Metascore
48

Mixed or average reviews - based on 12 Critics

Critic score distribution:
  1. Positive: 4 out of 12
  2. Negative: 2 out of 12
  1. 50
    Certainly it's not for everyone, but fans of Euro-sleaze will groove on Argento's obvious charms and the film's dystopian thrill ride, while the rest will probably doze off dreaming Fassbinder dreams.
  2. Has a voyeuristic tug, but all in all it's a lot less sensational than it wants to be.
  3. 80
    This is such a dazzlingly self-assured directorial debut that it's hard to know what to praise first.
  4. It's a demented kitsch mess (although the smeary digital video does match the muddled narrative), but it's savvy about celebrity and has more guts and energy than much of what will open this year.
  5. Argento knows how to work her stuff, and the result is by turns saucy and grody, a fat lasagna of yesterday's "extreme" behavior dripping with Euro cheesiness.
  6. Italian actress, writer and director Asia Argento's performance in the godawful Scarlet Diva is one of those bawl, spit, scream and vomit exhibitions that provoke admiring applause in acting classes and great gales of laughter in theaters.
  7. 63
    This is an egotistical endeavor from the daughter of horror director Dario Argento (a producer here), but her raw performance and utter fearlessness make it strangely magnetic.
  8. 40
    Though Scarlet Diva contains flashes of pungent black humor and self-deprecation, it's hard to know how seriously Argento takes herself, or how much her real life has been inflated for dramatic effect.
  9. Permeated by a self-pitying, adolescent naïveté.
  10. 60
    Actress-turned-writer/director Asia Argento's angry, outspoken, semi-autobiographical rant of a film is strident and occasionally juvenile, but it packs an undeniable wallop.
  11. Reviewed by: David Rooney
    30
    A repetitious, borderline-silly vanity project.
  12. What a world we'd live in if Argento's Hollywood counterparts -- say, Sarah Michelle Gellar, or even Christina Ricci -- had this much imagination and nerve. Few of them, at any rate, have Argento's reserves of lonesome passion and unspigoted woe.

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