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90Robocop is as tightly worked as a film can be, not a moment or line wasted.
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88A first-rate production full of nonstop action and inventive special effects but what truly makes Robocop spellbinding is a superior script.
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80It was this love of mayhem combined with a biting comic attack on neo-fascist corporatism - most notably seen in the TV ads for products like the apocalyptic board game Nuke 'Em - which helped raise Robocop above the common sci-fi herd.
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80Despite a level of lurid violence that may offend many, this movie has a motor humming inside. It's been assembled with ferocious, gleeful expertise, crammed with humor, cynicism and jolts of energy. In many ways, it's the best action movie of the year. [17 Jul 1987]
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Robocop is one weird and entertaining hybrid of camp and sci-fi shoot-'em-up.
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80With its droll underpinnings, Robocop does for cyborgs and Detroit what "Blade Runner" did for androids and L.A.
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75Robocop is a thriller with a difference.
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75Though Robocop is too well-crafted to be entirely loathsome, it's at best an amoral goof. Yet like the comparably silly Lethal Weapon, it cynically pushes all the right action-audience buttons. Better duck - here comes a monster hit. [17 Jul 1987]
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75[Verhoeven's] cold, slick, funny, high-powered movie is informed by a humanism this genre almost always abandons in its chase after vigilante splat. [17 Jul 1987]
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Paul Verhoeven, a Dutch director ("Soldier of Orange"), doesn't let the furiously futuristic plot get in the way of the flaming explosions, shattering glass and hurtling bodies.
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67Great effects and a nasty undercurrent drive this vehicle.
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63Robocop isn't going to win Verhoeven any medals - the focus remains on action, guns and gore - but it's a flashy movie with enough wit to be more than just another dumb bucket of bolts. [17 Jul 1987]
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63The action is skillfully directed by Dutch filmmaker Paul Verhoeven, and there are many bursts of razor-sharp social satire. But the story amounts to a celebration of brute force in a crudely etched law-and-order context.
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50Paul Verhoeven's RoboCop is a stylish piece of work that leaves a sour aftertaste. [17 Jul 1987]
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50It's a violent yet occasionally funny film - thanks to some inventive gags that pop up - and it hits some of the same blood-splashed chords as "Terminator." [17 Jul 1987]
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There's a brooding, agonized quality to the violence that almost seems subversive, as if Verhoeven were both appalled and fascinated by his complicity in the toxic action rot.
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RichardT.10Great story, great effects, timeless science fiction!