User Score
6.0

Mixed or average reviews- based on 66 Ratings

User score distribution:
  1. Positive: 39 out of 66
  2. Negative: 22 out of 66

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  1. Sep 21, 2010
    0
    Nonsensical crap. Guy Ritchie trying to be clever and failing miserably. Anyone who thinks it was a good film is quite simply pretentious. The whole reference to kabala in what is essentially a guys and geezers as Komode says is ludicrous. The ideology behind this affront to the senses is that of a prepubescent bafoon.
  2. Apr 5, 2011
    0
    LMFAO can this review just be a review of ArmundW's random-thesaurus-word-generator paragraph comment? Have a glass of wine and swish it around. You will still fail the SAT.
  3. May 23, 2011
    4
    Very disappointing film! I am a big fan of Guy Ritchie's early gangster flicks (Lock, Stock and Two Smoking Barrels and Snatch), but this one lacks the wit and freshness of both the other two. Ritchie regular Jason Statham just seems like he is going through the motions of the same role he always plays, and Andre Benjamin has no screen presence at all. Ray Liotta is the best part of the movie as the over the top stressed out mob boss.

    The twists and turns this film takes are very forced and by the end I really didn't care who did what and why! This film was made in 2005, barely released theatrically in America (if at all!), and then was released on DVD in America three years later in 2008 (maybe there is a reason why!).
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  4. May 2, 2012
    2
    One of teh worst movies I've ever seen. It blow's my mind the script made it that far. The one word I would use to describe the plot is convoluted. It's worth watching if you have nothing and i mean nothing else to do.
Metascore
25

Generally unfavorable reviews - based on 21 Critics

Critic score distribution:
  1. Positive: 1 out of 21
  2. Negative: 15 out of 21
  1. The film's pretentious style and fractured storytelling preclude any audience involvement in the coy melodrama.
  2. Reviewed by: Todd McCarthy
    20
    Guy Ritchie shoots a blank with Revolver, which replays the low-life criminal shtick from his first two features with an ill-advised overlay of pretension. The action, attitude and wise-guy talk all feel moldy this time around.
  3. Reviewed by: Nick Pinkerton
    30
    It's no return to rock, this, but rather Ritchie's soporific, proggy-conceptual Film of Ideas, with Vivaldi interludes, fussbudget set design, recurrent references to chess, and a hit man inexplicably got up as Tati's Mr. Hulot.