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- 2017
- PG-13
- Lionsgate Premiere
- 1 h 51 m
- 2017
- PG-13
- Lionsgate Premiere
- 1 h 51 m
Summary Rememory explores the unexplained death of Gordon Dunn (Martin Donovan), a visionary scientific pioneer whose body is found shortly after the unveiling of his newest work: a device able to extract, record and play a person's memories. Gordon's wife, Carolyn (Julia Ormond), retreats into her house and cuts off contact with the outside wor...
Directed By: Mark Palansky
Written By: Mike Vukadinovich, Mark Palansky
- 2017
- PG-13
- Lionsgate Premiere
- 1 h 51 m
- 2017
- PG-13
- Lionsgate Premiere
- 1 h 51 m
Rememory
48
5.4
Where to Watch
Summary Rememory explores the unexplained death of Gordon Dunn (Martin Donovan), a visionary scientific pioneer whose body is found shortly after the unveiling of his newest work: a device able to extract, record and play a person's memories. Gordon's wife, Carolyn (Julia Ormond), retreats into her house and cuts off contact with the outside wor...
Directed By: Mark Palansky
Written By: Mike Vukadinovich, Mark Palansky
Where to Watch
Top Cast
Metascore
Mixed or Average
Based on 10 Critic Reviews
48
30% Positive
3 Reviews
3 Reviews
60% Mixed
6 Reviews
6 Reviews
10% Negative
1 Review
1 Review
Metascore
Mixed or Average
Based on 10 Critic Reviews
48
30% Positive
3 Reviews
3 Reviews
60% Mixed
6 Reviews
6 Reviews
10% Negative
1 Review
1 Review
The film successfully argues that it’s through sensory details that we access the deeper aspects of our lives.
Heading a troupe of excellent actors bringing their A games to this decidedly B-movie material, Dinklage and his fellow performers are a pleasure to watch selling the hell out of this sci-fi-tinged whodunit.
User Score
Mixed or Average
Based on 17 User Ratings
5.4
18% Positive
3 Ratings
3 Ratings
76% Mixed
13 Ratings
13 Ratings
6% Negative
1 Rating
1 Rating
User Score
Mixed or Average
Based on 17 User Ratings
5.4
18% Positive
3 Ratings
3 Ratings
76% Mixed
13 Ratings
13 Ratings
6% Negative
1 Rating
1 Rating
The biggest fault of this movie is that it's too casual. Nothing is special except for the plot and the idea behind the story. That is basically the only good thing about it and that is why I rate it a 6 and not a 5. Directors style ordinary, writing and script casual as fu8k, even the acting is wont. The movie sadly doesn't have a sci-fi vibe, it's not very fun to watch, and doesn't offer a lot of entertainment either. VFX and SFX are barely looking and sounding good. There is a rather ugly pacing issue at the beginning which makes it even more cumbersome to watch. There is no lesson at the end just a couple of plot twist's which come too late to save the whole story. Overall it's a slightly above average movie, which sadly is just another every day sci-fi.
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The original premise with a great performance by Dinklage. I really loved the ending too and felt it was so fitting. It's just the journey to the ending was kind of meh. There are too many attempts at laying a red herring and it just doesn't work. Especially when the moment the main character, Dinklage, confronts one of these suspects, They are immediately proven innocent. So what was the point in trying to make them a red herring?
Also, Wasn't a fan of the directing. I thought the first-person point of view used for the memories was kind of cheap looking. And I don't understand the art choice of making select memories shot from a first-person point of view while a majority of others were done in third-person. That didn't make sense to me.
All in all, I was on the verge of giving it a higher score but I think the directing and story flaws kind of knocked it back a bit. It is not a terrible movie as critics tried to make it out to be. It was enjoyable to watch but it should have been better.
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Despite its obviously strong philosophical and emotional interest in the nature of memory, the picture is most satisfying as a whodunit, observing Dinklage's deeply empathetic interviews with those who've been wounded, not helped, by a procedure that was meant to be therapeutic.
Dinklage is a terrific actor who’s always engaging to watch, and he elevates this screenplay’s plot holes and lame dialogue.
The final effect is akin to that of a Hallmark card inscribed by Christopher Nolan, and it’s that earnest self-importance of tone that finally makes this light sci-fi effort a bit of a trudge, despite Dinklage’s committed and empathetic performance.
Rememory somehow managed to attract Peter Dinklage, Julia Ormond, and other established performers, and yet it completely lets them down.
A hodgepodge of pseudoscientific twaddle and variously shifty murder suspects, Rememory satisfies neither as science fiction nor as psychological drama.
Lento, muito lento. Depois de alguns minutos se torna chato e pesaroso. Ruim
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Awards
Canadian Cinema Editors Awards
• 1 Nomination
