- Studio: Warner Bros. Pictures
- Release Date: Jun 15, 2012
- Critic Score
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38Shankman's staging of the numbers - especially the leaden choreography and hackneyed locations such as the Hollywood sign - was far sloppier and less creative than for his last musical, the vastly superior "Hairspray."
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38Don't stop believing. Just avoid clichéd musicals that try to capture the anarchic spirit of rock with trite commercial re-treads.
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38Rock of Ages gets too mired in plotty cul de sacs, manufactured setbacks and numbers that are all staged as show-stoppers. In the words of the Journey song that serves as a climactic singalong, it goes on and on and on and on.
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33This glossy musical, from "Hairspray" director Adam Shankman, is a shameless crowd-pleaser where cardboard characters use the most overplayed and ubiquitous hits of the 1980s to express the aching banality of their souls.
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30Rock of Ages withholds nothing and makes miracles seem cheap.
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30Though it has moments where it rises to fun-awful status, with a hideous giddiness that turns moviegoers into rubbernecking motorists at a crash site, it's mostly just awful.
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30Creating plot from lyrics, in this case, leads to heavy-handed literalism and limited creativity. The wall of music is amusing for a while, but grows into a loud, wearying assault long before the movie's two hours are up.
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30A cinematic event. It's not every day, after all, that you get to see two great American traditions - guitar/bass/drums rock music and Tin Pan Alley musical theater - so thoroughly, mutually degraded.
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25Oddly tone deaf.
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20Doubtless, like The Producers, it will be adapted back into the theatre, some time in 2017, at which time it will be even more bland and tiring.
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12If the Adam Shankman film's debasement of its subject into campy kitsch is the unavoidable fate of all culturally dangerous art, that doesn't make it any less palatable.
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0I haven't seen a movie this bad since "Battlefield Earth" and "Howard the Duck."