- Studio: Overture Films
- Release Date: Sep 12, 2008
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70I'd like to recognize Russell Gewirtz for a screenplay that boasts humor, an impressive plot twist, and for setting up plenty of room for De Niro and Pacino to get their grooves back in order.
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60Despite how easy it would be to write off Righteous Kill as one sorry excuse for lazy filmmaking, there is still something utterly mesmerizing in the palpable chemistry between the two leading men.
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50An ordinary cop picture boosted by two charismatic superstars but hindered by its dearth of surprises.
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50The movie, which has more than 10 credited producers, feels like one of those slick, for-the-money projects Hollywood studios cook up via graph charts and marketing surveys.
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50A twisty, turny and ultimately silly thriller from "Inside Man's" Russell Gewirtz.
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50A relatively harmless movie that becomes killing-a-mockingbird sinful for what it does to its leads.
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50The entire movie is one big build-up to a twist that, while not exactly cheating, plays is an awfully cheap trick.
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50Its failure to live up to even modest expectations is a blow. There's nothing righteous to be found here.
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50In pairing the two icons, Righteous Kill is definitely an event. What it isn't is much of a movie. Such a waste.
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50Righteous Kill's script is credited to "Inside Man's" Russell Gewirtz, and you wonder how the sleek, nuanced flow of that earlier movie evaded this one.
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It's astonishing how much intensity and focus these two have lost, but the picture itself is not all that bad -- if you can get the collapsing-career thing out of your head.
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Watching these old pros play longtime buddies is a pleasure, especially since they're together in most scenes. But this thriller by Jon Avnet (88 Minutes) is mostly by the numbers, and its surprise ending, though effective, feels somewhat forced.
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45Slack, morally ambiguous, decidedly sub-Dexter serial-killer-cop story that's been cooked up for them (De Niro/Pacino).
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42Trudging through a thriller that would have felt warmed over in 1988, the pair investigate a serial killer.
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40Of the supporting performances, Gugino, Leguizamo and Wahlberg offer solid turns, but are let down by dialogue.
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40It's a sad state of affairs when the best news about Righteous Kill is that it isn't awful.
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40A clutter of recycled cop-movie and serial-killer film clichés.
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40Instead of the meeting of maestros at the top of their form, Righteous Kill has the feeling of Roger Clemens and Barry Bonds facing off for the first time in an exhibition game. It's like Old Timers' Day at the Motion Picture Home.
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40Unable or unwilling to match the visceral chops and moral provocations of superior serial-killer chillers, Righteous Kill is content to be a twisty genre exercise; it's like "Seven" as reimagined by M. Night Shyamalan.
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38By the time the movie reaches its protracted conclusion, it feels like a slog. Pacino has a few funny lines, as does Leguizamo, but not nearly enough to save the film from collapsing under the weight of its own self-righteous tedium.
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38When actors are as great as De Niro and Pacino, watching them in a movie like Righteous Kill is deadly.
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38Under the guidance of Jon Avnet, they're (De Niro/Pacino) both playing New York police detectives - partners, no less - in the cop-and-serial-killer tale Righteous Kill, and they're thunderously mediocre.
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30The movie is hectic, exhausting, and baffling. It's an embarrassment.
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25Righteous Kill, a.k.a. The Al and Bob Show, is a cop flick with all the drama of "Law and Order: AARP." This movie defines drag-ass.
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25A slow-moving, ridiculous police thriller that would have been shipped straight to the remainder bin at Blockbuster if it starred anyone else.
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25It's not much fun to see these two reduced to "Mad TV" parodies of themselves.
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20There's nothing righteous about this tired and tiresome good cop/bad cop NYPD procedural.