- Studio: New Line Home Video
- Release Date: Aug 23, 2002
User Score
5.7
out of 10
Mixed or average reviews- based on 30 Ratings
User score distribution:
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Positive: 17 out of 30
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Mixed: 7 out of 30
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Negative: 6 out of 30
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BobG.Aug 28, 20029I don't see how you can't like this movie. It IS a funny, dark comedy and smart. These critics who say it is light didn't see the same movie that I did. Pacino is great, as always, and it is a successful satire. Makes the viewer think (how novel!), which might be why it's getting such mixed reviews.
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MattR.Aug 31, 200210Wonderful, quirky film that actually has a brain! Yes, it is funny in many parts, but the metafiction angle is where this work really shines. Truly a "postmodern" marvel in that it is conscious of its own artificiality, Simone is much better than heavy-handed, saccharine drivel like "Signs".
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DavidSep 12, 20029This movie is awesome. Pacino's great in this movie and I'm falling for Rachel Roberts... Definitely worth your time & money. I'm waiting for the DVD :-)
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GregoryAug 27, 20029I wonder if some of the people commenting here even saw the movie, which was humorous and clever. It was released in August not because it was bad, but because New Line felt the general public was too stupid for intelligent cinema anymore. They were right.
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TylerC.Jan 18, 20049I don't know why nobody seemed to really like this film. I know that the Simone voice was fakey but honestly I can see where the media can take something and make a big deal out of it. Take Michael Jackson and Lisa Marie. Their marriage was just as artificial as Simone and people still talk about it. Pacino is great in everything he does. I was just very entertained.
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10Such a tedious Hollywood farce, so unpleasantly glib and relentlessly shallow, that Pacino's excessive performance is not even the worst thing about it.
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60That's not to say Simone doesn't offer a good time. Shove aside its self-righteous agenda and it's a deft kick, a light comedy whenever it's not trying to play heavy. And it's bolstered by Al Pacino in a lively performance.
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50Writer-director Andrew Niccol -- gets this Hollywood satire off to a rousing start. But the middle flattens, despite Pacino firing on all cylinders. And the end just nose-dives into something silly and, worse, sentimental.