis. But despite pic's earnestness and obvious good intentions, narrative elements, carefully set forth though they may be, fall back on overfamiliar, underdeveloped tropes.

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