- Studio: Wellspring Media
- Release Date: Nov 29, 2002
- Critic Score
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100The film is a glorious experience to witness, not least because, knowing the technique and understanding how much depends on every moment, we almost hold our breath.
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100Extraordinary film, one that, like the museum itself, captures and shows three centuries of Russian culture and history in all its beauty, confusion, terror and majesty.
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100Well worth seeing on the wide screen before its video release next year. It's guaranteed to take your breath away.
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100The result is a magnificent feast for the eyes and brain.
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Marks a cinematic milestone.
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100Who most of these exquisitely costumed people are I have no idea, but they brush past the camera in such rapids of jubilation it's a wonder they don't knock the thing over. I watched most of the film exhilarated, but depressed that I'm not a big Russophile.
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100Audacious, gorgeous and unique.
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100High art, low comedy, hard labor and royal prerogative are here thrown together in an elegant unity, a breathtaking demonstration of Russian cinematic -- hence artistic -- brilliance.
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100Turns out to be more than simply a near-miracle of filmmaking, however; it is also an astonishing work of art, a historical epic that drifts through one's consciousness like a reverie.
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100An astonishing technological feat, but what is even more remarkable is that the technology does not overwhelm the artistry.
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100A coda that will have the movie's audience gasping in exhilarated exhaustion, whispering astonished gratitude to Sokurov for having created vigorous art out of 21st century video technique and asking themselves, "What's the Russian word for Wow!?"
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100Dramatically, this is something of a waking dream.
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91That rare thing at the movies these days: a new experience. It awes us with its technological feat, it sweeps us up in its mystical spell and, with its final scene -- it takes us to an emotional climax of almost unbearable poignancy.
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90A magnificent conjuring act, an eerie historical mirage.
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90Seems destined to go down in film history as a technical tour de force.
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90By the time of the closing shot -- twists of fog rising like spectres from a leaden sea -- even the most stubborn viewer will be lying back in a state of happy hypnosis. [16 December 2002, p. 106]
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88Even in its most tedious scenes, Russian Ark is mesmerizing.
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83It was only with the advent of digital technology that the notion of an entire film done in a single take became possible. Mike Figgis got there first with ''Time Code,'' and now the Russian director Alexander Sokurov has brought off a comparably startling feat with Russian Ark.
User score distribution:
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Positive: 22 out of 32
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Mixed: 2 out of 32
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Negative: 8 out of 32
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GilbertGilbertovitchMulroneycakeski10
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