- Studio: Zeitgeist Films
- Release Date: Aug 23, 2002
- Critic Score
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83Undoubtedly downplays the seamier, less attractive experiences of Arab women and men in Tunisian cabaret culture, and plays up the fairy-tale charm of the universal ''Flashdance'' formula in an unusual setting.
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83Movie is so hip-swingingly infectious and leaves us with such a high that it's hard not to suspect that -- handled right -- it could well become the fall version of "My Big Fat Greek Wedding."
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80A sweet and sexy celebration of real women's real bodies.
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80Noteworthy for its rich characterizations and startling plot twists, including a delightful surprise ending that is both a sexual double entendre and a matriarchal triumph.
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80Belly dancing isn't always the most thrilling of dances, but it's a blast to see these women shaking and rolling because they're so thoroughly in charge of the male clientele and their own sexuality.
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80The movie rides on Ms. Abbass's serenely confident performance. As Lilia metamorphoses from a shy housebound widow into a woman calmly rejoicing in her body and her sexuality, Ms. Abbass marks her character's every blush and hesitation in the process of letting go with a winning delicacy and sweetness.
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It's a simple story, exposing the beauty that lives inside difficult relationships, and it leaves you feeling quietly exalted without ever seeming to try.
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80Although the movie is slow-going at first, it gradually awakens, like Lilia. And then it dances.
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80In short, I never quite believed the story, but this movie is more about feeling than thinking.
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A fascinating examination of the joyous, turbulent self-discovery made by a proper, middle-aged woman.
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75Sincere acting and heartfelt filmmaking add energy to this unassuming Tunisian drama.
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75Both curious from a cultural perspective and refreshing.
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75More than a predictable self-discovery yarn about the caterpillar that turns into a beautiful butterfly.
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75Part of the charm of Satin Rouge is that it avoids the obvious with humour and lightness.
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70The nuances of the performances -- in dialogue and dance -- and the rich, organic feel of the locations mark Amari as a director of significant promise.
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67Anchored by a terrific performance by Abbass, Satin Rouge shows that the idea of women's self-actualization knows few continental divides.
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63Though far from perfect -- the film is predictable -- Satin Rouge is a refreshing view of a foreign culture.
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63Despite some contrived plotting, Amari and Abbass have so much empathy for Lilia's shy self-discovery, it's a pleasure to watch her gradually give in to her newfound joy.
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63A sensual performance from Abbass buoys the flimsy story.
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60Vividly photographed in shimmering colors and driven by a propulsive score.
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60Predictable as Satin Rouge's plot points may be, it ultimately resists characterization as an amiable and conventional tale of sexual rebirth.
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