- Studio: IFC Films
- Release Date: May 16, 2008
- Critic Score
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75The film is built around two relationships, both touching, both emotionally true.
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The acting is impeccable, with Hernandez radiating an air of sleazy charm and Ochoa doing terrific work as a bitter man who's just lonely enough to have chinks in his well-developed armor.
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75Zalla constructs a suspenseful movie with no intention of sugarcoating the daily hardships of New York's underclass.
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75An intriguing, if flawed mystery set in the shadowy subterranean world of undocumented Mexican immigrants.
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70Intricately and imaginatively structured, building to a powerful climax of complex irony.
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70And Jesus Ochoa, the veteran actor who plays Diego, makes us jealous of Mexico. How easily powerful he is, how complex without pretense.
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60The result is contrived, but compelling--as is the movie's high-powered humanism.
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58The film seems even more one-note when compared to the recent indie feature "Chop Shop," which also follows young immigrant hustlers in NYC, yet takes the time to provide a fuller picture of the city and its opportunities. Zalla prefers to wallow in the dead-end, an approach that's initially powerful, then numbing.
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50Zalla, a graduate of Columbia's film school, is talented and single-minded. He needs to lighten up, literally. He frames his characters to bring out all their sweaty desperation, and his palette is dark with splashes of muddy brown; even the street scenes look as if they were shot in a dungeon.
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40The movie shows the city as both an intimidating and enticing place for new arrivals, but ultimately gets bogged down in the cliched split destinies and intentions of its main characters.
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40Although it exhibits a heartfelt connection with the city's half-invisible population of illegal immigrants, its myriad inconsistencies and strained plotting are increasingly frustrating.
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40Ochoa is such a masterful actor that he makes things fairly interesting despite the script, with Hernandez and Espindola well-cast as two young men operating by different moral compasses.
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