- Studio: Paramount Pictures
- Release Date: Apr 7, 2000
- Critic Score
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75But the single most compelling performance may belong to Australian actor Guy Pearce.
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75The drama ultimately retreats to safer, duller, more illogical, and more reactionary impulses and stereotypes.
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70Worth it, though, for the conviction and ramrod-erect bearing that pros Jackson and Jones bring to their roles.
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70Friedkin turns on the juice and Jones and Jackson let it rip.
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63Works splendidly as a courtroom thriller about military values as long as you don't expect it to seriously consider those values.
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63As mechanical and predictable as a cuckoo clock, it shouldn't work half as well as it does.
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63The setup doesn't make sense from the get-go.
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60Jones even manages to save this somewhat tiring film.
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60Friedkin does a superb job of serving up the well-appointed script by James Webb and Stephen Gaghan.
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50Written with such murderous gravity, certainty and gloomy solemnity - such an absence of real life or feeling - that it tends to kill our interest.
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50It's bottom-feeder entertainment wrapped up in high-minded airs.
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50Sometimes, movies would work better if you couldn't see them.
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50The sentiments here are thoroughly semper fi, but the result occasionally works at cross-purposes.
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50This military courtroom drama is full of questions, but woefully short of answers.
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50It's a deftly executed crowd-pleaser, but it's dishonest to the core.
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50What rescues the movie, time and again, is the strength of Jones' and Jackson's performances.
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50Passable, moderately diverting dramatic entertainment.
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50There's not much going on here, and there is little suspense.
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50A broad and obvious approach to ambiguous material that's virtually all plot mechanics with little nuance or characterization.
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40It's amazing the filmmakers never really concern themselves with satisfying the audience's rules of engagement.
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40It is the verdict of this court that it be led to a stockade reserved exclusively for cheap, pandering movies and duly shot.
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38Pearce is shot in such distorting closeups that he looks like an overdeveloped athlete who's been getting steroid injections in his cheeks.
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38A casualty of its own clumsy storytelling.
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38Strenuously as it tries, and pulse-poundingly successful as the embassy rescue scene is, Rules of Engagement never engages us.
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35Formulaic and pretty darn plodding.
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Plays like an episode of "JAG," the naval courtroom TV series. A L-O-N-G episode.
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30It just doesn't work. Worse, it's downright offensive.
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25Spoiled by its simplistic portrait of people from the Mideast as incorrigibly violent and untrustworthy.
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25A wildly dull, predictable script whose holes seem to be courtesy of random sniper fire.
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25By the time the film plummets to its rock bottom, we find ourselves in a flag-waving no-brainer of the first order, and one of the most thoroughly confused morality tales in recent memory.
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10The clichés lap like bay waves, from the salutes to the brotherly brawl to the olive-oil tear streaks semipermanently painted down Jackson's cheeks.
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