- Studio: First Run Features
- Release Date: Sep 5, 2008
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80This is a modest, thoughtful, independent production of exceptional insight and quietly devastating power.
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75What's admirable about Save Me is that it grounds its religious and cultural debate not in vilifying one side but in sympathizing with both.
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75Doesn't poke fun at anyone's beliefs.
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75A solid performance by the often underrated Judith Light lends considerable weight to this melodrama's controversial subject.
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75Even those of us who find anti-homosexual ''deprogramming'' to be hideously intolerant and naive may find ourselves oddly relieved that Mark is there (in a Christian rehab center).
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Though Save Me never quite surmounts its schematic scenario, scene by scene, beat by beat, it's pretty damn good.
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70Save Me is a particularly flattering showcase for Gant, best known for his work on the TV show "Queer as Folk" and ready for a big-screen breakout.
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Allen and Gant are principals in Mythgarden, a movie production company that promotes gay and lesbian storytelling, and Save Me makes a respectable showing as an early effort.
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63An earnest drama about the futility of "rescuing" gay men back to Jesus, Save Me presents a paradox: It's an issue drama in which the most compassionately drawn character is on the other side of the issue.
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60The first feature from new gay-focused production company Mythgarden, is a welcome exception in that it effectively dramatizes the issues without caricaturing or pillorizing either party.
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50For its intention to promulgate the compatibility of Christianity with homosexuality, Save Me deserves a footnote in the political battle between these traditionally adversarial groups. As a movie, it doesn't amount to much more than an after school-special with sex and profanity.
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50Never quite shakes off its aura of second-rate made-for-TV movie, Save Me has a lot of heart but little nerve and no surprise.
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30Insipid, TV-bland drama.
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25Sounds like a great idea for a gay porno, but the soapy Save Me actually takes itself seriously.