- Studio: Twentieth Century Fox Film Corporation
- Release Date: Oct 4, 2013
- Critic Score
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38Runner Runner is a bad run of cliché clichés.
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38Affleck? You never believe a word he says, not a gesture. This is the sort of acting he did in the sort of movies he made before he started writing and directing his own movies — bad.
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38Remember the old Ben Affleck, the one who made 28 consecutive bad movies before he turned out to be a pretty good director? He’s back! Behold, the second coming of . . . Badfleck.
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38The sort of generic crime thriller - stick-figure characters, pointless muddle of plot, people entering and exiting SUVs and Lear jets with a sense of urgency - that feels like it could drag on forever, and drag us down into a purgatory of stupefaction with it.
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38When it’s time for the hot sex scene between Timberlake’s ambitious Richie Furst and Rebecca (Gemma Arterton), his boss’s luscious second-in-command, the encounter is as charmless and chemistry-free as the wooden banter that has led up to it. I’ve had dentist’s appointments that were sexier.
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37The film might take its name from poker subculture, but it lacks all the urgency, single-mindedness and swiftness that the title implies at its most literal. Runner Runner is a bummer. Bummer.
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30It feels like a halfhearted bluff and has the stale smell of yesterday’s after-shave.
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30What's actually up onscreen in this vaguely ambitious but tawdry melodrama falls into an in-between no-man's-land that endows it with no distinction whatsoever, a work lacking both style and insight into the netherworld it seeks to reveal.
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25The actors hit the jackpot, but only in terms of their paychecks. The audience gets a tension-free, tight-assed, "Casino" ripoff that leaves them thoroughly fleeced.
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25Runner Runner is less than mediocre, but it's not repellent, which means that to watch it is to root for it - and to be disappointed.
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25In its early moments, the movie evokes everything from "The Social Network" to "Casino." By the end, the film has become as exciting as a game of Old Maid. R-rated thrillers are hardly ever this dull and listless, but this movie manages to eradicate all of Timberlake’s charisma and makes you flash back to Affleck’s "Paycheck"/"Gigli" era. How does this even happen?
User score distribution:
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Positive: 0 out of 8
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Mixed: 5 out of 8
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Negative: 3 out of 8
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