- Studio: Shadow Distribution
- Release Date: Jul 13, 2005
- Critic Score
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100A travelogue unlike any other.
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A beautifully shot and edited film that treats its subjects fairly.
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70Delightfully demented.
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70Made for the BBC, this travelogue of America's southern backwoods is both blessed and cursed by its fascination with the colorful--lively alt-country sounds and fancy word spinners like novelist Harry Crews.
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63A movie about identity that can't quite pinpoint its own, Andrew Douglas' road-trip documentary about the Deep South does eventually meander toward audience enlightenment.
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60Ultimately fails to illuminate its subject, though it does offer some evocative moments and terrific music along the way.
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60White's take on southern life is no more "real" than the stereotypes he's trying to disrupt, just cooler.
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60A lovely, faintly sinister travelogue.
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60Occasionally, this richly lyrical movie passes over the line separating sympathetic exploration from freak-show condescension.
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50Far too often, Douglas indulges his preference for the superficial over the substantive: The plentiful performance footage -- shot in overproduced, music-video fashion -- overwhelms the film, as do White's purplish, faux-poetic musings.
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50Florida-born folksinger Jim White serves as guide on this musical tour of the rural South, conceptualized less as a state of mind than as an atmosphere.
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50Ultimately, pic feels very much like a romanticized, outsider's view of the South that willfully seeks out the culture's strangest, most weirdo aspects for other outsiders' gleeful delectation.
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By the time White gets around to condescending remarks... the film has become a sort of BBC "Hee Haw," meant to reassure Brits and New Yorkers that the South is indeed a land of pistol-toting, Jesus-praising gap-toothed freaks.
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20Tiresome, trite and choked with every lousy Dixie-fried stereotype imaginable.
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User score distribution:
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Positive: 2 out of 3
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Mixed: 0 out of 3
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Negative: 1 out of 3
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PaulF.8
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ChrisS.10